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Ford Madox Ford’s Unusual War: Ongoing Worry and Modernity 福特-马多克斯-福特的非同寻常的战争:持续的忧虑与现代性
Humanities Pub Date : 2024-06-03 DOI: 10.3390/h13030084
Nur Karatas
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引用次数: 0
Absurdity in Medieval Literature? Der Stricker’s Pfaffe Amîs as a Transgressive Literary Enterprise Long before Modernity 中世纪文学中的荒诞?早在现代性之前,斯特里克的《爱弥儿之歌》就已成为一种跨时代的文学创作方式
Humanities Pub Date : 2024-05-24 DOI: 10.3390/h13030080
Albrecht Classen
{"title":"Absurdity in Medieval Literature? Der Stricker’s Pfaffe Amîs as a Transgressive Literary Enterprise Long before Modernity","authors":"Albrecht Classen","doi":"10.3390/h13030080","DOIUrl":"https://doi.org/10.3390/h13030080","url":null,"abstract":"Although the concept of the Absurd seems to be characteristic only of modernity, especially since WWII, we face the intriguing opportunity to investigate its likely first emergence in the early thirteenth century in Der Stricker’s Pfaffe Amîs (ca. 1220). While the narrative framework insinuates that meaning and relevance continue to be the key components of the priest’s life, especially because he constantly seeks new sources of income for his own generosity and hospitality, his various victims increasingly face absurd situations and are abandoned even to the threat of insanity and death. The analysis of the verse narrative suggests that the protagonist begins to embrace crime and violence as the norm for his operations as a fake merchant. Thus, in some of the episodes of this famous Schwankbuch, elements of the absurd become visible, creating considerable irritation and frustration, if not horror and desperation, among the priest’s innocent victims.","PeriodicalId":509613,"journal":{"name":"Humanities","volume":"4 11","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141099442","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Humility and Perspective-Taking: Ford’s Ethics and Aesthetics of War Writing 谦逊与透视:福特的战争伦理与美学写作
Humanities Pub Date : 2024-05-22 DOI: 10.3390/h13030078
Eve Sorum
{"title":"Humility and Perspective-Taking: Ford’s Ethics and Aesthetics of War Writing","authors":"Eve Sorum","doi":"10.3390/h13030078","DOIUrl":"https://doi.org/10.3390/h13030078","url":null,"abstract":"In an essay written sometime in 1917 or 1918, unpublished during his lifetime and only discovered in 1980, Ford Madox Ford reflects on what his war experience in France taught him: “above all things—humility”. This article argues that Ford’s writing about humility and perspective-taking in his wartime essays, which he connects to unstinting attentiveness to the particularities of place and people, can be read through an ecocritical lens that sees an ecological humility as central to reorienting human relationships within the natural world. In reflecting on both the lessons of war and the causes of such conflicts, Ford highlights humility in terms of perspective-taking and, in a related move, foregrounds the necessity for the precise use of language—both he sees as key to representing and preventing war. In so doing, I argue, Ford calls for an aesthetics and an ethics of war writing. Such literature must realize the impossibility and hubris of the bird’s-eye view, instead rooting itself in the ground, both literally and linguistically, while using a precise language that emerges from a clear awareness of this limited perspective.","PeriodicalId":509613,"journal":{"name":"Humanities","volume":"53 16","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141109302","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Plato’s Shadow: The Encroaching Doctrine of the Soul’s Immortality in the Early Church 柏拉图的阴影:早期教会中悄然兴起的灵魂不朽论
Humanities Pub Date : 2024-05-16 DOI: 10.3390/h13030077
Matthew Lawrence Chambers
{"title":"Plato’s Shadow: The Encroaching Doctrine of the Soul’s Immortality in the Early Church","authors":"Matthew Lawrence Chambers","doi":"10.3390/h13030077","DOIUrl":"https://doi.org/10.3390/h13030077","url":null,"abstract":"The influence of Plato’s concept of the soul as innately immortal and indestructible had a profoundly unbiblical influence upon many of the early church fathers’ views regarding human nature, the final judgment of the wicked, and God’s gift of immortality to believers. I will argue my thesis by initially defining the nature of the soul according to the Hebrew Bible and the Christian New Testament, with an emphasis on its mortality. I will primarily utilize Scripture itself, although secondary sources—such as commentaries on the Hebrew and Greek versions—are essential due to interpretational differences. This will help to demonstrate how the Biblical view differs significantly from the Platonic view. Likewise, I will explore the Platonic view of the nature of the soul through the use of various primary and secondary sources. Additionally, I will use the writings of many early church fathers to highlight various instances in which the early church adopted the Platonic view of the soul and applied it to areas of their theology. Lastly, I will use both primary and secondary sources to make the case that the adoption of Platonic doctrine on the immortal soul has had an ‘unbiblical’ influence on how many Christians have viewed human nature, which alters the views of the final judgment of the wicked as well as the concept of God’s gift of immortality to believers in Christ. Ultimately, I will argue that this issue is important because it affects how we see the character of God and is, therefore, related to how we worship him.","PeriodicalId":509613,"journal":{"name":"Humanities","volume":"16 11","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140969130","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Bruce Springsteen, Rock Poetry, and Spatial Politics of the Promised Land 布鲁斯-斯普林斯汀、摇滚诗歌和应许之地的空间政治学
