{"title":"Economic martyrs and moralised others: The construction of social class in UK media during the ‘age of austerity’","authors":"L. Marsden","doi":"10.1177/13675494221147746","DOIUrl":"https://doi.org/10.1177/13675494221147746","url":null,"abstract":"This article describes the key findings of a study which critically analyses the construction of social class within UK media during the period 2010–2016 – part of the ‘age of austerity’. Focusing upon 240 newspaper articles covering six topics (emergency budget, welfare reform, workfare, bedroom tax, food banks and zero-hour contracts), the study provides critical insights into how class is constructed in an important context: namely that of economic downturn and rising inequality. The findings suggest that a pro-austerity discourse dominates the coverage. Here austerity is described as necessary, and the idea of ‘unavoidable scarcity’ forms the basis for a ‘moral divide’ between a vague in-group – the ‘ordinary hardworking people’, defined by their idealised struggle and selfless sense of duty – and an exploitative ‘other’. This both legitimises austerity and masks its broader impact. As the impacts become more apparent, however, challenges to the dominant narrative begin to appear. In the course of these challenges, the struggle inherent to class is placed back on the agenda, and class is increasingly constructed as an ‘anxious concept’ – a slippery slope down which one might fall.","PeriodicalId":47482,"journal":{"name":"European Journal of Cultural Studies","volume":" ","pages":""},"PeriodicalIF":2.4,"publicationDate":"2023-01-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42730121","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Becoming apart: Drag and the practice of immanent resistance in postsocialist Belgrade","authors":"A. Filipović","doi":"10.1177/13675494221144468","DOIUrl":"https://doi.org/10.1177/13675494221144468","url":null,"abstract":"This article considers forms of drag in Belgrade that are critical of contemporary Serbian society and analyzes ways in which drag both participates in, and critically relates to, the postsocialist transitional socioeconomic environment, especially the creative industries. Becoming a part of the creative industries (re)produces drag, as well as lesbian, gay, bisexual, and transgender subjects as consumers, while the ‘becoming apart’ of drag offers possible sites of resistance to the dominant cultural, social and economic model. As some performances – by the Ephemeral Confessions collective, Dajana Ho and Dragoslavia – are critical of both current forms of capitalism and of cis-hetero-patriarchal regimes of gender and sexuality, as well as of the ethno-nationalist narrative that has shaped the region of former Yugoslavia, analysis of the Belgrade drag scene results in a conceptualization of a critical practice that is immanent to what is being critiqued – immanent resistance.","PeriodicalId":47482,"journal":{"name":"European Journal of Cultural Studies","volume":" ","pages":""},"PeriodicalIF":2.4,"publicationDate":"2022-12-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48432231","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Wounded men of feminism: Exploring regimes of male victimhood in the Spanish manosphere","authors":"Elisa García Mingo, S. Díaz Fernández","doi":"10.1177/13675494221140586","DOIUrl":"https://doi.org/10.1177/13675494221140586","url":null,"abstract":"The manosphere has become a popular digital social object of research and a growing academic corpus aims to make sense of online masculinist subcultures and the rise in misogynistic discourses in digital environments. In this article, we focus on the idea of male victimhood and the ways it is articulated and reworked to serve specific masculinist interests. We believe the narrative of male victimhood is being used to justify misogynistic claims and to ground a specific antifeminist strategy oriented towards a political dismantling of feminism. Our findings are the result of a multiplatform digital ethnography conducted in the Spanish manosphere including participant observation of a variety of subcultures in diverse platforms, blogs and websites. We conclude that within the Spanish manosphere, there is a regime of male victimhood. Building on Fazili’s categorisation of victimhood claims as experience, stance and self-presentation, we operationalize them as a conceptual framework in this article to analyse how they are taken up in the manospheric context in a way that works to configure the regimes of male victimhood which, in turn, helps disseminate pain in the platform. Finally, following Chouliaraki, we present an analysis of the four main argumentative mechanisms we have identified through which victimhood is claimed in the Spanish manosphere: (1) separation of victimhood from structural reality; (2) separation of victimhood from its context; (3) inversion of the roles of victim and perpetrator and (4) dismantling of the binary sufferer/perpetrator.","PeriodicalId":47482,"journal":{"name":"European Journal of Cultural Studies","volume":" ","pages":""},"PeriodicalIF":2.4,"publicationDate":"2022-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44623982","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘U OK hun’? Classed femininities, meme culture and locating humour in the celebrity ‘hun’","authors":"Laura Minor","doi":"10.1177/13675494221134344","DOIUrl":"https://doi.org/10.1177/13675494221134344","url":null,"abstract":"This article examines ‘huns’ – specifically celebrity huns in the public spotlight – as memetic ‘figures’ who are defined by their loud, tongue-in-cheek and humorous display of British femininities coded as working class. Unlike other female figures routinely