{"title":"Two books to trouble the biological - and disciplinary - boundaries that trouble us today.","authors":"Rachel Mason Dentinger","doi":"10.1017/S0007087425000251","DOIUrl":"https://doi.org/10.1017/S0007087425000251","url":null,"abstract":"","PeriodicalId":46655,"journal":{"name":"British Journal for the History of Science","volume":" ","pages":"1-4"},"PeriodicalIF":1.2,"publicationDate":"2025-10-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145281365","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"How to create a discipline? Looking back at luminaries.","authors":"Veli Virmajoki","doi":"10.1017/S0007087425101416","DOIUrl":"https://doi.org/10.1017/S0007087425101416","url":null,"abstract":"","PeriodicalId":46655,"journal":{"name":"British Journal for the History of Science","volume":" ","pages":"1-5"},"PeriodicalIF":1.2,"publicationDate":"2025-10-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145245509","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"<i>Within These Four Walls</i>: televisualizing museum spaces of science, 1950-1971.","authors":"Rupert Cole","doi":"10.1017/S000708742510112X","DOIUrl":"https://doi.org/10.1017/S000708742510112X","url":null,"abstract":"<p><p>The paper examines BBC television programmes that feature museum spaces of science and technology, contextualizing the development of this programme type in the 1950s and 1960s with science (and history-of-science) broadcasting. In 1971, the BBC televised a ten-part series devoted to UK science and technology museums. <i>Within These Four Walls</i>, the central case study, featured episodes filmed at the Natural History Museum, the National Maritime Museum, the Royal Institution and the Science Museum, among others; its televisual tour guides included prominent science broadcasters - Patrick Moore, George Porter and Eric Laithwaite - as well as curators and scholars of the history of science, such as Joseph Needham. The paper explores, using intermediality as an analytical category, how the museological conventions of curated gallery displays and tours have been adapted and transposed to television. In doing so, it reflects on the historiographies that emerge from this intermedial product (a series of televised museum tours), arguing that they should be interpreted in the cultural context of the early 1970s. It concludes that the presentation of historical authenticity through intermedial constructions of place, objects and performances conferred what Thomas Gieryn has dubbed 'truth spots' on history-of-science narratives for audiences.</p>","PeriodicalId":46655,"journal":{"name":"British Journal for the History of Science","volume":" ","pages":"1-17"},"PeriodicalIF":1.2,"publicationDate":"2025-09-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145081916","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Visual cultures of CRISPR: intermedial figuration in science communication.","authors":"Avey Nelson, Kate O'Riordan, Joshua Kim","doi":"10.1017/S0007087425101271","DOIUrl":"https://doi.org/10.1017/S0007087425101271","url":null,"abstract":"<p><p>This article traces the visual culture of human genetic engineering over the past decade, focusing on the CRISPR genome editing technology. We argue that the representations surrounding CRISPR exemplify, and to an extent define, this visual culture. We examine the history of CRISPR, particularly its human applications from 2012 to 2022, through a periodization that includes the CRISPR craze, gene therapy initiatives, the He Jiankui controversy and clinical trials. Employing an expanded interpretation of intermediality within science communication, this work addresses the role of figuration across the relationships between specialist science reporting and the mainstream press and between traditional and social media. Using a mixed-methods approach combining visual and social-media analysis, the article presents an empirical analysis of three key figures - the double helix, the scientist and the human subject - and their roles across the discussed phases. The study concludes by articulating the stabilizing, amplifying and affective functions of intermedial figuration within science communication.</p>","PeriodicalId":46655,"journal":{"name":"British Journal for the History of Science","volume":" ","pages":"1-18"},"PeriodicalIF":1.2,"publicationDate":"2025-09-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145041784","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Living in an intermedial world: intermediality as a methodology of historical inquiry to uncover the social dimension of science communication.","authors":"Jean-Baptiste Gouyon","doi":"10.1017/S0007087425101106","DOIUrl":"https://doi.org/10.1017/S0007087425101106","url":null,"abstract":"<p><p>Audiences for science in the media live and operate, as agents who endow science with social and cultural meanings, in an intermedial world. Following cultural tracers through time and across media, and attending to a key actors' category, intermediality, historians of the public culture of science can access the social dimension of the mediation of science. Adopting an intermedial approach allows us to attune the historiography of the public culture of science to the evolution of science communication scholarship over the past three decades, and understand the role of audiences in the production of cultural meanings about science.</p>","PeriodicalId":46655,"journal":{"name":"British Journal for the History of Science","volume":" ","pages":"1-7"},"PeriodicalIF":1.2,"publicationDate":"2025-09-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145030990","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Emerging infectious disease outbreaks and real-time health communication: intermediality, uncertainty and dissent.","authors":"Kirsten Ostherr","doi":"10.1017/S000708742510126X","DOIUrl":"https://doi.org/10.1017/S000708742510126X","url":null,"abstract":"<p><p>This article maps out the challenges of public global health communication in the context of the COVID-19 pandemic by providing an overview of the shifting media of health communication from the post-Second World War era to the present. The article explores the communication of science in real-time or live media of film, television, video and digital social media during three emerging infectious-disease (EID) outbreaks to place COVID-19 health communication in historical perspective. Examination of the transition from centralized, top-down communications to distributed, many-to-many, mobile communication illuminates challenges to expertise, authority and control of health narratives and imagery. Through theories of intermediality, the article explores the central function of gaps in communication networks. The article considers three cases of crisis communications amid EIDs: the influenza outbreak of 1957, HIV/AIDS around 1990 and COVID-19 in the early 2020s, and the challenges posed by scientific uncertainty under these circumstances of live, intermedial health communication. The article concludes that 'liveness' in intermedial health communications may have an inherently destabilizing effect on scientific authority.