{"title":"Showcasing the international atom: the <i>IAEA Bulletin</i> as a visual science diplomacy instrument, 1958-1962.","authors":"Matthew Adamson","doi":"10.1017/S0007087423000055","DOIUrl":"https://doi.org/10.1017/S0007087423000055","url":null,"abstract":"<p><p>When the International Atomic Energy Agency (IAEA) began operations in 1958, one of its first routine tasks was to create and circulate a brief non-technical periodical. This article analyses the creation of the <i>IAEA Bulletin</i> and its circulation during its first years. It finds that diplomatic imperatives both in IAEA leadership circles and in the networks outside them shaped the form and appearance of the bulletin. In the hands of the IAEA's Division of Public Information, the bulletin became an instrument of science diplomacy, its imagery conveying the motivations for member states to strengthen ties with the IAEA, while simultaneously persuading them to accept the hierarchies and geopolitical logics implicit in those relations, as well as to endorse the central position of the IAEA as a clearing house and authority of globally circulating nuclear objects and information.</p>","PeriodicalId":46655,"journal":{"name":"British Journal for the History of Science","volume":"56 2","pages":"205-223"},"PeriodicalIF":0.8,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"10166732","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The visual diplomacy of cancer treatments: the mediatic legacy of the Curies in the early transnational fight against cancer.","authors":"Beatriz Medori","doi":"10.1017/S0007087423000109","DOIUrl":"https://doi.org/10.1017/S0007087423000109","url":null,"abstract":"<p><p>This paper analyses the role played by members of the Curie family in the visual diplomacy of cancer treatments. This relationship started in 1921, when Marie Curie travelled to the US, accompanied by her two daughters, Ève and Irène, to receive a gram of radium at the White House from President Warren Harding. In the years that followed, Ève Curie, as the biographer and natural heir of radium discoverers Marie and Pierre Curie, continued to contribute to the visual diplomacy of cancer campaigning. Two events will be analysed through an interdisciplinary lens, merging history of science and visual-diplomacy studies, to show how the legacy of the Curies played out in the international consolidation of pre-war transnational alliances in the fight against cancer. One involves the picture of the chargé d'affaires of the France Republic, Jules Henry, receiving the biography authored by Ève, <i>Madame Curie</i>, at the French embassy in Washington. The other concerns the photograph of Ève visiting the Portuguese Oncology Institute (IPO) in 1940, which was immediately reproduced in the Institute's bulletin in order to raise awareness of cancer prevention strategies, and also captured in film as a propaganda tool for the Estado Novo regime (1933-74).</p>","PeriodicalId":46655,"journal":{"name":"British Journal for the History of Science","volume":"56 2","pages":"167-183"},"PeriodicalIF":0.8,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"9847783","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Representing noise: stacked plots and the contrasting diplomatic ambitions of radio astronomy and post-punk.","authors":"Simone Turchetti","doi":"10.1017/S0007087423000122","DOIUrl":"https://doi.org/10.1017/S0007087423000122","url":null,"abstract":"<p><p>Sketched in 1979 by graphic designer Peter Saville, the record sleeve of Joy Division's <i>Unknown Pleasures</i> seemingly popularized one of the most celebrated radio-astronomical images: the 'stacked plot' of radio signals from a pulsar. However, the sleeve's designer did not have this promotion in mind. Instead, he deliberately muddled the message it originally conveyed in a typical post-punk act of artistic sabotage. In reconstructing the historical events associated with this subversive effort, this essay explores how, after its adoption as an imaging device utilized in radio astronomy, the stacked plot gave representation to the diplomacy agendas of two distinct groups. The post-punk reworking of the stacked plot exemplified the ambition of this artistic movement to attack the images associated with social conventions and norms by amplifying their 'semantic noise', and, in so doing, seeking to negotiate a social space for those sharing these subversive goals. Conversely, radio astronomers used the stacked plot to display the presence of interfering radio transmitters in the frequencies exclusively allocated to astronomical research, thus advocating the removal of this electronic noise in the context of international telecommunication negotiations. The article thus shows how the representation of different types of noise through similar images shaped contrasting ambitions in the separate domains of science diplomacy and everyday diplomacy.</p>","PeriodicalId":46655,"journal":{"name":"British Journal for the History of Science","volume":"56 2","pages":"225-245"},"PeriodicalIF":0.8,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"10169349","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Cesare Cremonini's non-theological cosmology: a contribution to Padua's secular culture in times of wars of religion.","authors":"Pietro Daniel Omodeo","doi":"10.1017/S0007087423000134","DOIUrl":"https://doi.org/10.1017/S0007087423000134","url":null,"abstract":"<p><p>This essay deals with the cultural-political motivations behind the cosmological conceptions of the Padua Aristotelian Cesare Cremonini (1550-1631). A defender of the interests of the university against Jesuit teachings, and one of the philosophers who was most frequently scrutinized by the Inquisition, he was an important actor in Venetian cultural politics during the years of European religious conflict that culminated in the Thirty Years War. In those years, he was officially titled 'protector' of the multi-confessional German Nation of Artists, one of the largest groups of foreign students at the University of Padua, and had to act as mediator in cases of conflict. His efforts to keep teaching free from religious concerns is reflected by his commitment to pursue philosophical and cosmological inquiries without engaging in revealed theology. In particular, his strict adherence to Aristotelian cosmology proved to be at odds with central Christian dogmas as it relinquished, among other concepts, the ideas of Creation and divine Providence. I argue that this position of Cremonini's fostered a tolerant and universalistic attitude in line with a secular programme that could enable cross-confessional coexistence in a cosmopolitan institution like Padua.