Humanities Pub Date : 2024-05-13 DOI: 10.3390/h13030075
Shankhadeep Chattopadhyay
{"title":"Bruce Springsteen, Rock Poetry, and Spatial Politics of the Promised Land","authors":"Shankhadeep Chattopadhyay","doi":"10.3390/h13030075","DOIUrl":"https://doi.org/10.3390/h13030075","url":null,"abstract":"The humanistic-geographical associations of popular music foster the potential to articulate the production and reproduction of an activity-centered politicized ontology of space in the everyday social life of any creative communitarian framework where an alternative set of lifestyles, choices, and tastes engage in a constant play. A cursory glimpse at the (counter-)cultural artistic productions of the American 1970s shows that the lyrical construction of real and imaginary geographical locales has remained a distinguishing motif in the song-writing techniques of the celebrated rock poets. In the case of Bruce Springsteen, whether it is the ‘badlands’, constituting the rebellious and notorious young adults, or the ‘promised land’, which is the desired destination of all his characters, his lyrical oeuvre has numerously provided an alternative sense of place. Springsteen’s lyrical and musical characterization of fleeting urban images like alleys, hotels, engines, streets, neon, pavements, locomotives, cars, etc., have not only captured the American cities under the changing regime of capital accumulation but also contributed to the inseparability of everyday social lives and modern urban experiences. Against the backdrop of this argument, this article seeks to explore how the socio-political and cultural aesthetics of Springsteen’s song stories unfurl distinct spatial poetics through their musical language. Also, the article attempts to delineate how Springsteen’s unabashed celebration of the working-class geography of the American 1970s unveils a site of cultural struggle, wherein existing social values are reconstructed amidst imaginary landscapes and discursive strategies of resistance are weaved.","PeriodicalId":509613,"journal":{"name":"Humanities","volume":"79 12","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140984459","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Sick Body Writing: Towards an Affective Genetic Criticism 病态身体的书写:走向情感基因批评
Humanities Pub Date : 2024-05-09 DOI: 10.3390/h13030073
Emily Bell, Andrea Davidson
{"title":"The Sick Body Writing: Towards an Affective Genetic Criticism","authors":"Emily Bell, Andrea Davidson","doi":"10.3390/h13030073","DOIUrl":"https://doi.org/10.3390/h13030073","url":null,"abstract":"The Sick Body Writing: Towards an Affective Genetic Criticism examines the idea that manuscripts can be affected by illness as much as their authors’ bodies are. This article aims to highlight a critical gap in the methodology of literary genetic criticism by introducing a new lens of affective genetic criticism. Genetic criticism looks at the archive of drafts and notes related to a literary work-in-progress. The application of affect theory brings focus to the impacts of the author’s bodily experience during writing while in different states of un/healthiness. The effects of authors’ health on their writing, especially textual non/production and the representations of un/healthiness, can be found in their archive in a variety of forms, whether represented in the narrative or responsible for elements of the narrative’s structure. Using two case studies from different literary canons, James Joyce (modernist) and Aidan Chambers (children’s and Young Adult), the article concludes that this lens can be productively applied to understand better the embodiment of writing processes and adaptations of writing environments as a result of affective needs.","PeriodicalId":509613,"journal":{"name":"Humanities","volume":" 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140994755","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Introduction: Border Politics and Refugee Narratives in Contemporary Literature 导言:当代文学中的边境政治与难民叙事
Humanities Pub Date : 2024-05-09 DOI: 10.3390/h13030074
Laura Lojo-Rodríguez, Noemí Pereira-Ares
{"title":"Introduction: Border Politics and Refugee Narratives in Contemporary Literature","authors":"Laura Lojo-Rodríguez, Noemí Pereira-Ares","doi":"10.3390/h13030074","DOIUrl":"https://doi.org/10.3390/h13030074","url":null,"abstract":"Refugeehood—whether triggered by religious intolerance, ethnic strife, political repression, war, or environmental factors—has been a constant throughout human history, but it was not until the twentieth century that refugees were endowed with legal status on an international level [...]","PeriodicalId":509613,"journal":{"name":"Humanities","volume":" 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140996733","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Allegorical Vision: The Promotion of the Senses and the Vision of the Entendimiento in Calderón’s El cubo de la Almudena 寓言式的视觉:卡尔德龙《阿尔穆德纳的立方体》中感官的提升与 "实体 "的愿景
