Культура и искусство最新文献

{"title":"Artionyms in the semiotics of a painting","authors":"Inga Viktorovna Pogorelova, Polina Sergeevna Tarasova","doi":"10.7256/2454-0625.2024.2.68948","DOIUrl":"https://doi.org/10.7256/2454-0625.2024.2.68948","url":null,"abstract":"\u0000 The subject of this article is the semiotics of a painting as a work of art. The object of the study is the functioning of the title of a painting as a sign constituting its semiotic space. At the same time, the picture itself is considered as a complex sign that carries out a special kind of communication between the sender and the recipient. The main conclusions of the study are the thesis that semiosis occurring in the process of interaction between the viewer and a work of art is largely based on the artionymic text, as well as the conclusion that follows from it that, despite the generally accepted characteristic of modern culture as a visual culture, the text continues to play an important civilisational role as a conductor and keeper of various kinds of information. When decoding a message conveyed by the complex sign “painting”, under the conditions of limited perception time, the recipient tends to extract information and interpret it through a textual channel (i.e. through an artionym). The novelty of the study lies in considering the artionym not only as a small-format text, but also as a sign involved in the transmission of information in the situation of perceiving a painting by the recipient.\u0000","PeriodicalId":508990,"journal":{"name":"Культура и искусство","volume":"197 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140462360","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Becoming an image in the cinema: from Lessing and Hegel to S. Eisenstein","authors":"Liana Vladimirovna Popova","doi":"10.7256/2454-0625.2024.2.69723","DOIUrl":"https://doi.org/10.7256/2454-0625.2024.2.69723","url":null,"abstract":"\u0000 The object of the study is the formation of an image in cinema. S.M. Eisenstein defined cinema as a comparison of two methods: the method of image and the method of figurative formation. The image in the cinema is the \"image of becoming\". The purpose of the study is to trace the evolution of views on the \"image of becoming\" from G. E. Lessing to G. V. F. Hegel and S. M. Eisenstein. The author refers to the origins of the formation of the \"image of becoming\", the teachings of G.E. Lessing and G.V.F. Hegel, who had a great influence on S.M. Eisenstein. G.E. Lessing determined that the methods of studying spatial and temporal arts are different. The method of image is a method inherent in spatial arts, the method of becoming is inherent in poetry as a temporary art. G.E. Lessing gave primacy to the method of becoming. G.V.F. Hegel dealt with a similar problem, he formed the doctrine of the \"image of becoming\" that arises in time. The research is based on the principle of image birth, developed by S.M. Eisenstein, according to whose teaching, an image is born in a montage. Comparative and semiotic methods are used in the study. The scientific novelty of this study lies in the research of the continuity of the doctrine of the \"image of becoming\", in the study of S. M. Eisenstein's innovation in this matter. According to S. Eisenstein, cinema is a synthetic, space-time art. It is associated with spatial arts, fine arts, architecture, sculpture, as well as with temporary ones: music, poetry. Cinematography is based on the \"Dionysus method\", which makes cinema related to other forms of play. According to S. Eisenstein, a movie frame is an assembly complex, it has its own design and composition, which makes it related to spatial types of art, as well as rhythm, which makes it related to the arts. Cinema is a complex system of images and signs. S.M. Eisenstein defines cinema as a field of language. The formation of an image in a movie takes place in time.\u0000","PeriodicalId":508990,"journal":{"name":"Культура и искусство","volume":"131 7","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140470410","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Academician Alexander Konstantinovich Krylov as a teacher and educator","authors":"Vladimir Leonidovich Mel'nikov","doi":"10.7256/2454-0625.2024.2.69920","DOIUrl":"https://doi.org/10.7256/2454-0625.2024.2.69920","url":null,"abstract":"\u0000 The subject of this article is the activities of Academician Alexander Konstantinovich Krylov - Academician of the Russian Academy of Arts, Honored Artist of the Russian Federation, painter, laureate of the International Prize named after N.K. Roerich, as a teacher and educator. This is a study of the contribution of Academician Alexander Konstantinovich Krylov to the development of education and science, his teaching methods, pedagogical and educational principles. The author examines in detail the scientific, teaching, social, and creative activities of A.K. Krylova and pays special attention to the educational activities of the academician. The author also presents a complete list of institutions that, according to the State Catalog of the Museum Fund of the Russian Federation and data provided by the artist himself, store his works. The research methodology is presented by the historical method, biographical method, and comparative method. Also, during the preparation of the article, a study was conducted on the basis of archival documents, publications, and pedagogical works of A.K. Krylov and his students. The main conclusions of the study are the creative portrait of the artist presented in this message, which has independent cultural and historical significance and expresses the deeply personal attitude of the author, who hopes that the information and characteristics he collected will be useful to future biographers of the outstanding Russian artist, academician of painting A. K. Krylov. The novelty of the research lies in the generalization of the creative materials of Academician A.K. Krylov, which can be in demand by aspiring artists, art historians, cultural experts, historians and everyone who cherishes the tragic and happy milestones of the steady spiritual growth of Russia - in the past, present and future.