Journal of Material Culture最新文献

{"title":"Masculinized femininity of women characters on the Kabuki stage: Female Onnagata's “cross-gender” performance in the “all-male” theatre","authors":"Maki Isaka","doi":"10.1177/13591835231211222","DOIUrl":"https://doi.org/10.1177/13591835231211222","url":null,"abstract":"This article explores four-century-old “all-male” kabuki theatre of Japan as the site of logics, mechanisms, and operations of onnagata's gender performance. The term onnagata signifies actors performing women's roles in kabuki, and since the first two and a half centuries of kabuki history overlapped with the time when women were legally expelled from performance activities, male onnagata mostly developed and established the artistry and traditions of onnagata acting. Women resumed kabuki performance when it was still illegal, but that did not cancel this fact. The present article studies kabuki in this historical context in order to investigate how dynamically genders are taking shape on the kabuki stage and off. To that end, this paper uses “cultivation” (a training methodology called shugyô) as a key point of investigation, while paying special attention to female onnagata as a main subject of examination. Cultivation is the training methodology of weight that has long been used and systematized in many circles engaged in activities established in premodern times, such as Buddhism, martial arts, and performing arts, and constitutes a blanket regime for these wide-ranging areas. Cultivation is to obtain and internalize second nature to the extent that it could function as if it were natural, the process of which takes place through two stages: (1) repetitive, long-lasting, personal, and somatic training in, e.g., posture, movements, and the like, and (2) internalization of said technique as second nature. That this cultivation process is congruous with the concept of performativity in contemporary critical theory suggests that an analysis of how female kabuki actors go through cultivation in order to internalize kabuki body grammar, including gender related code can contribute not only to kabuki studies but also to gender studies.","PeriodicalId":46892,"journal":{"name":"Journal of Material Culture","volume":"144 3","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135371202","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Down the (digital) rabbit hole: Mapping and decolonizing Safavid women's imagery in digital museums","authors":"Ladan Rahbari","doi":"10.1177/13591835231210438","DOIUrl":"https://doi.org/10.1177/13591835231210438","url":null,"abstract":"In this article, I trace Safavid paintings depicting women's imagery online and explore the possibility of digitally mapping Safavid (1501–1736) paintings featuring women on publicly accessible platforms. Along with the practice of online mapping that led me to digital museums, I investigated the descriptions presented on three digitized paintings on different platforms to address the questions, “Where and how can Safavid paintings be digitally encountered” and “In light of the theoretical developments in the scholarship on pre-modern discourses of Safavid gender and sexuality, how do the descriptions of Safavid paintings reflect gender discourses online?” By following Safavid paintings of women online and probing the textual descriptions attached to them, and using netnographic research methods to document my experience and encounter with the digitized Safavid paintings, I explore whether the online descriptions accompanying the images could contribute to the making of decolonial knowledge about non-Western gender discourses.","PeriodicalId":46892,"journal":{"name":"Journal of Material Culture","volume":"106 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135373072","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"<i>What a Genderful World</i> – Thinking through and making of an exhibition","authors":"Fanny Wonu Veys","doi":"10.1177/13591835231210659","DOIUrl":"https://doi.org/10.1177/13591835231210659","url":null,"abstract":"On 10 October 2019 the exhibition What a Genderful World opened in the Tropenmuseum in Amsterdam. The central premise was that all people experience inhabiting a body that moves, lives and breathes in a gendered world. The article firstly examines the process of making this a ‘gender' exhibition. In order to refrain from labelling, the exhibition team departed from the original assignment that aimed at an exhibition about ‘women’. Asking questions of what makes a woman or a man or any other gender identity in relation to the museum's historically and geographically diverse collections, revealed the necessity to do justice to the multiple layers involved in a discussion about gender. Ideas around gender are shaped and expressed differently through time and space, but other intersectional aspects including race, religion, socio-economic class, age or sexual orientation may well be equally important. Hence, this section discusses the means by which this huge and complex topic is made accessible in the exhibition to a broad audience. Finally, the article takes the reader on a journey through the various areas of the exhibition framed around the following questions: (1) What do you think? (2) Does your body determine your gender? (3) How do you become a gender? (4) How ought you to behave? (5) Gender without borders? (6) Who has power here? (7) Playful with gender? In so doing, the article addresses the theoretical framework underlying the choice of certain interactives and the privileging of design elements. The article will conclude with a critical reflection on the museum's role in the societal debate around gender.","PeriodicalId":46892,"journal":{"name":"Journal of Material