Humanities Pub Date : 2024-05-07 DOI: 10.3390/h13030072
Katerina J. Levinson
{"title":"Allegorical Vision: The Promotion of the Senses and the Vision of the Entendimiento in Calderón’s El cubo de la Almudena","authors":"Katerina J. Levinson","doi":"10.3390/h13030072","DOIUrl":"https://doi.org/10.3390/h13030072","url":null,"abstract":"The following article examines the role of the sentidos and the entendimiento in Pedro Calderón de la Barca’s auto sacramental, El cubo de la Almudena. While scholarship recognises the pervasiveness of the play on the senses in early modern Spain, scholars often either deny or overemphasise the reliability of the senses as a means of truth acquisition. Moreover, scholarship often attaches too much weight to hearing, thus neglecting the role of the eyes of the entendimiento. Based on a Thomistic framework, Calderón demonstrates that the literal element of allegory relies on the active vehicle of the senses to serve as guides for the entendimiento and an entrance into devotion. Although hearing plays a central role in the play, it serves as a herald for sight, by which the devotee exercises faith. Moreover, where the sentidos prove limited, the entendimiento is an auxiliary support that makes up for their lack, seeing beyond sensual perception through faith. In this way, the medium of the auto sacramental and the theology of the Eucharist train the audience to use the vision of faith through both the senses and the entendimiento to see the allegorical meaning of the play, the divine nature of the Eucharist provided by Mary.","PeriodicalId":509613,"journal":{"name":"Humanities","volume":"1 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141004503","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Heroic Vulnerability and the Vietnamese Refugee Experience in Thi Bui’s The Best We Could Do Thi Bui 的《我们能做的最好的事》中的英雄主义脆弱性和越南难民经历
Humanities Pub Date : 2024-05-06 DOI: 10.3390/h13030071
María Porras Sánchez
{"title":"Heroic Vulnerability and the Vietnamese Refugee Experience in Thi Bui’s The Best We Could Do","authors":"María Porras Sánchez","doi":"10.3390/h13030071","DOIUrl":"https://doi.org/10.3390/h13030071","url":null,"abstract":"Autographics illustrating refugee and migrant experiences are frequently published, proof of the power of comics to engage with representations of trauma and vulnerability. Thi Bui’s graphic memoir The Best We Could Do tells the story of the author and her family as “boat people”, before and after migrating from Việt Nam to the US in the so-called second “wave” of refugees (1978–1980). If, as Judith Butler argues, vulnerable lives are more grievable when exposed and acknowledged, then self-representation of vulnerable lives might offer a site of resistance against precarity. Thi Bui’s graphic memoir is no exception, since she deals with common themes in Vietnamese American literature such as PTSD, inherited family trauma or everyday bordering, inscribing herself and her family in the counterhistory of the US regarding the Vietnam War, while also addressing themes and motifs recurrent in Asian American comics. The author follows a thematic concern present in Vietnamese American narratives, which tends to present the refugee experience from a heroic perspective, but this is limited and antagonised by Bui’s personal story, who feels estranged from her parents, their past in Việt Nam and the war. As this article shows, the recording and commemoration of her parents’ memories help her to identify with the family legacy of heroic vulnerability in her role as a mother.","PeriodicalId":509613,"journal":{"name":"Humanities","volume":"160 1‐2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141007331","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Early Images of Trauma in George Eliot’s The Lifted Veil 乔治-艾略特《掀开的面纱》中的早期创伤形象
Humanities Pub Date : 2024-05-02 DOI: 10.3390/h13030070
Melissa Rampelli
{"title":"Early Images of Trauma in George Eliot’s The Lifted Veil","authors":"Melissa Rampelli","doi":"10.3390/h13030070","DOIUrl":"https://doi.org/10.3390/h13030070","url":null,"abstract":"This paper explores George Eliot’s The Lifted Veil (1859) as an early portrayal of traumatic neurosis, providing a fresh perspective to enhance the existing scholarly attention on trauma in Eliot’s Daniel Deronda. To illustrate potential contemporary diagnoses for Latimer, I examine other prevalent mid-nineteenth-century models of mental pathology, including phrenology, mesmerism, and hemispheric brain disunity. Drawing on Pierre Janet’s trauma theories from the late nineteenth century, I argue that Eliot presents an early portrayal of dissociative trauma through Latimer’s psychological experiences. Latimer’s visions, complex dream-like interactions, and involuntary consciousness splitting provide a framework for understanding dissociation in response to his emotionally traumatic loss of his mother. Eliot’s exploration of dissociation anticipates Pierre Janet’s theories, which underpin contemporary understandings of trauma, revealing a remarkable modernity in Eliot’s approach.","PeriodicalId":509613,"journal":{"name":"Humanities","volume":"46 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141022336","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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