A Jazz Aesthetic Reprise (on the Work of Tami Spry)

IF 0.9 4区社会学 Q2 CULTURAL STUDIES

Cultural Studies-Critical Methodologies Pub Date : 2023-10-02 DOI:10.1177/15327086231201574

Bryant Keith Alexander

引用次数: 0

Abstract

This performative piece serves as a tribute to Tami L. Spry upon her retirement from academic teaching. The piece is considered a reprise because it is based on a shortened version given on a panel at the International Congress of Qualitative Inquiry (2016) that celebrated the publication of her book, Autoethnography and the Other: Unsettling Power through Utopian Performatives. A variation of this piece was presented at the 2022 National Communication Association Convention in New Orleans on the panel: “The Place of Performance and the Performance of Tami L. Spry.” The piece infuses citations in building an incomplete bibliography of her body of work. And like her body of work, this tribute text is a performance script.

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爵士美学重唱(论塔米·斯普里的作品)

这个表演作品是对塔米·l·斯普瑞从学术教学中退休后的致敬。这篇文章被认为是重复，因为它是基于国际定性研究大会(2016年)上一个小组给出的缩短版，该会议是为了庆祝她的书《自我民族志和他者:通过乌托邦表演的不安力量》的出版。在新奥尔良举行的2022年全国传播协会大会上，展板上展示了这首作品的一个变体:“表演的地方和塔米·l·斯普瑞的表演”。这篇文章在建立她的作品的不完整的参考书目中注入了引用。和她的作品一样，这篇颂词也是一篇表演剧本。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Cultural Studies-Critical Methodologies Multiple-

CiteScore

1.40

自引率

16.70%

发文量

期刊介绍： The mandate for this interdisciplinary, international journal is to move methods talk in cultural studies to the forefront, into the regions of moral, ethical and political discourse. The commitment to imagine a more democratic society has been sa guiding feature of cultural studies from the very beginnnig. Contributors to this journal understand that the discourses of a critical, moral methodology are basic to any effort to re-engage the promise of the social sciences and the humanities for democracy in the 21st Century. We seek works that connect critical emanicipatory theories to new forms of social justice and democratic practice are encouraged.