ShodhKosh Journal of Visual and Performing Arts最新文献_第3页

DYEING AT HOME FROM KITCHEN WASTE - TEA AND COFFEE RESIDUE 在家里用厨余——茶叶和咖啡渣染色

ShodhKosh Journal of Visual and Performing Arts Pub Date : 2023-10-11 DOI: 10.29121/shodhkosh.v4.i2.2023.519

Preetha R, Nancy Angeline Rani

{"title":"DYEING AT HOME FROM KITCHEN WASTE - TEA AND COFFEE RESIDUE","authors":"Preetha R, Nancy Angeline Rani","doi":"10.29121/shodhkosh.v4.i2.2023.519","DOIUrl":"https://doi.org/10.29121/shodhkosh.v4.i2.2023.519","url":null,"abstract":"Food and Textile industries are considered to be the most vital industries for human survival. The food industry generates an enormous amount of waste which is used as animal feed or undergoes composting or just go as landfills. Some of these organic wastes contains colouring pigments which can be effectively used to colour textiles. Hence there is a possibility to bridge the gap utilizing the waste from food industry to colour textile materials. Chemical dyes are easier to use and produce bright shades but on the other hand it causes pollution to the environment. Natural dyes from plant sources are required in large amounts which may cause depletion of natural resources. Considering these factors, the waste material from food industry, which is available at little, or no cost can be effectively used to colour textiles, this would make natural dyeing affordable and bring about sustainability in textile dyeing process. This kind of sustainable approach protects the environment by utilizing the waste produced by one industry and creating a value-added item for another industry. This study was carried out considering the sustainability aspect which is mutually beneficial to food and textile industries.Natural dyes can be found in the kitchen or in one’s garden can produce beautiful hues. A simple dyeing process can be used to colour the fabric at home utilising available resources in the home kitchen. Decoction waste after extracting two widely used beverages - tea dust and filter coffee dust which are part of everyday kitchen waste were used for the study. Instead of these wastes going directly as landfills, dye was extracted prior to its disposal. Cotton fabric, mordanted with Alum, was dyed with the extracted dye. These dyed fabrics showed good to excellent colour fastness to perspiration, rubbing, washing, and pressing. Since these dyes are natural in origin, they are safe and eco-friendly. This study proves that throw-away kitchen waste can be utilized to extract dyes that can be used to create value-added products.","PeriodicalId":478592,"journal":{"name":"ShodhKosh Journal of Visual and Performing Arts","volume":"102 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136210155","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

THE IMPACT OF INDIAN EXAGGERATED ANIMATED TELEVISION ADVERTISEMENTS ON CONSUMER 印度夸张的动画电视广告对消费者的影响

ShodhKosh Journal of Visual and Performing Arts Pub Date : 2023-10-11 DOI: 10.29121/shodhkosh.v4.i2se.2023.557

Mandar Suryakant Naik, Avadhut Atre

引用次数: 0

INCONCEIVABLE CREATION: THE KALBELIYA DANCE FROM & ITS CONCEPTION TO WORLDWIDE IDENTIFICATION 不可思议的创作:《KALBELIYA》中的舞蹈它的概念是世界性的认同

ShodhKosh Journal of Visual and Performing Arts Pub Date : 2023-10-11 DOI: 10.29121/shodhkosh.v4.i2se.2023.464