</p>","PeriodicalId":46655,"journal":{"name":"British Journal for the History of Science","volume":" ","pages":"1-19"},"PeriodicalIF":0.8,"publicationDate":"2023-05-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"9475506","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"How did a Lutheran astronomer get converted into a Catholic authority? The Jesuits and their reception of Tycho Brahe in Portugal.","authors":"Luís Miguel Carolino","doi":"10.1017/S0007087423000092","DOIUrl":"https://doi.org/10.1017/S0007087423000092","url":null,"abstract":"<p><p>This article explores the complex process of integrating Tycho Brahe's theories into the Jesuit intellectual framework through focusing on the international community of professors who taught mathematics at the College of Saint Anthony (Colégio de Santo Antão), Lisbon, during the first half of the seventeenth century. Historians have conceived the reception of the Tychonic system as a straightforward process motivated by the developments of early modern astronomy. Nevertheless, this paper argues that the cultural politics of the Counter-Reformation Church curbed the reception of Tycho Brahe within the Jesuit milieu. Despite supporting the Tychonic geo-heliocentric system, which they explicitly conceived of as a 'compromise' between the ancient Ptolemy and the modern Copernicus, and making recourse to some of the cosmological ideas produced in Tycho's Protestant milieu, the Jesuits strove to confine the authority of the Lutheran astronomer to the domain of mathematics. Philosophy was expected to remain the realm of Catholic orthodoxy. Thus, while Tycho Brahe entered the pantheon of 'Jesuit' authorities, he nonetheless was not granted the absolute status of intellectual authority. This case demonstrates how the impact of confessionalization reached well beyond the formal processes of science censorship.</p>","PeriodicalId":46655,"journal":{"name":"British Journal for the History of Science","volume":" ","pages":"1-22"},"PeriodicalIF":0.8,"publicationDate":"2023-05-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"9387674","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The winter of raw computers: the history of the lunar and planetary reductions of the Royal Observatory, Greenwich.","authors":"Daniel Belteki","doi":"10.1017/S0007087423000018","DOIUrl":"10.1017/S0007087423000018","url":null,"abstract":"<p><p>In 1839 the working hours of the computers employed on the lunar and planetary reductions of the Royal Observatory, Greenwich were reduced from eleven hours to eight hours. Previous historians have explained this decrease by reference to the generally benevolent nature of the manager of the reductions, George Biddell Airy. By contrast, this article uses the letters and notes exchanged between Airy and the computers to demonstrate that the change in the working hours originated from the computers as a reaction to their poor working conditions. Through the exploration of these archival materials, the article shifts the focus of the analysis to the working experience of the computers, rather than to the administrative history of the project that inevitably tends to highlight Airy's actions. By doing so, the article shows how the computers were treated as a disposable low-skilled workforce, as opposed to aspiring astronomers with considerable mathematical talent. Through this reframing, the article takes a step towards a working history of the observatory.</p>","PeriodicalId":46655,"journal":{"name":"British Journal for the History of Science","volume":" ","pages":"65-81"},"PeriodicalIF":0.7,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"10742599","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Commercial television and primate ethology: facial expressions between Granada and London Zoo.","authors":"Miles Kempton","doi":"10.1017/S0007087422000437","DOIUrl":"10.1017/S0007087422000437","url":null,"abstract":"<p><p>This article examines the significant relationship that existed between commercial British television and the study of animal behaviour. Ethological research provided important content for the new television channel, at the same time as that coverage played a substantial role in creating a new research specialism, the study of primate facial expressions, for this emergent scientific discipline. The key site in this was a television and film unit at London Zoo administered by the Zoological Society and Granada TV. The Granada unit produced 'Animal expressions', a twenty-five-minute television film based on research on monkeys and apes by the Dutch postgraduate student and soon-to-be-leading-authority Jan van Hooff. Recovering the production and multiple uses of 'Animal expressions', this paper offers the first sustained historical analysis of science on commercial television. I show how Granada patronage helped Van Hooff to support his argument that human expressions such as smiling and laughter shared common evolutionary origins with similar facial movements in nonhuman primates. Emphasizing the mutual shaping of science and ITV, I argue that 'Animal expressions' repurposed televisual conventions of framing talking heads, and blended serious science with the comedy of 'funny faces', thereby epitomizing Granada's public-service strategy at a time when commercial television was defending itself from criticism in the Pilkington report.