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ELH Volume 89 Contents ELH卷89内容
IF 0.5 2区 文学
ELH Pub Date : 2022-12-01 DOI: 10.1353/elh.2022.0040
{"title":"ELH Volume 89 Contents","authors":"","doi":"10.1353/elh.2022.0040","DOIUrl":"https://doi.org/10.1353/elh.2022.0040","url":null,"abstract":"","PeriodicalId":46490,"journal":{"name":"ELH","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85641836","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Comic Interpreting in African Literatures 非洲文学中的喜剧解读
IF 0.5 2区 文学
ELH Pub Date : 2022-09-01 DOI: 10.1353/elh.2022.0026
Adwoa A. Opoku-Agyemang
{"title":"Comic Interpreting in African Literatures","authors":"Adwoa A. Opoku-Agyemang","doi":"10.1353/elh.2022.0026","DOIUrl":"https://doi.org/10.1353/elh.2022.0026","url":null,"abstract":"Abstract:This article proposes a comparative approach that connects Anglophone and Francophone colonial contexts through an underlying dynamic that hinges on humor. Reading scenes from Amadou Hampaté Bâ, Ferdinand Oyono, Chinua Achebe and Athol Fugard, it examines the fundamental assumptions that transmitters and receivers of messages make about their purpose and authority in an interpreting exercise. This is in order to show how those rules are belittled by interpreters in colonial or settler fiction, when their function is comic. Even so, the humor transcends the colonial encounter. Deliberately or through ignorance, the interpreters studied here create a form of cultural mediation that takes advantage of the disarray created by existing power differentials. They create a new narrative where appearances matter more than accuracy or fidelity and where “official” messages are subverted to the benefit of humor.","PeriodicalId":46490,"journal":{"name":"ELH","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85695366","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reading The Detail In John Ruskin’s Gothic Aesthetics 解读约翰·罗斯金哥特美学的细节
IF 0.5 2区 文学
ELH Pub Date : 2022-09-01 DOI: 10.1353/elh.2022.0025
Pritika Pradhan
{"title":"Reading The Detail In John Ruskin’s Gothic Aesthetics","authors":"Pritika Pradhan","doi":"10.1353/elh.2022.0025","DOIUrl":"https://doi.org/10.1353/elh.2022.0025","url":null,"abstract":"Abstract:John Ruskin’s attention to details in art has generally been viewed in terms of objectivity and the rise of realism. This essay traces as an alternate trajectory linking detail with a liberated, individualist subjectivity. It traces this arc from Ruskin’s Gothic ornamental details to a range of modernist details, from Marcel Proust’s madeleine to Prufrock’s coffee spoons, by way of Hegelian theory. It aims to vivify reflection on the place of detail in aesthetics, which, though discussed by writers from Roland Barthes to Jacques Rancière, has yet to receive its full due.","PeriodicalId":46490,"journal":{"name":"ELH","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76650551","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Are Models Narratives? Perspectives on a Narrative Critique of Models 模型是叙事吗?模型叙事批判的视角
IF 0.5 2区 文学
ELH Pub Date : 2022-09-01 DOI: 10.1353/elh.2022.0029
K. Stierstorfer
{"title":"Are Models Narratives? Perspectives on a Narrative Critique of Models","authors":"K. Stierstorfer","doi":"10.1353/elh.2022.0029","DOIUrl":"https://doi.org/10.1353/elh.2022.0029","url":null,"abstract":"Abstract:Models have become a central device in many sciences as much as in the public discussions on climate change or, topically, dealing with pandemics, but they have received only scant consideration in literary studies so far. This essay explores models with a focus on the context of narratives. It examines the relationship between models and narratives, and goes on to suggest ways in which insight gained from the study of narratives can enhance our understanding of models in general. Such insight could then become useful as an element in a general critique of models that ultimately will help in the assessment and decision taking wherever competing models have to be dealt with.","PeriodicalId":46490,"journal":{"name":"ELH","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88485440","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Tempest, The Winter’s Tale, and Dramatic Absolutism on the Stuart Court Stage 《暴风雨》、《冬天的故事》与斯图尔特宫廷舞台上的戏剧专制主义