Rajendra Khairnar

{"title":"INCONCEIVABLE CREATION: THE KALBELIYA DANCE FROM & ITS CONCEPTION TO WORLDWIDE IDENTIFICATION","authors":"Rajendra Khairnar","doi":"10.29121/shodhkosh.v4.i2se.2023.464","DOIUrl":"https://doi.org/10.29121/shodhkosh.v4.i2se.2023.464","url":null,"abstract":"This research paper is focused on the 'kalbeliya Gypsy dancing form', this form is having its Origin in the first Rajasthan tourism performance and first international performance (the United States of America.) recognition, intangible inventions. A dance performed by the nomadic kalbeliya community is featured in Rajasthan \"Gypsy\" performances in Rajasthan, which have fast gained popularity among Indian tourists and on venues for world music in the west. The Indian government recognizes Rajasthan, the kalbeliya's home state, as \"India's legacy state\" in order to stimulate travel and the international diffusion of Indian culture through performances and festivals. The kalbeliya dance form was developed in the 1978s, but it wasn't until 2010 that UNESCO designated it as an intangible cultural asset. Through this research paper, the researcher highlights and mentions the name of the woman who gave birth to the kalbeliya dance form and design costume and jewelry assets for the performances. The research writing more profoundly overviews the development of the Kalbeliya dance form's development from its inception in the 1978s until the UNESCO nomination. The study also raises the roof of the implications of its name as a world heritage dance tradition.","PeriodicalId":478592,"journal":{"name":"ShodhKosh Journal of Visual and Performing Arts","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136209729","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

EXPERIMENTAL PRACTICES BY PRINTMAKERS IN THE WORLD OF PRINTMAKING 版画家在版画界的实验实践

ShodhKosh Journal of Visual and Performing Arts Pub Date : 2023-10-05 DOI: 10.29121/shodhkosh.v4.i2.2023.680

Dr. Sachin Ramrao Hajare

{"title":"EXPERIMENTAL PRACTICES BY PRINTMAKERS IN THE WORLD OF PRINTMAKING","authors":"Dr. Sachin Ramrao Hajare","doi":"10.29121/shodhkosh.v4.i2.2023.680","DOIUrl":"https://doi.org/10.29121/shodhkosh.v4.i2.2023.680","url":null,"abstract":"Printmaking (Chhapa Kala) has evolved beyond paper-based prints and has encompassed a broader spectrum of artistic expressions. The world of printmaking witnesses the innovative experiments of numerous artists today, each contributing their unique endeavors. Printmakers are no longer confined by strict rules and are embracing a more versatile and expressive form of printmaking. Today's printmakers are taking a step forward and are diligently working in the realm of printmaking, progressing beyond the confines of traditional printmaking. Printmakers are exploring different mediums with enthusiasm, uncovering new possibilities, and pushing the boundaries of what printmaking can achieve. The traditional distinctions between established, conventional, and unconventional printmaking are being blurred, allowing for a more dynamic and liberated interpretation of the art form. In actuality, the term 'printmaking' itself is undergoing a redefinition, with new rules being formulated. It appears that, in today's artistic landscape, there is a growing recognition of the need to reconsider established norms and rules in printmaking. Research in this context has been extensively conducted, analyzing the various aspects and techniques involved. This study delves into the realm of Chhapa Kala, exploring its widespread influence and its integration into the broader world of art.\"","PeriodicalId":478592,"journal":{"name":"ShodhKosh Journal of Visual and Performing Arts","volume":"55 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134976109","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

MINIMALISM IN DESIGN: A TREND OF SIMPLICITY IN COMPLEXITY 设计中的极简主义:一种在复杂中求简单的趋势

ShodhKosh Journal of Visual and Performing Arts Pub Date : 2023-10-03 DOI: 10.29121/shodhkosh.v4.i2.2023.539

Sugandha Gumber

引用次数: 0

CHALLENGING CONVENTIONAL HEROISM: REDEFINING HEROISM THROUGH THE REPRESENTATION OF DISABLED SUPERHEROES IN DAREDEVIL AND X-MEN 挑战传统英雄主义:通过《超胆侠》和《x战警》中残疾超级英雄的形象重新定义英雄主义

ShodhKosh Journal of Visual and Performing Arts Pub Date : 2023-10-03 DOI: 10.29121/shodhkosh.v4.i2.2023.452