\u0000","PeriodicalId":508990,"journal":{"name":"Культура и искусство","volume":"57 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140465953","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The role of regional culture in the urban landscape of the embankment","authors":"zixuan Yue","doi":"10.7256/2454-0625.2024.2.43616","DOIUrl":"https://doi.org/10.7256/2454-0625.2024.2.43616","url":null,"abstract":"\u0000 As an important aspect of urban development, urban waterfront landscapes not only serve as significant reflections of the urban image, but are also key factors in attracting tourists and stimulating the development of the tourism industry. As the exclusive cultural resources of the city, regional culture plays an important role in the design of urban coastal landscapes. This article examines the integration of regional culture and the design of urban embankment landscapes and presents several aspects that require careful attention in the design process. Specifically, designers should study local regional cultural elements in detail and introduce them into the urban waterfront landscape so that people can appreciate the uniqueness and significance of local culture. In addition, in the design, it is necessary to carefully consider the scale, amenities and related services of the city in order to create a comfortable, unique and multicultural urban waterfront landscape. This article also offers recommendations for overcoming limitations and future research, as well as discusses market prospects and the commercial value of this design and operational model of urban embankment landscapes, primarily satisfying the spiritual and cultural needs of people.    In this paper, proposals and measures are proposed to integrate regional culture into the landscape design of urban embankments in order to create more distinctive, comfortable and pleasant to perceive landscapes of urban embankments. Thanks to the rational use of local culture in combination with the needs of tourists and local residents, it is possible to satisfy various cultural features and needs by creating a landscape design of the city embankment, rich in diverse cultural impressions. In the future, such landscape design and the mode of operation of city embankments, aimed mainly at meeting the spiritual and cultural needs of people, has great prospects for development.\u0000","PeriodicalId":508990,"journal":{"name":"Культура и искусство","volume":"62 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140463541","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Traditional Buryat cuisine as a component of the ethnocultural identity of the Buryat population of the Trans-Baikal Territory","authors":"Elena Gennad'evna Erokhina","doi":"10.7256/2454-0625.2024.2.69657","DOIUrl":"https://doi.org/10.7256/2454-0625.2024.2.69657","url":null,"abstract":"\u0000 The subject of this article is the traditional cuisine of the Buryat people, the object is the ethnocultural identity of the Buryat population of the Trans–Baikal Territory. The author examines in detail such aspects of the topic as ethnocultural markers of the ethnos, traditions and cooking technologies, observance of the ancestral features of the national cuisine, recipes existing in the territory of the region and its individual parts. The author partially presents the developed theoretical materials concerning the issues of Buryat cuisine and thematic interviewing materials collected as part of expedition trips to the territory of the Aginsky district of the Aginsky Buryat district of the Trans-Baikal Territory, including the technology and recipe for cooking traditional Buryat dishes. The author lists the forms of events (festivals and holidays) that exist in the region, popularizing the traditional cuisine and culture of the Buryat population of the Trans-Baikal Territory. The main method of research was the analysis of thematic literature and materials, interviewing speakers of traditional culture within the framework of expedition trips. As the main conclusions, the author cites expediency, rationality, geographical and climatic features, conditions and place of residence of ethnic communities as main factors of shaping the local cuisine. And today, thanks to scientific and technological progress, ethnic identity, including in traditional cuisine, is gradually decreasing or disappearing completely. Therefore, the issue of fixing and transferring ethnic culture, including traditions, customs, etc., to future generations in order to preserve their ethno-cultural identity, is acute. Many people do not realize how important and existential this can be for some people who live and think through the prism of their ethnicity.