{"title":"Geschreven, gestempeld of geplakt","authors":"Yvette Bruijnen, Michel Van de Laar","doi":"10.52476/trb.18830","DOIUrl":"https://doi.org/10.52476/trb.18830","url":null,"abstract":"","PeriodicalId":507028,"journal":{"name":"The Rijksmuseum Bulletin","volume":"37 1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140415357","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Sophia Anna van Pipenpoy geschilderd door Wybrand de Geest","authors":"Yvette Bruijnen","doi":"10.52476/trb.18825","DOIUrl":"https://doi.org/10.52476/trb.18825","url":null,"abstract":"","PeriodicalId":507028,"journal":{"name":"The Rijksmuseum Bulletin","volume":"18 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140412789","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"De ondertekening van Adam Willaerts’ Schepen voor een rotsachtige kust","authors":"Everhard Korthals Altes, Willem De Ridder","doi":"10.52476/trb.18827","DOIUrl":"https://doi.org/10.52476/trb.18827","url":null,"abstract":"","PeriodicalId":507028,"journal":{"name":"The Rijksmuseum Bulletin","volume":"2018 41","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140416042","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Twee helden van het vaderland","authors":"A. Wallert","doi":"10.52476/trb.18583","DOIUrl":"https://doi.org/10.52476/trb.18583","url":null,"abstract":"","PeriodicalId":507028,"journal":{"name":"The Rijksmuseum Bulletin","volume":"31 9","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139529730","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"De inrichting van het atelier van de beeldhouwer Bart van Hove","authors":"Mayken Jonkman","doi":"10.52476/trb.18563","DOIUrl":"https://doi.org/10.52476/trb.18563","url":null,"abstract":"","PeriodicalId":507028,"journal":{"name":"The Rijksmuseum Bulletin","volume":"20 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139529425","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘Wij hebben gezien’","authors":"R. J. Te Rijdt","doi":"10.52476/trb.18562","DOIUrl":"https://doi.org/10.52476/trb.18562","url":null,"abstract":"","PeriodicalId":507028,"journal":{"name":"The Rijksmuseum Bulletin","volume":"87 13","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139538666","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Body Double","authors":"Daniel Hendrikse","doi":"10.52476/trb.18497","DOIUrl":"https://doi.org/10.52476/trb.18497","url":null,"abstract":"The Rijksmuseum’s collection contains a number of X-rays, part of a series entitled Das Arteriensystem des Menschen im stereoskopischen Röntgenbild: ten stereoscopic X-rays that show the blood vessels and arteries in different parts of the body in adults and children. They were taken by three doctors, Otto Hildebrand, Wilhelm Scholz and Julius Wieting, from Hamburg-Eppendorf Hospital, and published by the scientific publishing house of J.F. Bergmann in Wiesbaden between 1901 and 1917. This article tries to nuance the view of stereoscopic photographs as merely a cheap source of entertainment; physicians deliberately opted for stereoscopic photographs to show the plasticity and depth of the human body.","PeriodicalId":507028,"journal":{"name":"The Rijksmuseum Bulletin","volume":"73 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139174735","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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