Culture","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136135019","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Adopted heritage: German objects in the Western Territories of Poland","authors":"Anna Kurpiel, Katarzyna Maniak","doi":"10.1177/13591835231208912","DOIUrl":"https://doi.org/10.1177/13591835231208912","url":null,"abstract":"The article focuses on the material culture of regions that underwent a shift in statehood when, post-World War II, formally German territories became Polish. It seeks to analyse how the heritage of post-conflict territories was integrated into everyday life and, in some instances, affirmed and appreciated by second and third-generation settlers. Through research conducted amongst contemporary city-dwellers, the authors scrutinise the relationships between people and pre-war German objects, identifying a form of relation referred to as ‘kinship’. By exploring the mechanisms through which objects are incorporated into individual and/or group history, they elaborate on the concept of ‘adopted heritage’, as demonstrated in various field research cases. This concept is derived from the idea of affinity and its application to material culture studies, and enhanced by theories that emphasise the role of emotions in heritage.","PeriodicalId":46892,"journal":{"name":"Journal of Material Culture","volume":"54 7","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135412889","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Making time: Knitting as temporal-material entanglement","authors":"Susan Jones","doi":"10.1177/13591835231206231","DOIUrl":"https://doi.org/10.1177/13591835231206231","url":null,"abstract":"This article presents data from interviews with amateur knitters to explore the temporal-material entanglements which constitute meaning-making in everyday life, and the potential of thinking with knitting to better understand these entanglements. It follows three strands which reflect different aspects of the temporal-material in how knitting comes to matter for amateur makers. Firstly, knitters discuss the threads to and from the past which recursively shape their ongoing thinking and feeling about their craft. Secondly, temporal dimensions entwine with the material as participants describe the process of turning threads into a knitted surface. Thirdly, participants’ experiences of un-making and re-making, and the role of ‘stash’, challenge unilinear models of both time and meaning. Thinking with knitting not only re-opens ways of understanding it as a significant meaning-making practice in the present, it also dynamically re-connects us to the past and offers ways of re-imagining the future and how we make this together.","PeriodicalId":46892,"journal":{"name":"Journal of Material Culture","volume":"84 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135146748","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The travel of a thangka: Crossing gender and cultural boundaries with Lutso's stories","authors":"Ming Xue","doi":"10.1177/13591835231193969","DOIUrl":"https://doi.org/10.1177/13591835231193969","url":null,"abstract":"The article examines how the life experiences of a Tibetan female thangka painter, Lutsojam (known as Lutso), are intertwined with the meaning of her artworks, in particular, with the thangka painting, “Avalokiteśvara with Mind at Rest,” which I followed from its birth in Amdo Rebgong (Qinghai, China), to its visit to an art gallery in Beijing, and finally to its entry into the collection of an ethnographic museum in New York. Through painting thangkas and training her own apprentices (especially female apprentices), Lutso is able to support her family, empower other Tibetan women, and authenticate a religious identity that has been elided in the official narrative of Tibetan thangka art.","PeriodicalId":46892,"journal":{"name":"Journal of Material Culture","volume":" ","pages":""},"PeriodicalIF":0.9,"publicationDate":"2023-08-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44779928","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Invasive group A streptococcal (iGAS) surveillance in Island Health, British Columbia, 2022.","authors":"Andrea Nwosu, Andrea Schut, Christie Arlotti Wood, Christine Urquhart, Claudia Bachman, Katelyn Thompson, Julia Evans, Kathleen Mills, Lisa Wenstob, Theresa Restemeyer, Trista Galbraith, Shannon Mason, Stephanie Gabriel, Twyla Gasper, Cheryl Broeren, Francine Lewis, Dee Hoyano, Sandra Allison, Pamela Kibsey, Angela Reid, Maritia Gully, Carl Swanson","doi":"10.14745/ccdr.v49i78a06","DOIUrl":"10.14745/ccdr.v49i78a06","url":null,"abstract":"<p><strong>Background: </strong>Invasive group A streptococcal disease (iGAS) is caused by <i>Streptococcus pyogenes</i> group A bacteria. In 2022, multiple disease alerts for iGAS in the Island Health region, in the context of increased infections in the paediatric population in Europe and the United States, prompted further investigation into local trends. This surveillance study summarizes epidemiological trends of iGAS in the region covered by Island Health, a regional health authority in British Columbia, in 2022.</p><p><strong>Methods: </strong>In British Columbia, iGAS is a reportable disease; all confirmed cases are reported to the regional authority and the provincial health authority (BC Centre for Disease Control). Island Health's iGAS surveillance system is passive and collects information on cases that are identified through laboratory testing. Surveillance data were summarized for 2022 and compared with historical data from 2017-2021.