\u0000","PeriodicalId":508990,"journal":{"name":"Культура и искусство","volume":"115 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140469769","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Urban space: archetypal models, morphological properties, mythological plots. The methodology of comprehensive study","authors":"Daria Sokhatskaya","doi":"10.7256/2454-0625.2024.1.69568","DOIUrl":"https://doi.org/10.7256/2454-0625.2024.1.69568","url":null,"abstract":"\u0000 The object of the study is the cultural space of the city. The subject of the study is the morphological properties and mythological plots of the cultural space of the city (using the example of Komsomolsk-on-Amur). The author examines in detail the complex study of the cultural space of the city in the prism of historical-cultural, philosophical-cultural, psychoanalytic, symbolic, linguistic and semiological approaches. The author's method of exploring urban space has been formed, based on the line of myth (lemniscata Bernoulli). Literary and artistic works have been studied and reviewed to identify archetypal models and their morphological properties of the city of Komsomolsk-on-Amur. Some mythological plots and ways of transforming cultural space are revealed. Special attention is paid to the analysis of artistic texts to identify the artistic image of the cultural space of the city. The description of a number of architectural objects and the interpretation of some decorative elements are presented. The study uses traditional approaches to the study of the cultural space of the city, and also attempts to complement the boundaries of the study based on the interpretation of mythical plots, mythologems using a technematic component – the Bernoulli Lemniscate. The scientific novelty of the research lies in the fact that on the basis of traditional and technematic approaches, the cultural space of the city of Komsomolsk-on-Amur is studied based on the analysis of mythological plots of the city of Komsomolsk-on-Amur, artistic texts, literary and architectural works. The morphological properties of the cultural space of the city are revealed. The main conclusion of the study is that using an interdisciplinary approach in the study of the cultural space of the city, opportunities for its identification have been identified. With the help of technematics or mathematical analysis, interpretation of literary and artistic texts, as well as a comprehensive study of architectural objects and its decorative, expressive means, it became possible to interpret this knowledge as a way to transform the cultural space of the city. This study opens up opportunities for a more thorough study of the myth line as one of the possible options for transforming the city's space, preserving historical, architectural, artistic and literary heritage.\u0000","PeriodicalId":508990,"journal":{"name":"Культура и искусство","volume":"32 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139639467","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Methodological Principles of Teaching Drawing in the Process of Preparing an Animation and Computer Graphics Artist","authors":"Nadezhda Mikhailovna Chaika","doi":"10.7256/2454-0625.2024.1.39563","DOIUrl":"https://doi.org/10.7256/2454-0625.2024.1.39563","url":null,"abstract":"\u0000 The subject of the study is the fundamental methodological principles of teaching students graphics, animation and computer graphics artist by the Department of Graphic Art and Communicative Design of the Institute of Media Communications, Media Technologies and Design: the principle of step-by-step creation of a drawing, its implementation from integral to elementary and vice versa, the principle of structural analysis of the transfer of form in drawing, active methods of attracting to strengthening mental activity, manifestation of creativity; in-depth study of the depicted nature; the use of visualization, problem statement, systematic organization of full-scale productions, joint discussions of completed works, comments of the teacher, spatial thinking, compositional construction; independent work. Purpose of the study is the application of methodological principles in working with students. Methods of the study are scientific, historical experience of development, application of methodological principles. Results of the study: the methodological principles of teaching drawing are partially implemented in the course of training an animation and computer graphics artist. Some shortcomings in working with applicants and first-year students have been identified. Not all stages of training of students from applicants to the last courses, their professional formation in the field of drawing are considered yet. The scope of application of the results: students of the field of training graphics, animation and computer graphics artist. The novelty is that these principles are applied specifically to this field of study. Conclusions: The methodological principles of teaching drawing for university students are investigated. The necessary methods and methods of education are highlighted. The necessity to trace the application of these principles from the first course to the last is revealed.\u0000","PeriodicalId":508990,"journal":{"name":"Культура и искусство","volume":"20 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140520796","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Network of literary museums in Moscow: formation and present condition in the context of the historical and cultural process","authors":"Anastasiia A. Korneeva","doi":"10.7256/2454-0625.2024.1.69565","DOIUrl":"https://doi.org/10.7256/2454-0625.2024.1.69565","url":null,"abstract":"\u0000 The network of literary museums in Moscow is the largest in the country. The article examines the history of the formation and present condition of the network of literary museums in the capital in the context of the historical and cultural process. The chronological framework covers the period from the 19th century until now. This is due to the moment of the appearance in Moscow of the first proto-museum forms of literary museums, the first museums of this profile, as well as the formation and development of their network. Significant historical and cultural prerequisites for the emergence of museums of this profile are identified. The main periods in the history of the formation and development of the network of literary museums are