发布求助
文献互助 智能选刊 最新文献

International Journal of Cultural Studies最新文献

筛选
英文 中文
The Vacillating Imagination of ‘Us' in Black Panther (2018) 《黑豹》中“我们”的摇摆想象
2区 社会学
International Journal of Cultural Studies Pub Date : 2023-10-03 DOI: 10.1177/13678779231202542
Dongwook Song
{"title":"The Vacillating Imagination of ‘Us' in <i>Black Panther</i> (2018)","authors":"Dongwook Song","doi":"10.1177/13678779231202542","DOIUrl":"https://doi.org/10.1177/13678779231202542","url":null,"abstract":"This article analyzes the cultural politics of the vacillating imagination of “us” represented in Black Panther, released in 2018. This popular cultural text centralizes Blackness in that it refers to instances of Black oppression in the early 1990s. Amid the contradiction between the film's Black-centered content and the form of the Hollywood superhero genre, the imagination of “us” in the film expands and shrinks. Drawing on concepts developed by Fredric Jameson and Étienne Balibar, including imaginary resolution, utopian potential, ideological containment, and equaliberty, this article critically examines the ideologies in the text. When it comes to the expansion of “us,” the article explores the utopian potential in the representation of the radical villain. In terms of the shrinkage of “us,” it investigates the function of ideological containment in the Hollywood superhero movie by focusing on the representation of the hero, and the portrait of South Korea as a spectacular background.","PeriodicalId":47307,"journal":{"name":"International Journal of Cultural Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135739270","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Relocating video cultures 重新定位视频文化
2区 社会学
International Journal of Cultural Studies Pub Date : 2023-09-20 DOI: 10.1177/13678779231202545
Jennifer M. Kang, Amanda D. Lotz
{"title":"Relocating video cultures","authors":"Jennifer M. Kang, Amanda D. Lotz","doi":"10.1177/13678779231202545","DOIUrl":"https://doi.org/10.1177/13678779231202545","url":null,"abstract":"This special issue ‘relocates’ video cultures by focusing on the specific industrial dynamics and practices of six different countries. It is in conversation with scholarship that challenges the conceptualization of streaming as a universal force, and instead foregrounds the importance of location. The emergence of streaming and its disruptive influences on audiovisual industries have mostly been approached in relation to US-based multinational streaming services, and the articles in this issue demonstrate how the implications of streaming vary significantly depending on national contexts. Each contribution traces the trajectory of pre-digital cultures that led to the nation-specific consumption patterns of streaming video to date. We hope this special issue helps advance approaches that are attentive to locality and diversity beyond the US streaming culture.","PeriodicalId":47307,"journal":{"name":"International Journal of Cultural Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136308027","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Streaming and India's film-centred video culture: Linguistic and formal diversity 流媒体和印度以电影为中心的视频文化:语言和形式的多样性
IF 2.1 2区 社会学
International Journal of Cultural Studies Pub Date : 2023-09-07 DOI: 10.1177/13678779231197696
Ishita Tiwary
{"title":"Streaming and India's film-centred video culture: Linguistic and formal diversity","authors":"Ishita Tiwary","doi":"10.1177/13678779231197696","DOIUrl":"https://doi.org/10.1177/13678779231197696","url":null,"abstract":"In this article, I foreground the importance of the ‘cinematic’ as the most important vector of video cultures in India. The article identifies how the timeline of video culture disruption in India deviates from countries with stronger television-based cultures. The availability of videocassettes and their ability to make movies more widely available was consequently of greater consequence in India than in other places, and a development that was still adjusting the video culture as digital distribution arrived. Internet distribution and digital production technologies have also brought significant changes to India's viewing culture, though again, the peculiarities of the Indian market make these changes distinctive. Where many countries have encountered greater access to foreign-produced content and services, key digital changes in India tie into access to and interest in a broader range of domestic cinema. The following analysis flags key moments of disruption and explores discussion of the emergence of pan-Indian film that coincided with streaming platform adoption in India.","PeriodicalId":47307,"journal":{"name":"International Journal of Cultural Studies","volume":null,"pages":null},"PeriodicalIF":2.1,"publicationDate":"2023-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42522765","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
The media operations of postcolonial mobility regimes: The cases of Filmstichting West Indië and Vereniging Ons Suriname in 1940s and 1950s Netherlands 后殖民流动政权的媒体运作：荷兰20世纪40年代和50年代西印度Filmstichting和苏里南Vereniging的案例
IF 2.1 2区 社会学
International Journal of Cultural Studies Pub Date : 2023-09-06 DOI: 10.1177/13678779231198124
K. Leurs, Philipp Seuferling
