INDIGENOUS HERITAGE OF TRADITIONAL EMBROIDERY PRACTICED BY MEGHWAL COMMUNITY

Madhu Sharan, Mitali Shah, Dolly Agrawal
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Abstract

Artisanal skills in India are recognized as beautiful reflection in hand made arts and crafts. The present study was an attempt to document the history, origin, motifs, tools, and equipment’s used for embroidery practiced by Meghwal Community residing in Gujarat and Rajasthan. This type of embroidery is rare in its being; hence the main analysis of the study was to make people aware about Meghwal embroidery from the embroideries practiced by different communities. At present embroidery is mainly being practiced in two districts Bikaner (Rajasthan) and Kutch (Gujarat). A total sample comprised of 110 artisans of which 55 were from each district along with two NGO were selected one from each district. The sample selection criteria was determined by keep in view their involvement with Meghwal embroidery. According to the artisan, there was no significant difference in the embroidery practiced in Rajasthan and Kutch. The details of traditional style embroidery, as well as other information like existing motifs colour combinations, stitches, threads, and other raw materials was studied. According to the artisans and review of literature, Meghwal embroidery can be identified by its motifs and method of execution and motif development. The stitches are the same, but the identity of the embroidery practiced by the community is reflected in the methods of motif’s development, the fabric and colour combination was changed according to the market demand.
梅瓦尔社区传统刺绣的本土遗产
在印度,手工技艺被认为是手工艺术和手工艺品的美丽体现。本研究试图记录古吉拉特邦和拉贾斯坦邦梅瓦尔社区刺绣的历史、起源、图案、工具和设备。这种类型的刺绣是罕见的;因此,这项研究的主要分析是让人们从不同社区的刺绣中了解梅瓦尔刺绣。目前,刺绣主要在比卡内尔(拉贾斯坦邦)和库奇(古吉拉特邦)两个地区进行。总共有110名工匠,其中55名来自每个地区,两个非政府组织分别来自每个地区。样品的选择标准是根据他们对梅瓦尔刺绣的参与来确定的。根据工匠的说法,拉贾斯坦邦和库奇的刺绣没有显着差异。研究了传统风格刺绣的细节,以及其他信息,如现有的图案,颜色组合,针法,线和其他原材料。根据工匠和文献的回顾,梅瓦尔刺绣可以通过其图案和执行方法以及图案的发展来识别。刺绣的针法是一样的,但社区所实践的刺绣的身份体现在图案的开发方法上,布料和颜色组合根据市场需求而变化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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