The Rijksmuseum Bulletin最新文献

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The Provenance of the Visitation Panel by Francisco Niculoso 弗朗西斯科-尼库罗索瞻仰壁画的出处
The Rijksmuseum Bulletin Pub Date : 2024-03-14 DOI: 10.52476/trb.18947
Vera Mariz
{"title":"The Provenance of the Visitation Panel by Francisco Niculoso","authors":"Vera Mariz","doi":"10.52476/trb.18947","DOIUrl":"https://doi.org/10.52476/trb.18947","url":null,"abstract":"A small tile panel created by the Italian ceramic painter Francisco Niculoso (active 1498-1529 from the private collection of Ferdinand Saxe-Coburg-Gotha (1816-1885), king consort to Queen Maria II of Portugal (1819-1853), was in 1902 acquired by the Rijksmuseum. Although the ownership history of this Visitation panel is not fully documented, this essay provides a more comprehensive understanding of its historical narrative, by exploring the various contexts of acquisition and collecting. The panel’s journey from Lisbon to Amsterdam vividly illustrates the remarkable fluidity and permeability that defined the boundaries of art markets and museums around the turn of the twentieth century.","PeriodicalId":507028,"journal":{"name":"The Rijksmuseum Bulletin","volume":"1 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140242510","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Black Women in the Rijksmuseum’s Sixteenth- and Seventeenth-Century Collection 里克斯博物馆十六和十七世纪藏品中的黑人女性
The Rijksmuseum Bulletin Pub Date : 2024-03-14 DOI: 10.52476/trb.18948
Stephanie Archangel, M. Holtrop
{"title":"Black Women in the Rijksmuseum’s Sixteenth- and Seventeenth-Century Collection","authors":"Stephanie Archangel, M. Holtrop","doi":"10.52476/trb.18948","DOIUrl":"https://doi.org/10.52476/trb.18948","url":null,"abstract":"The few studies of the depiction of Black people in Western art have focused primarily on the rendering of Black men. This article discusses the depictions of Black women in the Rijksmuseum’s collection, specifically in the sixteenth and seventeenth centuries, from the moment that Europeans and Africans met until about 1660, when representations became increasingly stereotyped. Black women in this period are depicted in a number of genres. The illustrations in travel journals and separate drawn records are concerned primarily with the differences in status between local inhabitants: the more clothes they wore, the higher their status. Yet the texts accompanying these depictions link nakedness to barbarity and lewdness. That nudity was retained as the way to represent allegorical Africa, in the form of a nearly naked Black female surrounded by wild animals, as was also prescribed in the iconographic manual by Cesare Ripa. When she was positioned in the company of the other continents, she was assigned a subordinate role as being less civilized and ripe for the taking. The Black woman also has a minor part as the allegory of Night or Darkness. In Biblical scenes the Black female is an individual character in some cases while in others she is a bystander, like white onlookers. There are no examples known of Black women who commissioned portraits themselves. There are, however, tronies that were intended to represent African facial features and a black skin, sometimes including an ‘exotic’ costume. Two etchings of Black females in everyday clothing might depict members of the Black communities that had settled in Antwerp, like they did in Amsterdam. Such illustrations made from life are too few in number, however, to express with subtlety the image of the Black woman countering the predominant image of her as an ‘exotic’, sexual apparition. It is possible that this analysis can be adapted on the basis of research into depictions in other – non-Northern-European – collections.","PeriodicalId":507028,"journal":{"name":"The Rijksmuseum Bulletin","volume":"11 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140242958","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Trip to Jerusalem 耶路撒冷之旅
The Rijksmuseum Bulletin Pub Date : 2024-03-14 DOI: 10.52476/trb.18949
Bram de Klerck
{"title":"A Trip to Jerusalem","authors":"Bram de Klerck","doi":"10.52476/trb.18949","DOIUrl":"https://doi.org/10.52476/trb.18949","url":null,"abstract":"Medieval and Renaissance depictions of the episodes of Christ’s Passion often seem to invite the devout beholder to participate in the events portrayed. To explain how such an approach can be extended to the sixteenth- and seventeenth-century Netherlands, this essay shows how Gerbrand van den Eeckhout’s Last Supper invites the beholder to take the seat that Judas has left vacant. A comparison with other Last Supper scenes shows how effectively Van den Eeckhout’s composition invites viewers into the imaginary space and time represented in the painting.","PeriodicalId":507028,"journal":{"name":"The Rijksmuseum Bulletin","volume":"16 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140243189","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Horse Aquamanile in the Rijksmuseum 里克斯博物馆中的骏马 Aquamanile