considered in the context of the periodization of the history of museum affairs and the historical process in the country. Museums that also have characteristics of another profile, such as historical and literary, literary and artistic, and literary and local history, are also considered. The total number of literary museums in Moscow has been identified, including state, municipal, departmental, public, private and school. Museum-type institutions representing and popularizing literary heritage are shown. Museums of other profiles (music, art, local history and others) are indicated, the funds and exhibitions of which contain literary monuments and collections of rare books. A special place is occupied by book museums, which are not literary museums, but are close to them in that their collections also contain monuments of literature (including fiction). The total number of literary museums in the capital and their percentage in the museum network have been calculated.\u0000","PeriodicalId":508990,"journal":{"name":"Культура и искусство","volume":"20 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140524219","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Eidic hierarchy as the basis of vertically oriented aesthetics","authors":"A. Pankratova","doi":"10.7256/2454-0625.2024.1.69643","DOIUrl":"https://doi.org/10.7256/2454-0625.2024.1.69643","url":null,"abstract":"\u0000 The object of this research is the organization of visual culture in a vertically oriented paradigm. The subject of the study is the eidetic hierarchy as the basis for the organization of the visual environment in a vertically oriented paradigm. The purpose of this study is to explicate the eidic hierarchy as the basis of aesthetic representations in a vertically oriented paradigm. Modern culture has come to full aesthetic relativism under the influence of modernism. Today, everything is acceptable in art, so artists and designers are actively being forced out of the profession by neural networks. Neural networks are the product of a horizontally oriented culture in which any objects are recognized as equally valuable, since there is no appeal to the super-object. Therefore, today it becomes relevant to shift the focus of research attention to the opposite organization of culture – vertically oriented, recognizing transcendent reality. Such a culture should have clear criteria of art, determined by the eidic hierarchy. In distinguishing the vertically oriented paradigm, the author relies on A. G. Dugin. The author's main method is semiotic analysis, which makes it possible to see the transcendent signified in culture. The author also relies on Plato's teaching about the eidetic hierarchy of being. The main conclusion of the study is that in the vertical oriented paradigm there is a clear aesthetic hierarchy, which is absent in culture today due to its horizontal orientation. The vertically oriented paradigm is associated with the idea of the eidic hierarchy of being. The canon, which has been developing for centuries, has been a tool for depicting the eidic forms of things, not phenomena, but noumens. Reorientation to the presence of a super-object can be an opportunity to preserve the profession of an artist and art itself from aesthetic relativism.\u0000","PeriodicalId":508990,"journal":{"name":"Культура и искусство","volume":"39 7","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139637381","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Cultural and National Elements in the Works of Contemporary South Korean Artists","authors":"Aleksandra Andreevna Antonova","doi":"10.7256/2454-0625.2024.1.39661","DOIUrl":"https://doi.org/10.7256/2454-0625.2024.1.39661","url":null,"abstract":"\u0000 The subject of this study is current projects (installations, paintings, sculptures, performances) by contemporary South Korean artists that contain symbols, elements or cultural artifacts related to the local identity of the country. The article attempts to identify the main themes, motifs and techniques that are used in Korean contemporary art to emphasize the issues of the nation's self-identification within the global themes and problems of the modern world. To achieve this goal, the main South Korean artists recognized by the world art community (Kimsuja, So Do Ho, Lee Soo Kyung, Kwang Yong Chan, Pak Chang Kyung, Ham Kyuna, Yoon Seongnam) are singled out, whose work is directly related to the traditional cultural elements of their country. Their projects, themes and techniques are explored from the point of view of the interaction of global and local processes in modern society. The relevance of the work lies in an attempt to identify the unique processes taking place in contemporary South Korean art. Point studies of Asian artistic culture often include either the study of the creative path of individual artists, or the consideration of the main trends and trends. In this paper, an attempt is made to look at South Korean art from the point of view of topics and technologies that are inherent only in local Korean culture, and to identify points of contact with global issues and problems. This is the scientific novelty of the study. A number of contemporary South Korean artists create works of art based on their life experiences, directly related to the traditions of their country. Themes related to the search and reflection of cultural identity and self-identification arise in their works. The work uses both general scientific research methods: analytical and comparative, and a special method of art history: structural-functional.\u0000","PeriodicalId":508990,"journal":{"name":"Культура и искусство","volume":"25 5-6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140517314","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}