Сюжетология и сюжетография最新文献

{"title":"“The Author’s Forces of Students”: M. Gorky and Novice Writers of the Village of Norskoe (Yaroslavl Region)","authors":"Elena V. Kudrina","doi":"10.25205/2713-3133-2023-2-5-16","DOIUrl":"https://doi.org/10.25205/2713-3133-2023-2-5-16","url":null,"abstract":"Numerous letters of the writer’s correspondents are stored in the Archive of A. M. Gorky IWL RAS. They shared with the writer their impressions of what they had read, asked for help in literary endeavors, asked for advice, and sent their essays for review. Among M. Gorky’s correspondence there is a letter from a member of the editorial board of the school literary magazine, teacher and local historian Sergei Petrovich Suryaninov (Krasnoperevalskaya Factory school, Norskoye settlement, Yaroslavl region). Suryaninov attached two continuations of Gorky’s story “Mother” to the letter. “Pavel after the Tsar’s Trial” – works by 7th grade students Vladimir Tikhomirov and Mikhail Vereykin. Two essays are interesting for the students’ comprehension of what they have read, the desire to learn more about Gorky’s work, and the desire to change the fate of the characters. Students’ texts are artistically imperfect. The continuations of the original work demonstrate the students’ study of the plot of the story. Young authors borrow images of heroes and elements of the original text; events significant for plot-building unfold within a given chronotope, but students prolong the time thread and thereby weaken deep intertextual connections with the original. Creative works are examples of the activation of the children’s literary movement in the 1930s, the awakening of writing talents among active readers, as well as examples of “continuation texts” as a kind of secondary text. The article analyzes the work of methodologist M. A. Rybnikova, who was engaged in the development of children’s verbal creativity in the 1920s and 1930s. Her activity was in line with the Gorky strategy of educating writers. The responses of young readers to Gorky’s work “Mother” are introduced into scientific circulation for the first time. Critical and emotional reviews were important for all participants in the literary process. They allowed the author to get a reaction to the work and feel his relevance. Reviews helped the reader to evaluate what they read and establish feedback with the author, they formed a readership. The appendix of the article contains a letter from S. P. Suryaninov and the writings of V. Tikhomirov and M. Vereykin as an illustration of the methodical and artistic work of the literary circle.","PeriodicalId":493916,"journal":{"name":"Сюжетология и сюжетография","volume":"109 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136304785","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"“The Italian in Kalinov...”: A Parody of the Precedent Text by A.N. Ostrovsky","authors":"Maria A. Savina","doi":"10.25205/2713-3133-2023-3-72-85","DOIUrl":"https://doi.org/10.25205/2713-3133-2023-3-72-85","url":null,"abstract":"The article briefly reviews the literary fate of A. N. Ostrovsky, his path from “The Storm” to writing historical chronicles and librettos to previously staged dramatic plays. Such a professional transformation provoked the appearance of critical reviews and feuilletons, which primarily ironized not the content of the works, but their form. One of these feuilletons, “The Italian in Kalinov” by G. N. Zhulev, was written against the libretto by A. N. Ostrovsky for the opera “The Storm”. The text is based on the opposition of the “prose” of the life of the original and the false “poetry” of the opera against the background of the discourse of Russian criticism. The appendix contains the text of G. N. Zhulev's parody with commentary and explanation. The article was prepared for the 200th anniversary of A. N. Ostrovsky.","PeriodicalId":493916,"journal":{"name":"Сюжетология и сюжетография","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136306122","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"«Кисть художника из взбаламученной грязи…»: о карикатурных романах А. М. Волкова","authors":"Elizaveta M. Alekseeva","doi":"10.25205/2713-3133-2023-3-38-71","DOIUrl":"https://doi.org/10.25205/2713-3133-2023-3-38-71","url":null,"abstract":"The article deals with A. M. Volkov’s satirical and polemical reception of the plots of I. S. Turgenev’s novels “Fathers and Children” and “Smoke”. The caricature cycles of the weekly Iskra demonstrate the