mocked and laughed at in contemporary popular culture (such as the ‘chav[ette]’ in Britain and ‘Karens’ in America), huns have been celebrated online in a seemingly more progressive and supposedly politically aware sociocultural context. However, this article argues that laughter aimed at the celebrity hun, though deemed inclusive by her fans, is ultimately ambivalent, polysemic and multifarious. Transformations online have led to the discursive creation of the hun through her ‘memeability’. Therefore, I will analyse this new classed and gendered figure via social media. Using the Instagram account ‘loveofhuns’ as a case study, I examine three memes from this page to showcase how huns are represented in complex and competing ways. Overall, this article questions whether the humour in memes uplifts huns or reinforces stereotypes of this typically derided image of (classed) femininity.","PeriodicalId":47482,"journal":{"name":"European Journal of Cultural Studies","volume":"1 1","pages":""},"PeriodicalIF":2.4,"publicationDate":"2022-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41717069","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
J. Duruz, Angela Giovanangeli, A. Loda, N. Manganas
{"title":"Emotional scapes in Mediterranean port cities: Walking Barcelona, Marseille and Genova","authors":"J. Duruz, Angela Giovanangeli, A. Loda, N. Manganas","doi":"10.1177/13675494221141921","DOIUrl":"https://doi.org/10.1177/13675494221141921","url":null,"abstract":"Mediterranean port cities share a number of trajectories that reveal their constitutive interconnectedness. Among the more recent is the process of urban regeneration that many of these cities have undergone over the last two decades. Several studies have analysed the implications of urban renewal from a socio-economic and urban planning perspective. However, the intersection between diverse urban restructuring processes and the emotions that crisscross these cities is still largely underexplored. This article aims to begin filling this gap by identifying possible emotional responses that mirror local concerns in three port cities located on the northern shores of the Mediterranean. More specifically, the article investigates Barcelona in light of the hope that emerges when a city is in crisis, Marseille and the nostalgia that is mobilised to reimagine the city’s national consciousness and Genova with regard to an uncanny feeling when more-than-human balances are altered. Drawing from different disciplines, including ethnography, media, archival and literary analysis, this article argues that emotional trajectories are significant aspects to consider in the urban renewal processes of distinctive spaces like port cities because they allow us to comprehend some of the local reactions to urban transformations and gentrification that go beyond understanding economic and branding strategies in a post-industrial space.","PeriodicalId":47482,"journal":{"name":"European Journal of Cultural Studies","volume":"26 1","pages":"572 - 597"},"PeriodicalIF":2.4,"publicationDate":"2022-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46629514","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Frederik Dhaenens, Salma Mediavilla Aboulaoula, Anke Lion
{"title":"‘I’m just not gay-gay’: Exploring same-sex desire and sexual minority identity formation in SKAM and its Western European remakes","authors":"Frederik Dhaenens, Salma Mediavilla Aboulaoula, Anke Lion","doi":"10.1177/13675494221136616","DOIUrl":"https://doi.org/10.1177/13675494221136616","url":null,"abstract":"SKAM (NRK, 2015–2017), a popular Norwegian teen drama series, was praised for its season revolving around a nonheterosexual cis-male teenager coming to terms with his sexual desires and identity. Broadcasting companies from predominantly Western European countries bought the format and created local versions. The essay explores how SKAM and three Western European remakes represent same-sex desire and sexual identity formation. We found that the remakes were rather faithful to the politics of representation of the Norwegian source text. Emphasizing authenticity and everyday realism, they situate the teenagers in a Western context that may feature less blatant heterosexism and homophobia but where heteronormativity still co-constructs the process of sexual identity formation and general attitudes towards same-sex desire and LGBTQ culture. We postulate that SKAM and its remakes encourage LGBTQ and heterosexual teens to deconstruct their homonegative prejudices and become aware of the pervasiveness of heteronormativity.","PeriodicalId":47482,"journal":{"name":"European Journal of Cultural Studies","volume":" ","pages":""},"PeriodicalIF":2.4,"publicationDate":"2022-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44549633","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Screen agencies as cultural intermediaries: Delivering gender equality in the film and television sectors?","authors":"Caitriona Noonan, M. Brock","doi":"10.1177/13675494221134342","DOIUrl":"https://doi.org/10.1177/13675494221134342","url":null,"abstract":"This article examines the role of national screen agencies in the realisation of an equitable screen sector. Publicly funded screen agencies like Ffilm Cymru Wales, Screen Ireland, Det Danske Filminstitut (Danish Film Institute) and Hrvatski Audiovizualni Centar (Croatian Audiovisual Centre) directly shape the sector, both on screen and behind the camera. Using interviews with senior decision-makers within several European screen agencies, we critically analyse the logics and practices of these cultural intermediaries in relation to gender equality. We chart how the issue is mediated by screen agencies, including their (in)actions. Alongside