What a Genderful World – Thinking through and making of an exhibition

IF 0.9 3区 社会学 Q3 ANTHROPOLOGY
Fanny Wonu Veys
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引用次数: 0

Abstract

On 10 October 2019 the exhibition What a Genderful World opened in the Tropenmuseum in Amsterdam. The central premise was that all people experience inhabiting a body that moves, lives and breathes in a gendered world. The article firstly examines the process of making this a ‘gender' exhibition. In order to refrain from labelling, the exhibition team departed from the original assignment that aimed at an exhibition about ‘women’. Asking questions of what makes a woman or a man or any other gender identity in relation to the museum's historically and geographically diverse collections, revealed the necessity to do justice to the multiple layers involved in a discussion about gender. Ideas around gender are shaped and expressed differently through time and space, but other intersectional aspects including race, religion, socio-economic class, age or sexual orientation may well be equally important. Hence, this section discusses the means by which this huge and complex topic is made accessible in the exhibition to a broad audience. Finally, the article takes the reader on a journey through the various areas of the exhibition framed around the following questions: (1) What do you think? (2) Does your body determine your gender? (3) How do you become a gender? (4) How ought you to behave? (5) Gender without borders? (6) Who has power here? (7) Playful with gender? In so doing, the article addresses the theoretical framework underlying the choice of certain interactives and the privileging of design elements. The article will conclude with a critical reflection on the museum's role in the societal debate around gender.
多么性别的世界-思考和制作一个展览
2019年10月10日,“What a Genderful World”展览在阿姆斯特丹Tropenmuseum开幕。其中心前提是,所有人都体验到自己的身体在一个性别化的世界里运动、生活和呼吸。文章首先考察了这个“性别”展览的制作过程。为了避免标签,展览团队偏离了最初的任务,旨在举办一个关于“女性”的展览。在博物馆历史上和地理上多样化的藏品中,询问是什么造就了女人、男人或任何其他性别认同,揭示了公正对待性别讨论所涉及的多层次的必要性。随着时间和空间的不同,性别观念的形成和表达方式也不同,但其他交叉方面,包括种族、宗教、社会经济阶层、年龄或性取向,可能同样重要。因此,本节将讨论如何使这个庞大而复杂的主题在展览中呈现给广大观众。最后,文章围绕以下问题带领读者穿越展览的各个领域:(1)你怎么看?(2)你的身体决定你的性别吗?(3)你是如何成为一个性别的?你应该如何表现?(5)性别无国界?这里谁有权力?(7)玩弄性别?通过这种方式,本文阐述了某些交互选择和设计元素特权的理论框架。文章最后将对博物馆在围绕性别的社会辩论中所扮演的角色进行批判性反思。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.80
自引率
0.00%
发文量
30
期刊介绍: The Journal of Material Culture is an interdisciplinary journal designed to cater for the increasing interest in material culture studies. It is concerned with the relationship between artefacts and social relations irrespective of time and place and aims to systematically explore the linkage between the construction of social identities and the production and use of culture. The Journal of Material Culture transcends traditional disciplinary and cultural boundaries drawing on a wide range of disciplines including anthropology, archaeology, design studies, history, human geography, museology and ethnography.
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