</p>","PeriodicalId":46655,"journal":{"name":"British Journal for the History of Science","volume":" ","pages":"83-102"},"PeriodicalIF":0.7,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"10380762","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Stratifying seamanship: sailors' knowledge and the mechanical arts in eighteenth-century Britain.","authors":"Elin Jones","doi":"10.1017/S0007087422000425","DOIUrl":"10.1017/S0007087422000425","url":null,"abstract":"<p><p>A new genre of treatises on practical seamanship emerged in eighteenth-century Britain. Authored by a group of seamen with decades of experience on the lower deck of merchant and naval vessels, these texts represented the ship as a machine, and seamanship as a form of mechanical experiment which could only be carried out by deep-sea sailors. However, as this article finds, this group of sailor-authors had only a brief moment of authoritative legitimacy before their ideas were repackaged and promoted by land-bound authors and naval officers, and the progenitors of the 'science of seamanship' were deemed unfit participants in its ongoing practice. This article explores this brief moment, taking seriously the ideas and influences of the maritime milieu which spawned it, and arguing that the codification and circulation of 'useful knowledge' in eighteenth-century Britain often hardened social hierarchies. Examining seamanship forces us to question the progressivist linear trajectory of an increasingly open scientific culture during this period, and to focus instead on a repeating pattern in which the working knowledge of labourers and artisans was appropriated and its original practitioners denigrated.</p>","PeriodicalId":46655,"journal":{"name":"British Journal for the History of Science","volume":" ","pages":"45-63"},"PeriodicalIF":0.7,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"10781159","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Anti-voluntarism, natural providence and miracles in Thomas Burnet's <i>Theory of the Earth</i>.","authors":"Thomas Rossetter","doi":"10.1017/S0007087422000462","DOIUrl":"10.1017/S0007087422000462","url":null,"abstract":"<p><p>In his <i>Telluris Theoria Sacra</i> and its English translation <i>The Theory of the Earth</i> (1681-90), the English clergyman and schoolmaster Thomas Burnet (<i>c.</i>1635-1715) constructed a geological history from the Creation to the Final Consummation, positing predominantly natural causes to explain biblical events and their effects on the Earth and life on it. Burnet's insistence on appealing primarily to natural rather than miraculous causes has been interpreted both by his contemporaries and by some historians as an essentially Cartesian principle. On this reading, Burnet adhered to a Cartesian style of explanation in which there was no place for miracles. In this paper, I propose a different interpretation. Burnet's commitment to natural over miraculous causes, I argue, was grounded in an anti-voluntarist theology which he inherited from the Cambridge Platonists and Latitudinarians. This anti-voluntarism, moreover, also dictated the kind of miracles to which he did appeal. This reading of Burnet contrasts with the view that he was simply following Cartesian principles. First, Descartes had espoused a radical form of theological voluntarism. Second, Burnet's and Descartes's views of providence were based on distinct attributes of God, and these attributes had quite different implications regarding the place of miracles in the providential order.</p>","PeriodicalId":46655,"journal":{"name":"British Journal for the History of Science","volume":" ","pages":"1-20"},"PeriodicalIF":0.7,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"10380760","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Colouring flowers: books, art, and experiment in the household of Margery and Henry Power.","authors":"Christoffer Basse Eriksen, Xinyi Wen","doi":"10.1017/S0007087422000474","DOIUrl":"10.1017/S0007087422000474","url":null,"abstract":"<p><p>This article examines the early modern household's importance for producing experimental knowledge through an examination of the Halifax household of Margery and Henry Power. While Henry Power has been studied as a natural philosopher within the male-dominated intellectual circles of Cambridge and London, the epistemic labour of his wife, Margery Power, has hitherto been overlooked. From the 1650s, this couple worked in tandem to enhance their understanding of the vegetable world through various paper technologies, from books, paper slips and recipe notebooks to Margery's drawing album and Henry's published <i>Experimental Philosophy</i>. Focusing on Margery's practice of hand-colouring flower books, her copied and original drawings of flowers and her experimental production of ink, we argue that Margery's sensibility towards colour was crucial to Henry's microscopic observations of plants. Even if Margery's sophisticated knowledge of plants never left the household, we argue that her contribution was nevertheless crucial to the observation and representation of plants within the community of experimental philosophy. In this way, our article highlights the importance of female artists within the history of scientific observation, the use of books and paperwork in the botanical disciplines, and the relationship between household science and experimental philosophy.</p>","PeriodicalId":46655,"journal":{"name":"British Journal for the History of Science","volume":" ","pages":"21-43"},"PeriodicalIF":0.7,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC7614357/pdf/","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"9537543","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}