“加里诺夫的意大利人……——A.N.奥斯特洛夫斯基《先例文本的戏仿》

Maria A. Savina
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引用次数: 0

摘要

本文简要回顾了奥斯特洛夫斯基(A. N. Ostrovsky)的文学命运,以及他从《风暴》(The Storm)到撰写历史编年史和剧本,再到之前上演的戏剧的历程。这种专业的转变引发了批评评论和评论的出现,这些评论和评论主要讽刺的不是作品的内容,而是它们的形式。其中一个小插曲是g.n.朱列夫的《卡利诺夫的意大利人》,它是根据奥斯特洛夫斯基为歌剧《风暴》所作的剧本创作的。文本是基于对生活的“散文”的原始和歌剧的虚假“诗歌”的反对背景下的话语批评。附录包含朱列夫的戏仿文本,并附有评论和解释。这篇文章是为纪念奥斯特洛夫斯基诞辰200周年而写的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“The Italian in Kalinov...”: A Parody of the Precedent Text by A.N. Ostrovsky
The article briefly reviews the literary fate of A. N. Ostrovsky, his path from “The Storm” to writing historical chronicles and librettos to previously staged dramatic plays. Such a professional transformation provoked the appearance of critical reviews and feuilletons, which primarily ironized not the content of the works, but their form. One of these feuilletons, “The Italian in Kalinov” by G. N. Zhulev, was written against the libretto by A. N. Ostrovsky for the opera “The Storm”. The text is based on the opposition of the “prose” of the life of the original and the false “poetry” of the opera against the background of the discourse of Russian criticism. The appendix contains the text of G. N. Zhulev's parody with commentary and explanation. The article was prepared for the 200th anniversary of A. N. Ostrovsky.
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