</p><p><strong>Results: </strong>In 2022, the incidence rate was 11.4 cases per 100,000 population (n=101), the highest observed rate in the last six years. The median age of cases was 53 years, with a range of 0-96 years, and 64% of cases were male. The highest risk of infection was reported in men 40-59 years of age, with an incidence rate of 21.3 cases per 100,000 population. The most common <i>emm</i> types were <i>emm</i>92 (n=14), <i>emm</i>49 (n=13), and <i>emm</i>83 (n=12). Overall, 85% (n=86) of cases were hospitalized, 21% (n=21) were admitted to the intensive care unit, and 6% (n=6) died.</p><p><strong>Conclusion: </strong>This study highlights that the incidence of iGAS in the Island Health region continued to increase throughout the coronavirus disease 2019 (COVID-19) pandemic, reaching its highest annual rate in 2022. In contrast to reports from Europe and the United States, there was no notable increase in infections in the paediatric population. Given the sustained increase in iGAS activity, continued monitoring and description of the epidemiology of these cases on a regular basis is imperative.</p>","PeriodicalId":46892,"journal":{"name":"Journal of Material Culture","volume":"6 1","pages":"342-350"},"PeriodicalIF":0.0,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC10917361/pdf/","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87624097","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"A tiny home of one's own","authors":"J. Smitheram, A. Nakai Kidd","doi":"10.1177/13591835231187555","DOIUrl":"https://doi.org/10.1177/13591835231187555","url":null,"abstract":"The home occupies a prominent place in our popular and material imagination. The ideal home is a powerful image because it is understood to be a haven from the ills of the world and a material expression of our true selves. This article considers how home, as a tiny home, is framed through two YouTube channels, Living Big in Tiny Homes and Kirstin Dirksen. Extending Sara Ahmed's work on affect, we present this framing as twofold: first, through a sense of ‘with-ness’ where YouTube facilitates an intimate storytelling with materiality; and second, a sense of ‘against-ness’ where both channels facilitate the notion of the materiality of home as separate and bounded. The study draws on detailed analysis of 42 video episodes and accompanying written comments to consider how materialities, affects, and experiences of tiny homes are intersected with the constraints of the ideal of a stand-alone home.","PeriodicalId":46892,"journal":{"name":"Journal of Material Culture","volume":"1 1","pages":""},"PeriodicalIF":0.9,"publicationDate":"2023-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42980718","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Tourists of their own past: Aural palimpsests from the Mao era","authors":"Shelley Zhang","doi":"10.1177/13591835221135404","DOIUrl":"https://doi.org/10.1177/13591835221135404","url":null,"abstract":"This article explores how individuals in contemporary China use songs to both express and protect their memories of the Cultural Revolution and Mao era. As individuals who experienced the Cultural Revolution find ways to voice their recollections of the past, they casually listen to and perform songs from the Mao era, pursue domestic tourism, and engage with other material culture from that time. Their actions index individuals’ complicated nostalgias and continual negotiations with their political presents. Drawing from ethnographic fieldwork in the Hunan province, this article analyzes song objects as ‘aural palimpsests’ that allow individuals to gesture towards their political presents without criticizing the government or articulating traumatic memories. Aural palimpsests are performed and heard in architectural spaces that shape how music from different eras and genres become layered atop one another to create new social meaning in a contemporary China that is still grappling with its recent history.","PeriodicalId":46892,"journal":{"name":"Journal of Material Culture","volume":"28 1","pages":"221 - 245"},"PeriodicalIF":0.9,"publicationDate":"2023-02-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41410216","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Did destructive leadership help create the conditions for the spread of Covid-19, and what are the early warning signs?","authors":"Eugene Sadler Smith, Vita Akstinaite","doi":"10.1177/17427150221104890","DOIUrl":"10.1177/17427150221104890","url":null,"abstract":"<p><p>This research asks: 'were there any objectively identifiable signals in the words leaders used in the early stages of the Covid-19 pandemic that can be associated with ineffective management of the crisis?' We chose to focus on the leaders of the two English-speaking nations that fared worst and best in the pandemic, the United States and New Zealand. By way of background and in order to contextualise the research, we compared and contrasted Trump's and Ardern's leaderships using the toxic triangle framework of destructive leadership. We then focused on the leader behaviour element of the triangle by using computerised text analysis (CTA) to analyse Trump's and Ardern's public pronouncements during the critical early stages of the pandemic. Based on a similarity index (<i>S</i>), we identified linguistic markers associated with destructive leader behaviours and negative outcomes (Trump) and non-destructive leader behaviours and positive outcomes (Ardern). We discuss future applications of these linguistic markers for the diagnosis both of incumbent and potential leaders' responses to crises management.</p>","PeriodicalId":46892,"journal":{"name":"Journal of Material Culture","volume":"23 1","pages":"7-26"},"PeriodicalIF":0.0,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9614597/pdf/","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79207239","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}