{"title":"Recognition and its Grounds in Sophocles’ Oedipus the King","authors":"Ella Wilhelm","doi":"10.1080/00168890.2024.2375540","DOIUrl":null,"url":null,"abstract":"When Oedipus enters the stage for the first time in Sophocles’ Oedipus the King, he carries the invisible burden of a backstory—familiar to spectators but not yet himself—that calls into question h...","PeriodicalId":516871,"journal":{"name":"The Germanic Review: Literature, Culture, Theory","volume":"25 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-08-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Germanic Review: Literature, Culture, Theory","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/00168890.2024.2375540","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
When Oedipus enters the stage for the first time in Sophocles’ Oedipus the King, he carries the invisible burden of a backstory—familiar to spectators but not yet himself—that calls into question h...