</p>","PeriodicalId":46655,"journal":{"name":"British Journal for the History of Science","volume":" ","pages":"1-17"},"PeriodicalIF":1.2,"publicationDate":"2025-09-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145001622","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Science diplomacy and politics: building the Global Atmospheric Research Program.","authors":"Matthias Heymann","doi":"10.1017/S0007087425101258","DOIUrl":"https://doi.org/10.1017/S0007087425101258","url":null,"abstract":"<p><p>In 1967, the World Meteorological Organisation and the International Council of Scientific Unions launched the Global Atmospheric Research Program (GARP), which lasted until 1982. The primary goals of the programme were international cooperation in global atmospheric observation to improve weather forecasting and to study climatic changes. This article examines the development phase of GARP from approximately 1961 to 1967, focusing on the US meteorologists Jule Charney and Thomas Malone and the Swedish meteorologist Bert Bolin, who contributed to its organization. It shows a variety of relationships between science and politics, beginning with President John F. Kennedy's call for scientific cooperation to ease international political tensions, followed by the diverse efforts of Charney, Malone, Bolin and others to help secure political support, and finally the protracted negotiations within the International Council of Scientific Unions to shape and organize the Global Atmospheric Research Program.</p>","PeriodicalId":46655,"journal":{"name":"British Journal for the History of Science","volume":" ","pages":"1-20"},"PeriodicalIF":1.2,"publicationDate":"2025-09-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"144993836","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The public culture of science through an intermedial lens.","authors":"Tim Boon","doi":"10.1017/S0007087425101179","DOIUrl":"https://doi.org/10.1017/S0007087425101179","url":null,"abstract":"<p><p>This introduction to a special issue of <i>BJHS</i> concerned with intermedial approaches to the history of the public culture of science (those that pay attention to the forms of different science media and how they relate to each other) also stands as an argument for such approaches. It amplifies a trend within humanities and social-science approaches to its subject of studying the interactions between science, media and publics as complex historical phenomena - in comparison with evaluative research approaches that seek to make science communication more effective. It argues for the virtues of going beyond most existing scholarship in the field by considering many media together. Drawing on the work of media studies scholars Irina Rajewsky and Klaus Bruhn Jensen, it introduces working definitions of intermediality. It then explores historically the genealogies of intermediality, which emerges as an entanglement of changing disciplines, technological change and media practice. Two brief sections take the example of museum display in this intermedial context with the aim of showing first that museum practice was already intermedial before it was considered to be 'one of the media'. It then concludes by showing how, and in what circumstances, the mediatization of museums came to seem necessary.</p>","PeriodicalId":46655,"journal":{"name":"British Journal for the History of Science","volume":" ","pages":"1-12"},"PeriodicalIF":1.2,"publicationDate":"2025-08-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"144973908","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Between education and entertainment: animation, science communication, and the Bell System Science Series.","authors":"Scott Curtis","doi":"10.1017/S0007087425101118","DOIUrl":"https://doi.org/10.1017/S0007087425101118","url":null,"abstract":"<p><p>Finding the right balance between education and entertainment in science communication has always been a challenge. This essay argues that this balance has often been framed in terms of the correct proportion and use of animation and live-action footage in popular-science media. Clarifying the assumptions behind a century of concerns about animation and science, this historical case study examines the advisory board's complaints about animation in the Bell System Science Series, which aired in the United States between 1956 and 1964. AT&T interrupted the series mid-stream by switching the creative team from Frank Capra and his production company to Owen Crump at Warner Bros. Studio. Capra's use of animation in the series featured prominently in this decision. The historical record - as well as Capra's and Crump's different aesthetic choices about animation - tells us much about the board's objections and how they were resolved in production. This essay examines the differences between the two parts of the series to uncover a course correction steered primarily by the scientific advisory board, which reveals a sometimes-fraught relationship between live-action footage and animation in science education that persists even today.</p>","PeriodicalId":46655,"journal":{"name":"British Journal for the History of Science","volume":" ","pages":"1-22"},"PeriodicalIF":1.2,"publicationDate":"2025-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"144973884","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Epilogue: the many worlds of rock(et) stars - CORRIGENDUM.","authors":"Asif Siddiqi","doi":"10.1017/S0007087425101349","DOIUrl":"10.1017/S0007087425101349","url":null,"abstract":"","PeriodicalId":46655,"journal":{"name":"British Journal for the History of Science","volume":" ","pages":"1"},"PeriodicalIF":1.2,"publicationDate":"2025-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"144875880","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}