The Rijksmuseum Bulletin Pub Date : 2024-03-14 DOI: 10.52476/trb.18946
Joanna Olchawa
{"title":"The Horse Aquamanile in the Rijksmuseum","authors":"Joanna Olchawa","doi":"10.52476/trb.18946","DOIUrl":"https://doi.org/10.52476/trb.18946","url":null,"abstract":"One of the very remarkable vessels used for the medieval ritual of handwashing is the horse aquamanile in the Rijksmuseum’s collection of European vessels, traditionally regarded as a thirteenth-century bronze from ‘Lotharingia’. Because of its small size and unusual stylized form, with the emphasized handle and spout on its back, there is effectively no comparable object in the museum’s collection, nor for that matter in the larger corpus of Western European bronzes. More plausible is an entirely new perspective on the aquamanile, namely as an ‘Islamic’ object cast between the tenth and twelfth centuries in al-Andalus or in a region under Fatimid rule. This article demonstrates the significance of the unique aquamanile in Amsterdam in two key aspects: it can be added to the narrow corpus of twenty-one extant bronze vessels used for the Islamic ritual of lavation yet is the only horse-shaped aquamanile known in that context; as such, it allows the concrete study of the transcultural transmission of ideas and, by way of this mediating function, sheds light on the genesis of horse aquamanilia in Western and Central Europe.","PeriodicalId":507028,"journal":{"name":"The Rijksmuseum Bulletin","volume":"22 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140243149","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reeksen van militairen ontrafeld 解散的士兵系列
The Rijksmuseum Bulletin Pub Date : 2024-02-29 DOI: 10.52476/trb.18829
Jonathan Bikker
{"title":"Reeksen van militairen ontrafeld","authors":"Jonathan Bikker","doi":"10.52476/trb.18829","DOIUrl":"https://doi.org/10.52476/trb.18829","url":null,"abstract":"","PeriodicalId":507028,"journal":{"name":"The Rijksmuseum Bulletin","volume":"25 37","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140408814","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Anthonie Palamedesz’ zogenaamde portretten van het echtpaar De Witte opnieuw geïdentificeerd Anthonie Palamedesz 所称的 De Witte 夫妇肖像重新鉴定
The Rijksmuseum Bulletin Pub Date : 2024-02-29 DOI: 10.52476/trb.18824
R. Ekkart, Gerdien Wuestman
{"title":"Anthonie Palamedesz’ zogenaamde portretten van het echtpaar De Witte opnieuw geïdentificeerd","authors":"R. Ekkart, Gerdien Wuestman","doi":"10.52476/trb.18824","DOIUrl":"https://doi.org/10.52476/trb.18824","url":null,"abstract":"","PeriodicalId":507028,"journal":{"name":"The Rijksmuseum Bulletin","volume":"143 1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140414972","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Een groepsportret met een bewogen geschiedenis 历史悠久的群像
The Rijksmuseum Bulletin Pub Date : 2024-02-29 DOI: 10.52476/trb.18828
Ige Verslype, Gerdien Wuestman
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引用次数: 0
‘Daar krijgen we ’n hoop gedonder mee’, de affaire van de beeldengroep uit Boekoel 我们会因此惹上很多麻烦",Boekoel 雕塑小组事件
The Rijksmuseum Bulletin Pub Date : 2024-02-29 DOI: 10.52476/trb.18832
F. Scholten
{"title":"‘Daar krijgen we ’n hoop gedonder mee’, de affaire van de beeldengroep uit Boekoel","authors":"F. Scholten","doi":"10.52476/trb.18832","DOIUrl":"https://doi.org/10.52476/trb.18832","url":null,"abstract":"","PeriodicalId":507028,"journal":{"name":"The Rijksmuseum Bulletin","volume":"8 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140413549","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sophia de Vervou in haar oorspronkelijke omlijsting 索菲亚-德-维尔福的原画框
The Rijksmuseum Bulletin Pub Date : 2024-02-29 DOI: 10.52476/trb.18826
Ige Verslype, Yvette Bruijnen
{"title":"Sophia de Vervou in haar oorspronkelijke omlijsting","authors":"Ige Verslype, Yvette Bruijnen","doi":"10.52476/trb.18826","DOIUrl":"https://doi.org/10.52476/trb.18826","url":null,"abstract":"","PeriodicalId":507028,"journal":{"name":"The Rijksmuseum Bulletin","volume":"2 23","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140410558","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Een nieuwe catalogus van de 17de-eeuwse Hollandse schilderijen van het Rijksmuseum 莱克斯博物馆 17 世纪荷兰绘画新目录
The Rijksmuseum Bulletin Pub Date : 2024-02-29 DOI: 10.52476/trb.18822
Jan Piet Filedt Kok
{"title":"Een nieuwe catalogus van de 17de-eeuwse Hollandse schilderijen van het Rijksmuseum","authors":"Jan Piet Filedt Kok","doi":"10.52476/trb.18822","DOIUrl":"https://doi.org/10.52476/trb.18822","url":null,"abstract":"","PeriodicalId":507028,"journal":{"name":"The Rijksmuseum Bulletin","volume":"16 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140412232","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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