The Provenance of the Visitation Panel by Francisco Niculoso

Vera Mariz
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Abstract

A small tile panel created by the Italian ceramic painter Francisco Niculoso (active 1498-1529 from the private collection of Ferdinand Saxe-Coburg-Gotha (1816-1885), king consort to Queen Maria II of Portugal (1819-1853), was in 1902 acquired by the Rijksmuseum. Although the ownership history of this Visitation panel is not fully documented, this essay provides a more comprehensive understanding of its historical narrative, by exploring the various contexts of acquisition and collecting. The panel’s journey from Lisbon to Amsterdam vividly illustrates the remarkable fluidity and permeability that defined the boundaries of art markets and museums around the turn of the twentieth century.
弗朗西斯科-尼库罗索瞻仰壁画的出处
由意大利陶瓷画家弗朗西斯科-尼库罗索(Francisco Niculoso,活跃于 1498-1529 年,葡萄牙王后玛丽亚二世(1819-1853 年)的王后费迪南德-萨克森-科堡-哥达(Ferdinand Saxe-Coburg-Gotha,1816-1885 年)的私人收藏)创作的一块小瓦片板于 1902 年被里克斯博物馆收购。虽然这幅瞻礼壁画的所有权历史没有完整的文献记载,但本文通过探讨收购和收藏的各种背景,对其历史叙事有了更全面的了解。这幅画从里斯本到阿姆斯特丹的旅程生动地展示了二十世纪之交艺术市场和博物馆边界的显著流动性和渗透性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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