唐卡的旅行：用鲁索的故事跨越性别和文化界限

IF 0.9 3区社会学 Q3 ANTHROPOLOGY

Journal of Material Culture Pub Date : 2023-08-08 DOI:10.1177/13591835231193969

Ming Xue

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引用次数: 0

摘要

这篇文章探讨了西藏女唐卡画家鲁索加姆（Lutsojam，又名鲁索）的生活经历如何与她的艺术作品的意义交织在一起，尤其是与唐卡画作《静心观世音》交织在一起，最后，它被纽约一家民族志博物馆收藏。通过绘画唐卡和培训自己的学徒（尤其是女学徒），鲁索能够养家糊口，赋予其他西藏女性权力，并验证一种在西藏唐卡艺术官方叙事中被忽视的宗教身份。

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The travel of a thangka: Crossing gender and cultural boundaries with Lutso's stories

The article examines how the life experiences of a Tibetan female thangka painter, Lutsojam (known as Lutso), are intertwined with the meaning of her artworks, in particular, with the thangka painting, “Avalokiteśvara with Mind at Rest,” which I followed from its birth in Amdo Rebgong (Qinghai, China), to its visit to an art gallery in Beijing, and finally to its entry into the collection of an ethnographic museum in New York. Through painting thangkas and training her own apprentices (especially female apprentices), Lutso is able to support her family, empower other Tibetan women, and authenticate a religious identity that has been elided in the official narrative of Tibetan thangka art.

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来源期刊

Journal of Material Culture Multiple-

CiteScore

1.80

自引率

0.00%

发文量

期刊介绍： The Journal of Material Culture is an interdisciplinary journal designed to cater for the increasing interest in material culture studies. It is concerned with the relationship between artefacts and social relations irrespective of time and place and aims to systematically explore the linkage between the construction of social identities and the production and use of culture. The Journal of Material Culture transcends traditional disciplinary and cultural boundaries drawing on a wide range of disciplines including anthropology, archaeology, design studies, history, human geography, museology and ethnography.