Sruthy Shaji, Sheeba C

{"title":"CHALLENGING CONVENTIONAL HEROISM: REDEFINING HEROISM THROUGH THE REPRESENTATION OF DISABLED SUPERHEROES IN DAREDEVIL AND X-MEN","authors":"Sruthy Shaji, Sheeba C","doi":"10.29121/shodhkosh.v4.i2.2023.452","DOIUrl":"https://doi.org/10.29121/shodhkosh.v4.i2.2023.452","url":null,"abstract":"Disability representation in films is often viewed as a means of inspiring and evoking emotions from able-bodied audiences. Disability activists have long challenged these ableist norms and called for greater recognition of the diversity of human experience. The representation of characters like Matt Murdock and Charles Xavier from the American superhero films Daredevil (2003) directed by Mark Steven Johnson and X-Men (2000) by Bryan Singer has evolved to offer audiences more thought-provoking narratives that transcend simplistic notions of good versus evil. By portraying Matt and Charles Xavier as disabled superheroes, these stories challenge traditional conventions of heroism. This study analyzes how Matt and Charles Xavier disrupt the perception of heroism, particularly in the science fiction genre, thereby examining how their representation emphasises that disability does not hinder heroism or the ability to make a difference. This study combines the fields of disability studies and science fiction to challenge and showcase how the science fiction world is an inviting home for disabled characters and fans. This paper highlights how these characters, despite their physical disabilities, are depicted as powerful, determined, and capable of performing incredible feats and challenge conventional ideas about non-normative bodies in the science fiction genre. This paper concludes that such portrayals can provide disabled audiences with a sense of connection and validation through characters who share similar experiences. Seeing themselves positively reflected in fictional narratives can contribute to a stronger and more positive self-identity. Such characteristics can be included in the world of literature and movies as protagonists with persistence and resilience.","PeriodicalId":478592,"journal":{"name":"ShodhKosh Journal of Visual and Performing Arts","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135696664","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

INDIGENOUS HERITAGE OF TRADITIONAL EMBROIDERY PRACTICED BY MEGHWAL COMMUNITY 梅瓦尔社区传统刺绣的本土遗产

ShodhKosh Journal of Visual and Performing Arts Pub Date : 2023-10-02 DOI: 10.29121/shodhkosh.v4.i2.2023.591

Madhu Sharan, Mitali Shah, Dolly Agrawal

{"title":"INDIGENOUS HERITAGE OF TRADITIONAL EMBROIDERY PRACTICED BY MEGHWAL COMMUNITY","authors":"Madhu Sharan, Mitali Shah, Dolly Agrawal","doi":"10.29121/shodhkosh.v4.i2.2023.591","DOIUrl":"https://doi.org/10.29121/shodhkosh.v4.i2.2023.591","url":null,"abstract":"Artisanal skills in India are recognized as beautiful reflection in hand made arts and crafts. The present study was an attempt to document the history, origin, motifs, tools, and equipment’s used for embroidery practiced by Meghwal Community residing in Gujarat and Rajasthan. This type of embroidery is rare in its being; hence the main analysis of the study was to make people aware about Meghwal embroidery from the embroideries practiced by different communities. At present embroidery is mainly being practiced in two districts Bikaner (Rajasthan) and Kutch (Gujarat). A total sample comprised of 110 artisans of which 55 were from each district along with two NGO were selected one from each district. The sample selection criteria was determined by keep in view their involvement with Meghwal embroidery. According to the artisan, there was no significant difference in the embroidery practiced in Rajasthan and Kutch. The details of traditional style embroidery, as well as other information like existing motifs colour combinations, stitches, threads, and other raw materials was studied. According to the artisans and review of literature, Meghwal embroidery can be identified by its motifs and method of execution and motif development. The stitches are the same, but the identity of the embroidery practiced by the community is reflected in the methods of motif’s development, the fabric and colour combination was changed according to the market demand.","PeriodicalId":478592,"journal":{"name":"ShodhKosh Journal of Visual and Performing Arts","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135833985","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

PERCEPTION ABOUT EFFECTIVENESS OF ADVERTISING TOOLS AMONG VISITORS: A STUDY BASED ON LEADING MUSEUMS OF INDIA 参观者对广告工具有效性的看法:一项基于印度主要博物馆的研究

ShodhKosh Journal of Visual and Performing Arts Pub Date : 2023-10-02 DOI: 10.29121/shodhkosh.v4.i2.2023.555

