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Cultural Studies-Critical Methodologies最新文献

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Youth-Led Research and the Tensions Between Relational Methodologies and Fast Methods: Learning and Living in the In-Between 青年主导的研究以及关系方法论与快速方法之间的紧张关系：在两者之间学习和生活
IF 0.6 4区 社会学
Cultural Studies-Critical Methodologies Pub Date : 2024-01-29 DOI: 10.1177/15327086231224757
Meagan Call-Cummings, Bethany Monea, Giovanni P. Dazzo, Amy L. Best, Natale Gray, Oaklen Kalinichenko, Widad Khalid, Jeffery Keller, Khaseem Davis
{"title":"Youth-Led Research and the Tensions Between Relational Methodologies and Fast Methods: Learning and Living in the In-Between","authors":"Meagan Call-Cummings, Bethany Monea, Giovanni P. Dazzo, Amy L. Best, Natale Gray, Oaklen Kalinichenko, Widad Khalid, Jeffery Keller, Khaseem Davis","doi":"10.1177/15327086231224757","DOIUrl":"https://doi.org/10.1177/15327086231224757","url":null,"abstract":"Youth Participatory Action Research (YPAR) has often been characterized as a meaningful way of including young people in research about and for them. Much has been written about the need to develop trusting relationships between adult and youth researchers in this process. These types of research relationships take time to develop authentically and we see a need for that relationship-building time to be built into research designs and timelines. At the same time, in our experience working with the Youth Research Council in Northern Virginia, USA, we have seen youth researchers express desires to use “rapid” research methods, such as hallway interviews, text messaging, speak-back surveys, and video testimonials to gather data from peers. The purpose of this article is to explore these tensions, to uncover the privilege of what have been called slow ontologies, and to offer recommendations for other youth-led research teams.","PeriodicalId":46996,"journal":{"name":"Cultural Studies-Critical Methodologies","volume":"2013 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2024-01-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139946124","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Tender Witness’s Story of War: A Tale on the Road in Three Voices 一个温柔的战争见证人的故事：三个声音讲述的路上的故事
IF 0.6 4区 社会学
Cultural Studies-Critical Methodologies Pub Date : 2024-01-22 DOI: 10.1177/15327086241226692
Marta Gliniecka, Waldemar Lib, Lidia Marek
{"title":"A Tender Witness’s Story of War: A Tale on the Road in Three Voices","authors":"Marta Gliniecka, Waldemar Lib, Lidia Marek","doi":"10.1177/15327086241226692","DOIUrl":"https://doi.org/10.1177/15327086241226692","url":null,"abstract":"On February 24, 2022, we embarked on a war journey into the unknown, witnessing the war in Ukraine. Our contact with the war is mediated (mainly by the media), yet painful and saturated with extreme emotions. This article is an autoethnographic description of the experiences of this journey of three academics from Poland, a frontline country. The metaphor of the road is carried out by evocative autoethnography in terms of its symbolism of personal journey of each of us; nevertheless, it also unifies our experiences of war into one tender narrative. Embedded in the essence of our autoethnographic narrative of the war is a constant openness to new circumstances, the natural dynamics of action at the front and in the frontier country, and the constant search for and discovery of one’s own narrative identity. Each part of this path traveled is inscribed in the baggage of personal experience, a narrative of life in a frontier country, unification by the situation of witnessing the war, and the desire to express our resistance to it. It became a form of mental resistance, analysis, empathy, and concern which were our methods of struggle and a way of taking responsibility for the reality we witness. In the description, we used the “tender narrative” proposed in the texts of Nobel Prize winner Olga Tokarczuk.","PeriodicalId":46996,"journal":{"name":"Cultural Studies-Critical Methodologies","volume":"53 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2024-01-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139945745","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Stretchy and Tense: A Diffractive Auto/Ethnography of Privilege With Yoga Pants 弹性和紧张:瑜伽裤的衍射自动/特权人种志
4区 社会学
Cultural Studies-Critical Methodologies Pub Date : 2023-11-01 DOI: 10.1177/15327086231209278
Elizabeth McKibben