{"title":"The media operations of postcolonial mobility regimes: The cases of Filmstichting West Indië and Vereniging Ons Suriname in 1940s and 1950s Netherlands","authors":"K. Leurs, Philipp Seuferling","doi":"10.1177/13678779231198124","DOIUrl":"https://doi.org/10.1177/13678779231198124","url":null,"abstract":"This article analyses the communication activities of Filmstichting West Indië, which in the late 1940s and early 1950s produced 12 documentary propaganda films about Dutch colonial Suriname, and the resistance against these reductive representations in zines of the Surinamese migrant organization Vereniging Ons Suriname. We draw on hence unstudied archival material to dissect the role of media operations, as persuasive, strategic media productions, in constructing and challenging differential relations between colonizers and colonial subjects, and symbolically negotiating how different territories and bodies relate to each other. A visual and textual analysis of the cases unpacks historical struggles over the regimes of (post)colonial (im)mobilities, as they are produced and articulated within regimes of representation. We ultimately argue that, in order to understand the historical constitution of mobility regimes (and, in order to be able to critique them), we need to study the co-production of mobility regimes within regimes of mediated representation.","PeriodicalId":47307,"journal":{"name":"International Journal of Cultural Studies","volume":null,"pages":null},"PeriodicalIF":2.1,"publicationDate":"2023-09-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47479792","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
‘Terebi banare’: Historicising internet-distributed television and the ‘departure from television’ in Japan “Terebi banare”:将日本的互联网传播电视和“脱离电视”历史化
IF 2.1 2区 社会学
International Journal of Cultural Studies Pub Date : 2023-09-06 DOI: 10.1177/13678779231197698
Yu-Kei Tse
{"title":"‘Terebi banare’: Historicising internet-distributed television and the ‘departure from television’ in Japan","authors":"Yu-Kei Tse","doi":"10.1177/13678779231197698","DOIUrl":"https://doi.org/10.1177/13678779231197698","url":null,"abstract":"This article historicises and examines the implications of internet-distributed television for televisual culture and viewing in Japan. It challenges the simplistic media discourse of ‘ terebi banare’ (i.e. the audiences’ departure from television), which overlooks the complexities of evolving viewing practices. It explains why, largely due to the dominance of major terrestrial broadcasters in the media ecosystem, online consumption of television was slower to take hold in Japan than in other developed countries. It also demonstrates how, while Netflix and Amazon Prime Video have popularised pay online viewing from the late 2010s, the content Japanese viewers consume online remains inclined towards local outputs from terrestrial broadcasters. By elaborating on how terrestrial broadcasters have continued to play an important role in shaping audience experiences with their evolving content, frames, and services, this article provides a critical account of the meaning of terebi banare in the age of streaming.","PeriodicalId":47307,"journal":{"name":"International Journal of Cultural Studies","volume":null,"pages":null},"PeriodicalIF":2.1,"publicationDate":"2023-09-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43057342","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Cultures of (im)mobile entanglements 移动纠缠的文化
IF 2.1 2区 社会学
International Journal of Cultural Studies Pub Date : 2023-09-06 DOI: 10.1177/13678779231198548
E. Cabalquinto, K. Leurs
{"title":"Cultures of (im)mobile entanglements","authors":"E. Cabalquinto, K. Leurs","doi":"10.1177/13678779231198548","DOIUrl":"https://doi.org/10.1177/13678779231198548","url":null,"abstract":"What does the increased reliance on digital communication technologies by migrants, refugees, asylum seekers, migrant communities, governments and researchers reveal about the benefits, limits and politics of everyday mobile and immobile experiences during the pandemic? This introduction to the special issue on cultures of (im)mobile entanglements addresses this inquiry, alongside ten articles covering themes of governance and surveillance, agency and negotiated subjectivities, translocal and transnational solidarity, as well as doing research in pandemic times. Critically engaging with both mobility and immobility in the intersecting field of mobilities and migration research, the special issue centres a multidimensional and multi-scalar perspective on the deep interlinking of various modes of mobilities and stasis in and beyond spatial and temporal conditions mediated by politically and culturally structured digitalization. It endeavours to create a vantage point to critically examine the mobility–immobility continuum as informed by power relations, hierarchies and inequalities in a networked and global society.","PeriodicalId":47307,"journal":{"name":"International Journal of Cultural Studies","volume":null,"pages":null},"PeriodicalIF":2.1,"publicationDate":"2023-09-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43302126","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Beyond Netflix: Ownership and content strategies among non-US-based video streaming services 超越Netflix：非美国视频流媒体服务的所有权和内容战略
IF 2.1 2区 社会学
International Journal of Cultural Studies Pub Date : 2023-09-03 DOI: 10.1177/13678779231196314
Amanda D. Lotz, Oliver Eklund
{"title":"Beyond Netflix: Ownership and content strategies among non-US-based video streaming services","authors":"Amanda D. Lotz, Oliver Eklund","doi":"10.1177/13678779231196314","DOIUrl":"https://doi.org/10.1177/13678779231196314","url":null,"abstract":"Major multi-territory streaming services such as Netflix, Prime Video, and Disney+ dominate this new sector of video distribution, but the economic features of internet-distributed video enable a diverse sector. This article examines 16 non-US-based multi-territory services and 10 national/regional markets to investigate the other types of transnational streaming businesses emerging. The analysis assesses the ownership of the 16 services, as all but one emerge from existing corporations with activities in the audiovisual or distribution sector, to identify the implications of different ownership priorities. It then pairs the ownership analysis with data on the size and country of origin of the services’ content libraries. The findings identify subcategories of multi-territory streamers and, by considering an array of national markets, reveal the counter-strategies available to non-US-based services.","PeriodicalId":47307,"journal":{"name":"International Journal of Cultural Studies","volume":null,"pages":null},"PeriodicalIF":2.1,"publicationDate":"2023-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47790704","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘They are now pocket videos, not home videos’: Streaming and reconfiguration of video consumption in Nigeria “他们现在是口袋视频，而不是家庭视频”:尼日利亚视频消费的流媒体和重新配置
