{"title":"Minority representation in the streaming era: An analysis of Jewish identity in competing subscription video on-demand platforms","authors":"M. Sienkiewicz, Michael L. Wayne","doi":"10.1177/13678779231155507","DOIUrl":"https://doi.org/10.1177/13678779231155507","url":null,"abstract":"This article considers how three competing subscription video on-demand services (SVODs) – Jewzy, ChaiFlicks, and IZZY – attract American Jewish subscribers via content selection, platform design, and marketing rhetoric. Although these three SVODs offer similar catalogs, they nonetheless foreground distinct elements of Jewish life, history, and practice. This process of commercial framing, the paper argues, creates unique brand identities for the three services that align with three different approaches to the construction of American Jewish identity. The article goes on to show that these SVODs offer an opportunity to revisit core assumptions embedded within Jewish screen studies and minority screen representation studies more broadly. Minority identity on screen is most often studied through the interpretation of key instances of minority representation. These SVODs instead emphasize the dynamics of interpellation, as they hail viewers by appealing to limited, pre-constructed concepts of cultural identity while offering entire platforms worth of representations.","PeriodicalId":47307,"journal":{"name":"International Journal of Cultural Studies","volume":"26 1","pages":"145 - 163"},"PeriodicalIF":2.1,"publicationDate":"2023-02-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42621510","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘The festival is ours’: Power dynamics of community participation in the Alter do Chão Film Festival","authors":"D. Póvoa","doi":"10.1177/13678779231154288","DOIUrl":"https://doi.org/10.1177/13678779231154288","url":null,"abstract":"Although festivals are often promoted as opportunities for community empowerment, power dynamics during festival organization might hinder such potential. To discuss this issue, this article examines the Alter do Chão Film Festival (FestAlter), an originally collaborative project in the touristic village of Alter do Chão, Brazil. Through 16 interviews with festival stakeholders, the article unveils the changing power dynamics within the organization of the festival, and how these impacted the event's goals of community participation. I argue that the organization of this event moved from union to rupture among festival stakeholders – a trajectory caused by managerial divergences regarding the meaning of community participation and a lack of understanding of the history, culture and socioeconomic circumstances of Alter do Chão, an Amazonian village marked by enduring legacies of colonial exploitation.","PeriodicalId":47307,"journal":{"name":"International Journal of Cultural Studies","volume":"26 1","pages":"200 - 215"},"PeriodicalIF":2.1,"publicationDate":"2023-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47865321","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Abridged anime and the distance in fan-dubbing: Interpreting culture through parody and fan appropriation","authors":"Jacob Mertens","doi":"10.1177/13678779221145439","DOIUrl":"https://doi.org/10.1177/13678779221145439","url":null,"abstract":"This article explores the fan-dubbing practice of ‘abridged anime’ on YouTube and considers the implications involving the creators’ cultural distance from their transnational source material. In this case study, I argue that the practice of parody and fan appropriation can be viewed within the context of global media flows and cultural reinterpretation, suggesting a toxic fan culture that either trivializes or distorts the original text. By focusing on numerous abridged anime series and creator interviews, and framing that analysis within the theorization of parodic transgression, I demonstrate that these fan practices can take on either orientalist or sexist perspectives and move us further from a nuanced cultural understanding of the text itself.","PeriodicalId":47307,"journal":{"name":"International Journal of Cultural Studies","volume":"26 1","pages":"182 - 199"},"PeriodicalIF":2.1,"publicationDate":"2023-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46511317","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Getting to yes: An interview with Igor Vamos","authors":"Patrick Burkart, Igor Vamos","doi":"10.1177/13678779221146235","DOIUrl":"https://doi.org/10.1177/13678779221146235","url":null,"abstract":"Patrick Burkart, Editor-in-Chief of Popular Communication: International Journal of Media and Culture, interviews Dr Igor Vamos, member of The Yes Men and Professor of Art at Rennselaer Polytechnic Institute, New York, USA. Dr Burkart and Dr Vamos discuss the formative years of experimentation with art and politics which informed Dr Vamos’s vision for The Yes Men's environmental activism and the prospects for an ecological politics.","PeriodicalId":47307,"journal":{"name":"International Journal of Cultural Studies","volume":"26 1","pages":"481 - 494"},"PeriodicalIF":2.1,"publicationDate":"2023-01-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49016020","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘Bella ciao’: A portable monument for transnational activism","authors":"Daniele Salerno, Marit van de Warenburg","doi":"10.1177/13678779221145374","DOIUrl":"https://doi.org/10.1177/13678779221145374","url":null,"abstract":"‘Bella ciao’ is one of the best-known partisan songs of the Italian anti-fascist Resistance (1943–5) and is part of the repertoire of protest of many movements across the globe. In 2018, the song was revived by its use in the popular TV series La casa de papel. This article examines how ‘Bella ciao’ is adopted by activists worldwide. It does so by analyzing the song through the concept of ‘portability’: the capacity of a cultural artifact to be a model that can be adapted to different contexts. After an examination of ‘Bella ciao’'s historical uses, the article focuses on the song's feminist versions for supporting different causes and in particular abortion rights. The reuses of the song speak of memory in terms of not only a product – what we remember – but also a process: the creative use of the cultural legacy of past movements for the shaping of new stories.","PeriodicalId":47307,"journal":{"name":"International Journal of Cultural Studies","volume":"26 1","pages":"164 - 181"},"PeriodicalIF":2.1,"publicationDate":"2023-01-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42765741","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Struggle over control: Sound in home video.","authors":"Renée Winter","doi":"10.1177/13678779221135057","DOIUrl":"https://doi.org/10.1177/13678779221135057","url":null,"abstract":"<p><p>This article investigates sound practices in home video. Home video manuals and magazines recommended specific strategies for dealing with sound, often with the goal of gaining control over the openness and unpredictability of the situation being filmed. The subject of home video discourse (addressed in handbooks primarily as white, male, and the father of a family) was ideally the one that has image and sound well under control. But while manuals promised the possibility of (re)gaining control over home video, examples of recordings show the ultimate failure in realizing such a possibility. The article argues that listening to home videos can give insight on how media practices inscribe themselves into everyday life and are, therefore, linked to power relations, attempts to control, and scopes of action within the domestic sphere.