Abhishek Dubey, Mihir Ranjan Patra

{"title":"PERCEPTION ABOUT EFFECTIVENESS OF ADVERTISING TOOLS AMONG VISITORS: A STUDY BASED ON LEADING MUSEUMS OF INDIA","authors":"Abhishek Dubey, Mihir Ranjan Patra","doi":"10.29121/shodhkosh.v4.i2.2023.555","DOIUrl":"https://doi.org/10.29121/shodhkosh.v4.i2.2023.555","url":null,"abstract":"The media, especially advertising, has become an inseparable part of our day-to-day lives. All the prominent media use this as a source of income, and all the advertisers use this to promote their products among users. Today, it is not possible for us to determine a product purchase if we don’t see it on any media in advertising. Several government organizations use advertising tools to reach out to their target customers. Even museums nowadays harness the myriad benefits of advertising tools to promote themselves. In this study, the researcher selected four leading museums in India and studied the perception of the effectiveness of advertising tools among visitors. The museums noticed that advertising tools were very effective in promoting themselves. The perception of visitors was found to be at a ‘very effective’ level of effectiveness. The correlation between perception and effectiveness of advertising was found to be a positive relation. The researcher proved that attention, interest, desire, and action (AIDA) were the effects produced by the advertising used by the selected museums to promote themselves. The number of respondents who had stated a ‘very effective’ level of effectiveness was 273 out of a total of 423 respondents, meaning 64.39% of all. No significant difference was found in different independent variables such as age, educational qualification, and perception of the effectiveness of the advertising.","PeriodicalId":478592,"journal":{"name":"ShodhKosh Journal of Visual and Performing Arts","volume":"143 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135834661","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

THE RHYTHM OF RITUALS OF TAMIL NADU – A DESCRIPTIVE STUDY 泰米尔纳德邦仪式的节奏-描述性研究

ShodhKosh Journal of Visual and Performing Arts Pub Date : 2023-10-02 DOI: 10.29121/shodhkosh.v4.i2.2023.601

Bhavani Udayakumar, Subbulakshmi S

{"title":"THE RHYTHM OF RITUALS OF TAMIL NADU – A DESCRIPTIVE STUDY","authors":"Bhavani Udayakumar, Subbulakshmi S","doi":"10.29121/shodhkosh.v4.i2.2023.601","DOIUrl":"https://doi.org/10.29121/shodhkosh.v4.i2.2023.601","url":null,"abstract":"A ritual is a set of actions performed in a particular order with religious, cultural, or socially significant meaning. Religious ceremonies are usually followed as prescribed in religious scriptures as a long-standing practice. Music and dance have always had their place among humans that can be traced back to as early as the ancient civilisations of the world. Even to date, some of the most common factors that can be seen as a part of rituals, irrespective of cultural differences, might be music, dance, and food. Rhythm is ever prevailing in all nature and even in manmade things. The music and dance are mere extensions of the rhythm of an individual or a community that is expressed outward. Hence, they are inevitable in the rituals too. India, with a rich tradition of religion and arts, influences the community to a greater extent.This study uses a descriptive research methodology to analyse the Rituals of Tamil Nādu involving music and dance. The mythological background of rituals and music, rituals regarding the temple, kingdom, folk rituals, and commoners involving music or dance have been discussed. These rituals are slowly fading with the increase in the modernisation of the world. With technologies replacing several artists, it can also be considered the last resort to record and archive arts and rituals on the verge of extinction. Some ritualistic arts might not be saved even with help as they follow a rigorous customary tradition that can only be carried on by the family line. Rituals involving superficial beliefs that affect or hurt the physical aspects of humans or animals might be avoided. However, the arts related to it must be encouraged to document to be passed on to the future generation.","PeriodicalId":478592,"journal":{"name":"ShodhKosh Journal of Visual and Performing Arts","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135833546","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

CONCEPTUAL PHOTOGRAPHY: SIGNIFICANCE AND FUTURE IN INDIAN PHOTOGRAPHY 观念摄影:印度摄影的意义与未来

ShodhKosh Journal of Visual and Performing Arts Pub Date : 2023-09-27 DOI: 10.29121/shodhkosh.v4.i2se.2023.527

Dr. Kritika Agarwal

引用次数: 0