{"title":"Minority representation in the streaming era: An analysis of Jewish identity in competing subscription video on-demand platforms","authors":"M. Sienkiewicz, Michael L. Wayne","doi":"10.1177/13678779231155507","DOIUrl":null,"url":null,"abstract":"This article considers how three competing subscription video on-demand services (SVODs) – Jewzy, ChaiFlicks, and IZZY – attract American Jewish subscribers via content selection, platform design, and marketing rhetoric. Although these three SVODs offer similar catalogs, they nonetheless foreground distinct elements of Jewish life, history, and practice. This process of commercial framing, the paper argues, creates unique brand identities for the three services that align with three different approaches to the construction of American Jewish identity. The article goes on to show that these SVODs offer an opportunity to revisit core assumptions embedded within Jewish screen studies and minority screen representation studies more broadly. Minority identity on screen is most often studied through the interpretation of key instances of minority representation. These SVODs instead emphasize the dynamics of interpellation, as they hail viewers by appealing to limited, pre-constructed concepts of cultural identity while offering entire platforms worth of representations.","PeriodicalId":47307,"journal":{"name":"International Journal of Cultural Studies","volume":"26 1","pages":"145 - 163"},"PeriodicalIF":1.5000,"publicationDate":"2023-02-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Cultural Studies","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1177/13678779231155507","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
引用次数: 1
Abstract
This article considers how three competing subscription video on-demand services (SVODs) – Jewzy, ChaiFlicks, and IZZY – attract American Jewish subscribers via content selection, platform design, and marketing rhetoric. Although these three SVODs offer similar catalogs, they nonetheless foreground distinct elements of Jewish life, history, and practice. This process of commercial framing, the paper argues, creates unique brand identities for the three services that align with three different approaches to the construction of American Jewish identity. The article goes on to show that these SVODs offer an opportunity to revisit core assumptions embedded within Jewish screen studies and minority screen representation studies more broadly. Minority identity on screen is most often studied through the interpretation of key instances of minority representation. These SVODs instead emphasize the dynamics of interpellation, as they hail viewers by appealing to limited, pre-constructed concepts of cultural identity while offering entire platforms worth of representations.
期刊介绍:
International Journal of Cultural Studies is committed to rethinking cultural practices, processes, texts and infrastructures beyond traditional national frameworks and regional biases. The journal publishes theoretical, empirical and historical analyses that interrogate what culture means, and what culture does, across global and local scales of power and action, diverse technologies and forms of mediation, and multiple dimensions of performance, experience and identity. Dedicated to theoretical and methodological innovation in cultural research, the journal is multidisciplinary in outlook, publishing relevant contributions that integrate approaches from the social sciences, humanities, information sciences and more. International Journal of Cultural Studies publishes original research articles. The journal gives preference to papers that extend existing theory or generate new theory through interpretive engagement with empirical cases. Papers based on single country case-studies should clearly indicate and develop the broader relevance of their analyses for an international readership. The journal does not publish close readings of single texts; but it does consider critical, contextualised readings that similarly indicate and develop the broader relevance of their analyses to the field. International Journal of Cultural Studies regularly publishes special issues on urgent questions in the field as well as on specific regions, industries and practices.