{"title":"Stretchy and Tense: A Diffractive Auto/Ethnography of Privilege With Yoga Pants","authors":"Elizabeth McKibben","doi":"10.1177/15327086231209278","DOIUrl":"https://doi.org/10.1177/15327086231209278","url":null,"abstract":"The contemporary yoga industry is entangled in many contradictions. While yoga is intended to be an inclusive, liberatory practice, its contemporary iterations enact exclusion through an industry that often privileges able-bodied, affluent, white women. As a yoga scholar-practitioner who embodies these identities, I am troubled by how my teaching and studies of yoga further replicate power imbalances. In this article, I interrogate privilege and power as they emerge with yoga pants. I draw upon Barad’s cutting together-apart in a diffractive auto/ethnography. I make literal cuts through the fabric of my yoga pants, as reflections, reactions, and interview transcripts make figurative cuts through self-image, body-image, and feminine norms. I consider how this methodology materializes an entanglement of affective forces, power, and critical feminist academia that is useful in exploring possibilities for change. This inquiry does not conclude, but rather acknowledges an imperfect and ever-evolving interrogation of embodied power as it shapes intellectual inquiry, and spaces of yoga practice.","PeriodicalId":46996,"journal":{"name":"Cultural Studies-Critical Methodologies","volume":"40 4","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135272825","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Pushing Walls With Tami Spry 和塔米·斯普瑞一起推墙
4区 社会学
Cultural Studies-Critical Methodologies Pub Date : 2023-11-01 DOI: 10.1177/15327086231207828
Lesa Lockford
{"title":"Pushing Walls With Tami Spry","authors":"Lesa Lockford","doi":"10.1177/15327086231207828","DOIUrl":"https://doi.org/10.1177/15327086231207828","url":null,"abstract":"In this essay, Tami Spry’s impact upon performance, performance studies, and qualitative inquiry writ large is explored through three interrelated concepts found in her work: bodies, space, and matter.","PeriodicalId":46996,"journal":{"name":"Cultural Studies-Critical Methodologies","volume":"35 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135272688","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Looking Back to Look Forward: Exploring Crenshaw’s Political, Structural, and Representational Intersectionality in Sport 回顾前瞻:探索克伦肖在体育运动中的政治、结构和代表性交叉性
4区 社会学
Cultural Studies-Critical Methodologies Pub Date : 2023-11-01 DOI: 10.1177/15327086231207825
Allison Daniel Anders, James M. DeVita, Leslee A. Fisher, Chris Corr, Christina L. Myers
{"title":"Looking Back to Look Forward: Exploring Crenshaw’s Political, Structural, and Representational Intersectionality in Sport","authors":"Allison Daniel Anders, James M. DeVita, Leslee A. Fisher, Chris Corr, Christina L. Myers","doi":"10.1177/15327086231207825","DOIUrl":"https://doi.org/10.1177/15327086231207825","url":null,"abstract":"Engaging with Kimberlé Crenshaw’s concept of intersectionality, the authors (re)turn to its genesis in critical race theory (CRT) and specifically, its forms of structural intersectionality, political intersectionality, and representational intersectionality. Discussing each form in relation to contemporary issues in sport that Black women and women of Color navigate, they argue that Crenshaw’s intersectionality provides additional compelling layers of engagement with existing intersectional scholarship and scholarship about activism in sport, invites structural and discursive change through intersectional policies and practice, and promotes coalition building toward intersectional racial justice in sport.","PeriodicalId":46996,"journal":{"name":"Cultural Studies-Critical Methodologies","volume":"9 3","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135271728","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
My Journal and a Felt Sense: Tami’s Lineage and Legacy 我的日记和感觉:塔米的血统和遗产
4区 社会学
Cultural Studies-Critical Methodologies Pub Date : 2023-11-01 DOI: 10.1177/15327086231207827
Meggie Mapes
{"title":"My Journal and a Felt Sense: Tami’s Lineage and Legacy","authors":"Meggie Mapes","doi":"10.1177/15327086231207827","DOIUrl":"https://doi.org/10.1177/15327086231207827","url":null,"abstract":"This performative essay uses poetry and personal narrative to trace my co-constituted scholarly lineage under scholar/mentor Dr. Tami Spry. To honor her legacy throughout performance studies, I share journal entries from 2009 while taking my first course in performance studies with Dr. Spry in Alnwick, England.","PeriodicalId":46996,"journal":{"name":"Cultural Studies-Critical Methodologies","volume":"64 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135326536","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
