Plots and Images of Far Eastern History and Culture in Vsevolod Ivanov’s Novel “Blue Sands”

Elena A. Papkova
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Abstract

This article examines Vsevolod Ivanov’s novel “Blue Sands” from the point of view of the episodes of the history of the Far East and its culture reflected in it. In the images of the three central characters of the novel – Commissar Vasily Zapus, Baron Ungern and Khan Chokan Balikhanov, having real prototypes in the history of the 19th – 20th centuries and created by the writer on the basis of documentary materials – Ivanov primarily emphasizes their great goal – the liberation of his people from external dependence and their unification based on a lofty idea. The analysis of the novel’s characters reveals these goals: for Zapus it is the embodiment of the idea of a world revolution in Red Asia, for Ungern it is the unification of the tribes of the Mongolian root into one Middle state, for Valikhanov – the revival of the Alash Horde – Great Kyrgyzstan. The legend of the blue sands introduced by the writer into the novel, which belongs, according to the classification of the researcher of the people’s utopia K. V. Chistov, to the “legends of the deliverers”, shows that the thoughts of all the heroes of the novel are unfeasible. The answer to the question why large-scale historical rescue projects and bringing people to the land of happiness by a certain hero-deliverer, cannot come true, Ivanov in the novel “Blue Sands” gives, relying on the traditions of folk culture of Siberia and the Far East. The article compares the perception of fortune-telling by sheep’s shoulder blades, common among some peoples of Siberia and the Far East, by the hero of the novel Valikhanov, who studied in St. Petersburg and who does not believe in the meaning of the rite and has lost his sense of homeland, and the lyrical characters of Ivanov’s poem “Zhauryn- Kora”, for whom the rite is part of a common cultural paradigms. The author of the article concludes that the writer in the novel leads the reader to the idea that the loss of a sense of connection with your people, their aspirations and customs embodied in culture, dooms to failure the best thoughts about the salvation of this people.
伊万诺夫小说《蓝沙》中的远东历史文化情节与意象
本文从伊万诺夫的小说《蓝沙》中所反映的远东历史及其文化的情节入手,对其进行了考察。小说中的三个核心人物瓦西里·扎普斯政要、昂根男爵和巴里汉诺夫汗的形象在19 - 20世纪的历史中都有真实的原型,是作者在文献资料的基础上创作出来的,伊万诺夫主要强调了他们的伟大目标——使他的人民从外部依赖中解放出来,并在崇高的理念基础上实现统一。对小说人物的分析揭示了这些目标:对Zapus来说,它是红色亚洲世界革命思想的体现;对Ungern来说,它是蒙古根源的部落统一为一个中央国家;对Valikhanov来说,它是阿拉什部落的复兴-大吉尔吉斯斯坦。作者在小说中引入的蓝色沙滩的传说,根据人民乌托邦研究者K. V.克里斯托夫的分类,属于“拯救者的传说”,这表明小说中所有英雄的思想都是不可实现的。伊万诺夫在小说《蓝沙》中,以西伯利亚和远东地区的民间文化传统为依托,对大型历史救援项目和某一英雄拯救者将人们带到幸福之地为何无法实现的问题给出了答案。本文比较了西伯利亚和远东地区一些民族普遍存在的羊肩胛骨算命观念,以及在圣彼得堡求学的小说主人公Valikhanov不相信仪式的意义而丧失了故土意识的羊肩胛骨算命观念,以及伊万诺夫诗歌《Zhauryn- Kora》中的抒情人物对羊肩胛骨算命的理解,在他们看来,羊肩胛骨算命是一种共同的文化范式。这篇文章的作者总结说,小说中的作者引导读者这样一种观点,即失去与你的人民的联系感,他们的愿望和习俗体现在文化中,注定了关于拯救这个民族的最好的想法失败。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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