{"title":"\"Dies Bildnis ist bezaubernd schön\"：论十八世纪戏剧的形态学","authors":"David E. Wellbery","doi":"10.1080/00168890.2024.2372766","DOIUrl":null,"url":null,"abstract":"The essay argues that Lessing’s Nathan der Weise, Goethe’s Iphigenie auf Tauris, and Mozart’s and Schikaneder’s Die Zauberflöte—products of a slightly dilated decade (1779–91)—realize a single morp...","PeriodicalId":516871,"journal":{"name":"The Germanic Review: Literature, Culture, Theory","volume":"5 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-08-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“Dies Bildnis ist bezaubernd schön”: On the Morphology of Eighteenth-Century Drama\",\"authors\":\"David E. Wellbery\",\"doi\":\"10.1080/00168890.2024.2372766\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The essay argues that Lessing’s Nathan der Weise, Goethe’s Iphigenie auf Tauris, and Mozart’s and Schikaneder’s Die Zauberflöte—products of a slightly dilated decade (1779–91)—realize a single morp...\",\"PeriodicalId\":516871,\"journal\":{\"name\":\"The Germanic Review: Literature, Culture, Theory\",\"volume\":\"5 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-08-26\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Germanic Review: Literature, Culture, Theory\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/00168890.2024.2372766\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Germanic Review: Literature, Culture, Theory","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/00168890.2024.2372766","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
“Dies Bildnis ist bezaubernd schön”: On the Morphology of Eighteenth-Century Drama
The essay argues that Lessing’s Nathan der Weise, Goethe’s Iphigenie auf Tauris, and Mozart’s and Schikaneder’s Die Zauberflöte—products of a slightly dilated decade (1779–91)—realize a single morp...
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