process of decanonisation of literature and the development of alternative paths in the literature of the second half of the 19th century (as A. Vasilenko and A. Koslov wrote about this process). Volkov’s parodies not only discredit antinihilistic prose, but also discover anecdotal potential in the source texts. The appendix includes the caricature cycle “Fathers and Children” and “Smoke. Intermezzo”, which together provide an insight into the reputation of Turgenev, his prose and cultural phenomenon as an antinihilistic novel in democratic circles of satirical journalism.","PeriodicalId":493916,"journal":{"name":"Сюжетология и сюжетография","volume":"109 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136304492","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Plots and Images of Far Eastern History and Culture in Vsevolod Ivanov’s Novel “Blue Sands”","authors":"Elena A. Papkova","doi":"10.25205/2713-3133-2023-2-61-72","DOIUrl":"https://doi.org/10.25205/2713-3133-2023-2-61-72","url":null,"abstract":"This article examines Vsevolod Ivanov’s novel “Blue Sands” from the point of view of the episodes of the history of the Far East and its culture reflected in it. In the images of the three central characters of the novel – Commissar Vasily Zapus, Baron Ungern and Khan Chokan Balikhanov, having real prototypes in the history of the 19th – 20th centuries and created by the writer on the basis of documentary materials – Ivanov primarily emphasizes their great goal – the liberation of his people from external dependence and their unification based on a lofty idea. The analysis of the novel’s characters reveals these goals: for Zapus it is the embodiment of the idea of a world revolution in Red Asia, for Ungern it is the unification of the tribes of the Mongolian root into one Middle state, for Valikhanov – the revival of the Alash Horde – Great Kyrgyzstan. The legend of the blue sands introduced by the writer into the novel, which belongs, according to the classification of the researcher of the people’s utopia K. V. Chistov, to the “legends of the deliverers”, shows that the thoughts of all the heroes of the novel are unfeasible. The answer to the question why large-scale historical rescue projects and bringing people to the land of happiness by a certain hero-deliverer, cannot come true, Ivanov in the novel “Blue Sands” gives, relying on the traditions of folk culture of Siberia and the Far East. The article compares the perception of fortune-telling by sheep’s shoulder blades, common among some peoples of Siberia and the Far East, by the hero of the novel Valikhanov, who studied in St. Petersburg and who does not believe in the meaning of the rite and has lost his sense of homeland, and the lyrical characters of Ivanov’s poem “Zhauryn- Kora”, for whom the rite is part of a common cultural paradigms. The author of the article concludes that the writer in the novel leads the reader to the idea that the loss of a sense of connection with your people, their aspirations and customs embodied in culture, dooms to failure the best thoughts about the salvation of this people.","PeriodicalId":493916,"journal":{"name":"Сюжетология и сюжетография","volume":"82 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136304461","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"“…And Unseen and Unknown Tears?” Book Review: Kozlov A. E., Vasilenko A. G. et al. Vidimy miru smekh: Literatura 1860–1870-kh godov v zerkale groteska, parodii i stilizatsii [Laughter Visible to the World: Literature of the 1860–1870s in the Mirror of the Grotesque, Parody and Stylization]. Moscow, 2023, 597 p.","authors":"Francesco Varlaro","doi":"10.25205/2713-3133-2023-3-86-89","DOIUrl":"https://doi.org/10.25205/2713-3133-2023-3-86-89","url":null,"abstract":"The article notes the strengths and weaknesses of the book “Laughter visible to the world”. On the one hand, the book introduces into scientific circulation new texts and literary facts related to laughter and the comic in Russian and European culture. On the other hand, the form of the textbook is not the most successful, and one could write a monograph. The book can be used in the educational process, but it is important not to stop there and formulate an independent concept in a special scientific monograph.","PeriodicalId":493916,"journal":{"name":"Сюжетология и сюжетография","volume":"109 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136305892","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}