</p>","PeriodicalId":47307,"journal":{"name":"International Journal of Cultural Studies","volume":"26 1","pages":"120-136"},"PeriodicalIF":2.1,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9767309/pdf/","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"10436438","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Towards inclusive international environmental communication scholarship: The role of Latin America","authors":"Bruno Takahashi","doi":"10.1177/13678779221146302","DOIUrl":"https://doi.org/10.1177/13678779221146302","url":null,"abstract":"This article presents an overview of environmental communication scholarship about and from Latin America. It explores the main trends, developments, and characteristics of this scholarship, and the differences from and connections to scholarship developed in the Global North. Latin American researchers have developed robust and unique contributions to the understanding of communication processes about the environment, some of which can expand epistemic considerations that Global North researchers should consider. The article also reviews theoretical and methodological shortcomings that need to be recognized, some of which are tied to historic and political processes in the region. The article concludes with recommendations to overcome the challenges that scholars face, and to harness existing strengths that could result in the consolidation of international environmental communication scholarship.","PeriodicalId":47307,"journal":{"name":"International Journal of Cultural Studies","volume":"26 1","pages":"372 - 391"},"PeriodicalIF":2.1,"publicationDate":"2022-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44002529","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Environing media and cultural techniques: From the history of agriculture to AI-driven smart farming","authors":"Adam Wickberg","doi":"10.1177/13678779221144762","DOIUrl":"https://doi.org/10.1177/13678779221144762","url":null,"abstract":"This article presents the new theoretical concept of environing media, which is developed to offer critical insight into how processes of mediation affect how we perceive of, manage and use the environment. Building on the insight that the environment has been in a continuous slow process of change that is now escalating due to human impacts, the article sketches a history of how environmental change and mediation are intertwined. Taking the history of agriculture as a case for the theoretical development, it shows how the current digitization of farming and implementation of AI systems in precision agriculture is the last of a long series in which environmental mediation come to play a crucial role in the forging of human–Earth relations. The article thereby shows the complex interplay between knowing and changing the environment as media technologies produce new epistemologies that in turn produce new interventions.","PeriodicalId":47307,"journal":{"name":"International Journal of Cultural Studies","volume":"26 1","pages":"392 - 409"},"PeriodicalIF":2.1,"publicationDate":"2022-12-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42590059","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘The pandemic helped me!’ Queer international students’ identity negotiation with family on social media in immobile times","authors":"Haowen Zheng","doi":"10.1177/13678779221144759","DOIUrl":"https://doi.org/10.1177/13678779221144759","url":null,"abstract":"This article examines queer international students’ negotiation of sexuality and family ties maintenance during the Covid-19 pandemic. In considering the transitions in queer identity making, I highlight the complexity of coming out to parents. The performative dimension of social media allows queer international students to curate selective presentations and connect with their families digitally in immobile times. However, the technological affordance of social media is porous and productive, triggering the possibility of leakage and accidental outings but enabling negotiation afterwards. Drawing on two rounds of in-depth and social media scroll-back interviews with 20 Chinese queer female international students in Australia in 2021, this article identifies the social roles of social media in managing ties between queer international students and their overseas parents (shielding, leakage, and routing). It also complicates the extant implications of pandemic immobility in a specific context of queer transitions.","PeriodicalId":47307,"journal":{"name":"International Journal of Cultural Studies","volume":"1 1","pages":""},"PeriodicalIF":2.1,"publicationDate":"2022-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43876739","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Territories of migrancy and meaning: The emotional politics of borderscapes in the lives of deported Mexican men in Tijuana","authors":"Renato de Almeida Arao Galhardi","doi":"10.1177/13678779221144758","DOIUrl":"https://doi.org/10.1177/13678779221144758","url":null,"abstract":"This article discusses how Mexican deportees find meaning and negotiate their agency in the borderscape and borderland of Tijuana, Mexico. Established through vice tourism, Tijuana has figured prominently as a site for expressions of migrancy. Within the expressions of migrancy, deported migrants find themselves in constant states of in-betweenness in systems of mediation. Through in-depth interviews with deported Mexican men living in temporary male-centric shelters, I identify and examine the issues of mobility ‘through the body’ of deported migrants, highlighting the politics of emotions, of being, and of seeing. Through analysis of the phenomenology of migration through Tijuana, I highlight the overreaching situated positions of permanent temporality mediating the lives of deported Mexican men. This perspective, therefore, sheds a necessary light on an often overlooked and marginalized condition of the migrant population.","PeriodicalId":47307,"journal":{"name":"International Journal of Cultural Studies","volume":"26 1","pages":"697 - 713"},"PeriodicalIF":2.1,"publicationDate":"2022-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45503059","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}