“你没事吧,亲爱的?”分类的女性主义、模因文化以及在名人“hun”中的幽默定位

IF 1.7 2区 社会学 Q1 CULTURAL STUDIES
Laura Minor
{"title":"“你没事吧,亲爱的?”分类的女性主义、模因文化以及在名人“hun”中的幽默定位","authors":"Laura Minor","doi":"10.1177/13675494221134344","DOIUrl":null,"url":null,"abstract":"This article examines ‘huns’ – specifically celebrity huns in the public spotlight – as memetic ‘figures’ who are defined by their loud, tongue-in-cheek and humorous display of British femininities coded as working class. Unlike other female figures routinely mocked and laughed at in contemporary popular culture (such as the ‘chav[ette]’ in Britain and ‘Karens’ in America), huns have been celebrated online in a seemingly more progressive and supposedly politically aware sociocultural context. However, this article argues that laughter aimed at the celebrity hun, though deemed inclusive by her fans, is ultimately ambivalent, polysemic and multifarious. Transformations online have led to the discursive creation of the hun through her ‘memeability’. Therefore, I will analyse this new classed and gendered figure via social media. Using the Instagram account ‘loveofhuns’ as a case study, I examine three memes from this page to showcase how huns are represented in complex and competing ways. Overall, this article questions whether the humour in memes uplifts huns or reinforces stereotypes of this typically derided image of (classed) femininity.","PeriodicalId":47482,"journal":{"name":"European Journal of Cultural Studies","volume":"1 1","pages":""},"PeriodicalIF":1.7000,"publicationDate":"2022-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"‘U OK hun’? Classed femininities, meme culture and locating humour in the celebrity ‘hun’\",\"authors\":\"Laura Minor\",\"doi\":\"10.1177/13675494221134344\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article examines ‘huns’ – specifically celebrity huns in the public spotlight – as memetic ‘figures’ who are defined by their loud, tongue-in-cheek and humorous display of British femininities coded as working class. Unlike other female figures routinely mocked and laughed at in contemporary popular culture (such as the ‘chav[ette]’ in Britain and ‘Karens’ in America), huns have been celebrated online in a seemingly more progressive and supposedly politically aware sociocultural context. However, this article argues that laughter aimed at the celebrity hun, though deemed inclusive by her fans, is ultimately ambivalent, polysemic and multifarious. Transformations online have led to the discursive creation of the hun through her ‘memeability’. Therefore, I will analyse this new classed and gendered figure via social media. Using the Instagram account ‘loveofhuns’ as a case study, I examine three memes from this page to showcase how huns are represented in complex and competing ways. Overall, this article questions whether the humour in memes uplifts huns or reinforces stereotypes of this typically derided image of (classed) femininity.\",\"PeriodicalId\":47482,\"journal\":{\"name\":\"European Journal of Cultural Studies\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":1.7000,\"publicationDate\":\"2022-12-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"European Journal of Cultural Studies\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1177/13675494221134344\",\"RegionNum\":2,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"European Journal of Cultural Studies","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1177/13675494221134344","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
引用次数: 0

摘要

这篇文章将“匈奴人”——特别是公众聚光灯下的名人匈奴人——视为模因性的“人物”,他们大声、开玩笑、幽默地展示了被编码为工人阶级的英国女性主义。与当代流行文化中经常被嘲笑和嘲笑的其他女性人物(如英国的“chav[ette]”和美国的“Karens”)不同,匈奴人在网上受到的庆祝似乎更为进步,也更具政治意识。然而,这篇文章认为,针对名人hun的笑声,虽然被她的粉丝们认为是包容的,但最终是矛盾的、多义的和多样的。网络上的转变导致了通过她的“模因性”对hun的散漫创作。因此,我将通过社交媒体来分析这个新的分类和性别化的人物。以Instagram账号“loveofhuns”为例,我研究了这个页面上的三个表情包,以展示huns是如何以复杂和竞争的方式表现的。总的来说,这篇文章质疑模因中的幽默是提升了匈奴人,还是强化了对这种典型的(分类的)女性形象的刻板印象。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘U OK hun’? Classed femininities, meme culture and locating humour in the celebrity ‘hun’
This article examines ‘huns’ – specifically celebrity huns in the public spotlight – as memetic ‘figures’ who are defined by their loud, tongue-in-cheek and humorous display of British femininities coded as working class. Unlike other female figures routinely mocked and laughed at in contemporary popular culture (such as the ‘chav[ette]’ in Britain and ‘Karens’ in America), huns have been celebrated online in a seemingly more progressive and supposedly politically aware sociocultural context. However, this article argues that laughter aimed at the celebrity hun, though deemed inclusive by her fans, is ultimately ambivalent, polysemic and multifarious. Transformations online have led to the discursive creation of the hun through her ‘memeability’. Therefore, I will analyse this new classed and gendered figure via social media. Using the Instagram account ‘loveofhuns’ as a case study, I examine three memes from this page to showcase how huns are represented in complex and competing ways. Overall, this article questions whether the humour in memes uplifts huns or reinforces stereotypes of this typically derided image of (classed) femininity.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
5.50
自引率
4.20%
发文量
69
期刊介绍: European Journal of Cultural Studies is a major international, peer-reviewed journal founded in Europe and edited from Finland, the Netherlands, the UK, the United States and New Zealand. The journal promotes a conception of cultural studies rooted in lived experience. It adopts a broad-ranging view of cultural studies, charting new questions and new research, and mapping the transformation of cultural studies in the years to come. The journal publishes well theorized empirically grounded work from a variety of locations and disciplinary backgrounds. It engages in critical discussions on power relations concerning gender, class, sexual preference, ethnicity and other macro or micro sites of political struggle.
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:604180095
Book学术官方微信