{"title":"“你没事吧,亲爱的?”分类的女性主义、模因文化以及在名人“hun”中的幽默定位","authors":"Laura Minor","doi":"10.1177/13675494221134344","DOIUrl":null,"url":null,"abstract":"This article examines ‘huns’ – specifically celebrity huns in the public spotlight – as memetic ‘figures’ who are defined by their loud, tongue-in-cheek and humorous display of British femininities coded as working class. Unlike other female figures routinely mocked and laughed at in contemporary popular culture (such as the ‘chav[ette]’ in Britain and ‘Karens’ in America), huns have been celebrated online in a seemingly more progressive and supposedly politically aware sociocultural context. However, this article argues that laughter aimed at the celebrity hun, though deemed inclusive by her fans, is ultimately ambivalent, polysemic and multifarious. Transformations online have led to the discursive creation of the hun through her ‘memeability’. Therefore, I will analyse this new classed and gendered figure via social media. Using the Instagram account ‘loveofhuns’ as a case study, I examine three memes from this page to showcase how huns are represented in complex and competing ways. Overall, this article questions whether the humour in memes uplifts huns or reinforces stereotypes of this typically derided image of (classed) femininity.","PeriodicalId":47482,"journal":{"name":"European Journal of Cultural Studies","volume":"1 1","pages":""},"PeriodicalIF":1.7000,"publicationDate":"2022-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"‘U OK hun’? Classed femininities, meme culture and locating humour in the celebrity ‘hun’\",\"authors\":\"Laura Minor\",\"doi\":\"10.1177/13675494221134344\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article examines ‘huns’ – specifically celebrity huns in the public spotlight – as memetic ‘figures’ who are defined by their loud, tongue-in-cheek and humorous display of British femininities coded as working class. Unlike other female figures routinely mocked and laughed at in contemporary popular culture (such as the ‘chav[ette]’ in Britain and ‘Karens’ in America), huns have been celebrated online in a seemingly more progressive and supposedly politically aware sociocultural context. However, this article argues that laughter aimed at the celebrity hun, though deemed inclusive by her fans, is ultimately ambivalent, polysemic and multifarious. Transformations online have led to the discursive creation of the hun through her ‘memeability’. Therefore, I will analyse this new classed and gendered figure via social media. Using the Instagram account ‘loveofhuns’ as a case study, I examine three memes from this page to showcase how huns are represented in complex and competing ways. Overall, this article questions whether the humour in memes uplifts huns or reinforces stereotypes of this typically derided image of (classed) femininity.\",\"PeriodicalId\":47482,\"journal\":{\"name\":\"European Journal of Cultural Studies\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":1.7000,\"publicationDate\":\"2022-12-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"European Journal of Cultural Studies\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1177/13675494221134344\",\"RegionNum\":2,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"European Journal of Cultural Studies","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1177/13675494221134344","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
‘U OK hun’? Classed femininities, meme culture and locating humour in the celebrity ‘hun’
This article examines ‘huns’ – specifically celebrity huns in the public spotlight – as memetic ‘figures’ who are defined by their loud, tongue-in-cheek and humorous display of British femininities coded as working class. Unlike other female figures routinely mocked and laughed at in contemporary popular culture (such as the ‘chav[ette]’ in Britain and ‘Karens’ in America), huns have been celebrated online in a seemingly more progressive and supposedly politically aware sociocultural context. However, this article argues that laughter aimed at the celebrity hun, though deemed inclusive by her fans, is ultimately ambivalent, polysemic and multifarious. Transformations online have led to the discursive creation of the hun through her ‘memeability’. Therefore, I will analyse this new classed and gendered figure via social media. Using the Instagram account ‘loveofhuns’ as a case study, I examine three memes from this page to showcase how huns are represented in complex and competing ways. Overall, this article questions whether the humour in memes uplifts huns or reinforces stereotypes of this typically derided image of (classed) femininity.
期刊介绍:
European Journal of Cultural Studies is a major international, peer-reviewed journal founded in Europe and edited from Finland, the Netherlands, the UK, the United States and New Zealand. The journal promotes a conception of cultural studies rooted in lived experience. It adopts a broad-ranging view of cultural studies, charting new questions and new research, and mapping the transformation of cultural studies in the years to come. The journal publishes well theorized empirically grounded work from a variety of locations and disciplinary backgrounds. It engages in critical discussions on power relations concerning gender, class, sexual preference, ethnicity and other macro or micro sites of political struggle.