“学生的作者力量”:高尔基与诺斯科耶村(雅罗斯拉夫尔地区)的新手作家

Elena V. Kudrina
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引用次数: 0

摘要

这位作家的许多信件都保存在高尔基档案馆。他们与作者分享他们对所读作品的印象,在文学创作上寻求帮助,寻求建议,并把他们的文章寄给作者审阅。在高尔基的信件中,有一封来自学校文学杂志编辑委员会成员、教师、当地历史学家谢尔盖·彼得罗维奇·苏里亚尼诺夫(Sergei Petrovich Suryaninov,雅罗斯拉夫尔地区Norskoye居住区Krasnoperevalskaya工厂学校)的来信。苏里亚尼诺夫在信中附了两篇高尔基的故事《母亲》。七年级学生Vladimir Tikhomirov和Mikhail Vereykin的作品《沙皇审判后的帕维尔》。两篇文章对于学生们理解他们所读到的内容,了解更多关于高尔基作品的愿望,以及改变人物命运的愿望是很有趣的。学生的文章在艺术上是不完美的。原著的延续体现了学生对故事情节的研究。年轻作家借用了原著中的英雄形象和元素;对情节建设有重要意义的事件在给定的时间轴内展开,但学生们延长了时间线,从而削弱了与原著的深层互文联系。创作作品是20世纪30年代儿童文学运动激活的例证,是活跃读者写作才能觉醒的例证,也是“延续文本”作为一种辅助文本的例证。本文分析了方法学家m.a. Rybnikova的工作,他在20世纪20年代和30年代从事儿童语言创造力的发展。她的活动符合高尔基培养作家的策略。年轻读者对高尔基作品《母亲》的反应首次进入科学流通。批判性和感性的评论对文学过程中的所有参与者都很重要。他们让作者得到对作品的反应,并感受到他的相关性。评论帮助读者评估他们所读的内容,并与作者建立反馈,他们形成了读者群体。这篇文章的附录包含一封S. P.苏里亚尼诺夫的信,以及V.蒂霍米罗夫和M.维雷金的作品,作为文学界有条不紊和艺术工作的例证。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“The Author’s Forces of Students”: M. Gorky and Novice Writers of the Village of Norskoe (Yaroslavl Region)
Numerous letters of the writer’s correspondents are stored in the Archive of A. M. Gorky IWL RAS. They shared with the writer their impressions of what they had read, asked for help in literary endeavors, asked for advice, and sent their essays for review. Among M. Gorky’s correspondence there is a letter from a member of the editorial board of the school literary magazine, teacher and local historian Sergei Petrovich Suryaninov (Krasnoperevalskaya Factory school, Norskoye settlement, Yaroslavl region). Suryaninov attached two continuations of Gorky’s story “Mother” to the letter. “Pavel after the Tsar’s Trial” – works by 7th grade students Vladimir Tikhomirov and Mikhail Vereykin. Two essays are interesting for the students’ comprehension of what they have read, the desire to learn more about Gorky’s work, and the desire to change the fate of the characters. Students’ texts are artistically imperfect. The continuations of the original work demonstrate the students’ study of the plot of the story. Young authors borrow images of heroes and elements of the original text; events significant for plot-building unfold within a given chronotope, but students prolong the time thread and thereby weaken deep intertextual connections with the original. Creative works are examples of the activation of the children’s literary movement in the 1930s, the awakening of writing talents among active readers, as well as examples of “continuation texts” as a kind of secondary text. The article analyzes the work of methodologist M. A. Rybnikova, who was engaged in the development of children’s verbal creativity in the 1920s and 1930s. Her activity was in line with the Gorky strategy of educating writers. The responses of young readers to Gorky’s work “Mother” are introduced into scientific circulation for the first time. Critical and emotional reviews were important for all participants in the literary process. They allowed the author to get a reaction to the work and feel his relevance. Reviews helped the reader to evaluate what they read and establish feedback with the author, they formed a readership. The appendix of the article contains a letter from S. P. Suryaninov and the writings of V. Tikhomirov and M. Vereykin as an illustration of the methodical and artistic work of the literary circle.
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