formal measures, we observe some staff working in quotidian ways to deliver change through positively leveraging their relationships with the sector. Our research highlights that while most of sampled agencies advocate for gender equality, few recognise ethnicity, socioeconomics, disability or age in their larger policy frameworks, and therefore, questions of intersectionality are rarely addressed formally in institutional approaches. We conclude that for screen agencies to become effective intermediaries for equality, a paradigmatic shift in their logics and working practices would be required. However, this would only represent a first step as wider policy and industrial reform is necessary to redress the exclusionary frames of the screen sector.","PeriodicalId":47482,"journal":{"name":"European Journal of Cultural Studies","volume":"26 1","pages":"408 - 427"},"PeriodicalIF":2.4,"publicationDate":"2022-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46402581","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The zaniness of everyday life: Trump, Littler and Ngai","authors":"Francis Russell, Rebecca Persic","doi":"10.1177/13675494221135053","DOIUrl":"https://doi.org/10.1177/13675494221135053","url":null,"abstract":"This article seeks to build on sociologist Jo Littler’s notion of the normcore plutocrat, that is, a newly emerging political actor who gains power through performances of ordinariness. We do this by expanding Littler’s work through an engagement with Sianne Ngai’s aesthetic theory. Taking up Donald Trump’s performances as a case study, we attempt to think through the relationship between what Ngai refers to as ‘zaniness’ and Littler’s normcore plutocrat. Given Trump’s abnormal and bizarre antics, this article poses the question of what it means to frame his performances as ‘ordinary’. In attempting to answer this question, we relocate Ngai’s work to an explicitly political register in the attempt to show how Trump’s use of language, abysmal business record and faux-masculinity can be understood as revealing something about ordinary neoliberalism.","PeriodicalId":47482,"journal":{"name":"European Journal of Cultural Studies","volume":"26 1","pages":"761 - 775"},"PeriodicalIF":2.4,"publicationDate":"2022-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46457650","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Periods of austerity: The emergence of ‘period poverty’ in UK news media","authors":"Sara De Benedictis","doi":"10.1177/13675494221133131","DOIUrl":"https://doi.org/10.1177/13675494221133131","url":null,"abstract":"This article analyses the emergence of the discourse of period poverty in UK news media across a two-year period. Using thematic analysis and discourse analysis, I analyse three themes: the focus on the schoolgirl, the silencing of the austerity context and the preoccupation with products and public figures to solve the structural issue of period poverty. In doing so, I argue that period poverty has emerged in the cultural sphere due to three key, and intertwined, forces: the continued dismantling of the welfare state and individualising of poverty, an escalation of mainstream feminism and feminist activism around menstruation, as well as high-profile individuals (celebrities, MPs, royals etc) supporting period poverty as philanthropy. This article brings together literature on austerity media culture and mediations of mainstream feminism/s. It expands scholarship on austerity media culture by analysing how the novel discourse of period poverty continues to individualise poverty and justify the ongoing dismantling of the welfare state, and it furthers scholarship on mainstream feminism/s by examining how the discourse of period poverty connects mainstream feminism/s with austerity and class.","PeriodicalId":47482,"journal":{"name":"European Journal of Cultural Studies","volume":" ","pages":""},"PeriodicalIF":2.4,"publicationDate":"2022-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44583350","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Constructions of self and the pursuit of ‘authenticity’ in women’s magazines: A study of British and Greek discourses","authors":"Rafaela Orphanides, Line Nyhagen, Emily Keightley","doi":"10.1177/13675494221136617","DOIUrl":"https://doi.org/10.1177/13675494221136617","url":null,"abstract":"This article examines discourses of authenticity embedded in European popular culture based on an empirical study of British and Greek women’s magazines. After a quantitative content analysis of 575 articles published in Greek and British editions of Cosmopolitan and Marie Claire during 2012–2016, we conducted a qualitative repertoire analysis of 80 articles and identified a shared discursive repertoire, that of women’s ‘authentic self’. Our analysis suggests that discourses of authenticity in women’s magazines contain contradictory elements. First, they are characterised by a ‘can do’ philosophy, an emphasis on ‘body-positivity’, ‘self-acceptance’ and self-help advice, which suggests women’s agency as well as a normalisation of postfeminist gender anxieties. Second, the discourses encourage women to accept their bodies, ‘internal selves’ and current circumstances through self-monitoring and self-surveillance, while silencing societal barriers that form obstacles to achieving ‘an authentic self’. These authenticity discourses rely on a triple entanglement of notions derived from third-wave feminism, post-feminism and neoliberal discourse.","PeriodicalId":47482,"journal":{"name":"European Journal of Cultural Studies","volume":" ","pages":""},"PeriodicalIF":2.4,"publicationDate":"2022-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47028313","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}