IF 2.1 2区 社会学
International Journal of Cultural Studies Pub Date : 2023-08-29 DOI: 10.1177/13678779231197697
G. Simon
{"title":"‘They are now pocket videos, not home videos’: Streaming and reconfiguration of video consumption in Nigeria","authors":"G. Simon","doi":"10.1177/13678779231197697","DOIUrl":"https://doi.org/10.1177/13678779231197697","url":null,"abstract":"This article examines how streaming is altering established viewing practices that traditionally characterised video film consumption among domestic Nigerians. Following the creation of the Nigerian video industry (Nollywood) as a straight-to-video film industry, audiences watched movies solely through the technologies of television sets and video players. The fluid and opaque circulation of video copies located audience consumption practices within informal realms and communal spaces. This article analyses how streaming is catalysing a distinctive viewing culture in Nigeria. It argues that streaming is formalising access to Nollywood movies, upending the communal practices associated with legacy video viewing, and fostering an individualised viewing culture though some informal communal practices persist in the streaming ecosystem. By emphasising the role of smartphones and apps in the emergent streaming culture, this article demonstrates how streaming is restructuring the temporal, spatial, and affective features of audience engagements that traditionally characterised movies viewing in Nigeria.","PeriodicalId":47307,"journal":{"name":"International Journal of Cultural Studies","volume":null,"pages":null},"PeriodicalIF":2.1,"publicationDate":"2023-08-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47119300","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Disrupting Brazilian television: Streaming and the decline of Globo's hegemony in video cultures 颠覆巴西电视：流媒体与环球视频文化霸权的衰落
IF 2.1 2区 社会学
International Journal of Cultural Studies Pub Date : 2023-08-29 DOI: 10.1177/13678779231197699
Melina Meimaridis
{"title":"Disrupting Brazilian television: Streaming and the decline of Globo's hegemony in video cultures","authors":"Melina Meimaridis","doi":"10.1177/13678779231197699","DOIUrl":"https://doi.org/10.1177/13678779231197699","url":null,"abstract":"The Brazilian audiovisual landscape has been monopolized by the Grupo Globo conglomerate and its commercial broadcast network, TV Globo, which established a common video experience centered on the telenovela. Although cable and the internet sowed seeds of discontent in the 2000s, it was only with the advent of video streaming services in the 2010s that Brazil's video landscape was transformed. This led to the multiplication of video cultures and greater access to transnational audiovisual flows. This article frames streaming as a competitive force that has compelled Grupo Globo to diversify its storytelling and representation, highlighting its potential to disrupt Brazil's video cultures and exposing the limits of cultural proximity. It examines how streaming services affect Brazilian video cultures and how preexisting conditions in Brazil provide opportunities and limitations to underline streaming's disruptive potential for Brazil's video cultures and Globo's declining hegemony and ability to adapt to the digital era.","PeriodicalId":47307,"journal":{"name":"International Journal of Cultural Studies","volume":null,"pages":null},"PeriodicalIF":2.1,"publicationDate":"2023-08-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49536720","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Not just Netflix: Interventions of Korea's domestic streamers 不仅仅是Netflix：韩国国内流媒体的干预
IF 2.1 2区 社会学
International Journal of Cultural Studies Pub Date : 2023-08-29 DOI: 10.1177/13678779231197695
Jennifer M Kang
{"title":"Not just Netflix: Interventions of Korea's domestic streamers","authors":"Jennifer M Kang","doi":"10.1177/13678779231197695","DOIUrl":"https://doi.org/10.1177/13678779231197695","url":null,"abstract":"Korean video culture has changed from a broadcast-focused culture into a diversified experience that includes a variety of videos from both domestic and global streaming services. Contrary to the mainstream view that Netflix is at the centre of all changes, this study positions the domestic streamers’ original content as not necessarily a direct response to Netflix but indicative of the many changes that were already occurring in the local media landscape. Their content has adapted to fit viewers’ changing lifestyles and desire for stories not seen on television. Efficient everyday storytelling fits into viewers’ busy commuter lifestyles and features mundane topics that they can easily identify with. Also, the domestic streamers cater to small, underserved audiences with regard to specific topics avoided by traditional media. Thus, the original content of domestic streamers indicates that they offer different value propositions than formulaic romance stories by broadcasters and the high-end, large-scale original dramas of subscription video on demand (SVOD).","PeriodicalId":47307,"journal":{"name":"International Journal of Cultural Studies","volume":null,"pages":null},"PeriodicalIF":2.1,"publicationDate":"2023-08-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44687078","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
首页 上一页 下一页 尾页
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整，为了账户安全，请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们：info@booksci.cn Book学术提供免费学术资源搜索服务，方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号：481959085
Book学术官方微信