BEING “HERE”/BEING “THERE” (An Ode to TAMI SPRY, Mostly in Her Own Words) “在这里”/“在那里”(给塔米·斯普瑞的颂歌，主要是她自己的话)
4区 社会学
Cultural Studies-Critical Methodologies Pub Date : 2023-10-20 DOI: 10.1177/15327086231203948
Daniel X. Harris, Stacy Holman Jones
{"title":"BEING “HERE”/BEING “THERE” (An Ode to TAMI SPRY, Mostly in Her Own Words)","authors":"Daniel X. Harris, Stacy Holman Jones","doi":"10.1177/15327086231203948","DOIUrl":"https://doi.org/10.1177/15327086231203948","url":null,"abstract":"The authors detail the profound impact that Tami Spry has had on their lives and their work, but through her words and embodiments. The essay/performance uses Spry’s own words in part to elevate their documentation of her influence.","PeriodicalId":46996,"journal":{"name":"Cultural Studies-Critical Methodologies","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135618212","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Spry’s Autoethnography and the Other (Me): My Love Story With Tami, the Gatekeeper Who Invited Me in Spry的《自我民族志与他者(我):我与塔米的爱情故事，邀请我进来的看门人》
4区 社会学
Cultural Studies-Critical Methodologies Pub Date : 2023-10-20 DOI: 10.1177/15327086231203947
Claudio Moreira
{"title":"Spry’s Autoethnography and the Other (Me): My Love Story With Tami, the Gatekeeper Who Invited Me in","authors":"Claudio Moreira","doi":"10.1177/15327086231203947","DOIUrl":"https://doi.org/10.1177/15327086231203947","url":null,"abstract":"The author uses performance autoethnography to explore the impact of Professor Tami Spry’s work in his life.","PeriodicalId":46996,"journal":{"name":"Cultural Studies-Critical Methodologies","volume":"83 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135618331","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Jazz Aesthetic Reprise (on the Work of Tami Spry) 爵士美学重唱(论塔米·斯普里的作品)
4区 社会学
Cultural Studies-Critical Methodologies Pub Date : 2023-10-02 DOI: 10.1177/15327086231201574
Bryant Keith Alexander
{"title":"A Jazz Aesthetic Reprise (on the Work of Tami Spry)","authors":"Bryant Keith Alexander","doi":"10.1177/15327086231201574","DOIUrl":"https://doi.org/10.1177/15327086231201574","url":null,"abstract":"This performative piece serves as a tribute to Tami L. Spry upon her retirement from academic teaching. The piece is considered a reprise because it is based on a shortened version given on a panel at the International Congress of Qualitative Inquiry (2016) that celebrated the publication of her book, Autoethnography and the Other: Unsettling Power through Utopian Performatives. A variation of this piece was presented at the 2022 National Communication Association Convention in New Orleans on the panel: “The Place of Performance and the Performance of Tami L. Spry.” The piece infuses citations in building an incomplete bibliography of her body of work. And like her body of work, this tribute text is a performance script.","PeriodicalId":46996,"journal":{"name":"Cultural Studies-Critical Methodologies","volume":"53 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135900092","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
From “Queer Guy” to “Queer Dancer”: A Surrealistic Performative of Identity 从“酷儿男”到“酷儿舞者”:身份的超现实主义表现
4区 社会学
Cultural Studies-Critical Methodologies Pub Date : 2023-10-02 DOI: 10.1177/15327086231201569
Elżbieta Perzycka-Borowska
{"title":"From “Queer Guy” to “Queer Dancer”: A Surrealistic Performative of Identity","authors":"Elżbieta Perzycka-Borowska","doi":"10.1177/15327086231201569","DOIUrl":"https://doi.org/10.1177/15327086231201569","url":null,"abstract":"The performative autoethnography technique transcends conventional storytelling, aiming to dismantle prejudices and evoke empathy, also the context of Polish society. The performative nature of the narrative is manifested through the metaphor of a queer dancer’s surreal, waltz, articulating the dreams of those embracing their authentic identities inspiration from “There Was a Queer Guy.” Consequently, this poem does not merely exist as a literary piece but serves as a proactive instrument for social activism, calling for understanding and acceptance. The narrative seeks to harness collective strength to prevent the tragic loss of more queer youth to societal pressures and prejudices.","PeriodicalId":46996,"journal":{"name":"Cultural Studies-Critical Methodologies","volume":"89 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135899947","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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