IF 0.5 2区 文学
ELH Pub Date : 2022-09-01 DOI: 10.1353/elh.2022.0022
Gabriel R Lonsberry
{"title":"The Tempest, The Winter’s Tale, and Dramatic Absolutism on the Stuart Court Stage","authors":"Gabriel R Lonsberry","doi":"10.1353/elh.2022.0022","DOIUrl":"https://doi.org/10.1353/elh.2022.0022","url":null,"abstract":"Abstract:When, during the 1611-12 entertainment season, Shakespeare’s The Tempest and The Winter’s Tale were staged for King James I and his court, they would have seemed to wade into the middle of an escalating, mythmaking war between the King and his ideologically adversarial son, Henry. The preceding year had seen Henry usurp the ceremonial stage’s legitimizing power, mounting a series of masques and spectacles that grew his neo-chivalric cult and promoted militant Protestant values detested by his father. 1611-12, then, was James’s opportunity to reestablish his supremacy: not only would Henry be excluded from the season’s sole masque and centerpiece, Ben Jonson’s Love Restored, but Jonson would explicitly condemn all challenges to the royally approved mythology and demonstrate the King’s absolute authority over the masquing space. In response, Henry turned to alternative means of advancing his cause, including portraits, poems, and histories, while James negotiated a Catholic match that would deal a crushing blow to his son’s supporters. These are the circumstances in which the Stuart court first saw The Tempest and The Winter’s Tale, and this essay argues that viewers could not have helped but relate the plays’ interrogations of spectacle and royal authority to their present political moment.","PeriodicalId":46490,"journal":{"name":"ELH","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84663955","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Who Wrote The Female American?: The Noble Brothers, Circulating Libraries, and the Eighteenth-Century Novel 谁写了美国女性?:贵族兄弟、流通图书馆与十八世纪小说
IF 0.5 2区 文学
ELH Pub Date : 2022-09-01 DOI: 10.1353/elh.2022.0023
R. Zuck
{"title":"Who Wrote The Female American?: The Noble Brothers, Circulating Libraries, and the Eighteenth-Century Novel","authors":"R. Zuck","doi":"10.1353/elh.2022.0023","DOIUrl":"https://doi.org/10.1353/elh.2022.0023","url":null,"abstract":"Abstract:Since its publication in 1767, readers have wondered who wrote The Female American; or, the Adventures of Unca Eliza Winkfield. I argue that eighteenth-century readers and reviewers would have understood The Female American in relation to a particular business model—that of the publisher/bookseller/library proprietor—rather than as the work of a particular author. Yet, through its connection with its publisher Francis Noble, The Female American might, I suggest, have a story to tell us about authorship, not about its own authorship, but about the making of one of the preeminent “Authors” of the eighteenth century: Daniel Defoe.","PeriodicalId":46490,"journal":{"name":"ELH","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82046188","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Piltdown, Realism, And Public Trust In 1950s England 皮尔当:《现实主义与公众信任》，1950年代英国
IF 0.5 2区 文学
ELH Pub Date : 2022-09-01 DOI: 10.1353/elh.2022.0027
Marina Mackay
{"title":"Piltdown, Realism, And Public Trust In 1950s England","authors":"Marina Mackay","doi":"10.1353/elh.2022.0027","DOIUrl":"https://doi.org/10.1353/elh.2022.0027","url":null,"abstract":"Abstract:Opening with the 1953 exposure of the Piltdown hoax, and its surprisingly extensive and irreverent media reception, this essay argues that public trust in national institutions was among the pressing concerns of English culture throughout the 1950s, and a recurrent theme of its major realist fiction. Focusing on novels by Kingsley Amis, C. P. Snow, and Angus Wilson about fraud and forgery in institutional settings, the essay proposes that questions of motivated misrepresentation allowed novelists to emphasize partiality and prejudice in historical and literary narrative in ways that anticipated the reflexivity of both modes later in the century.","PeriodicalId":46490,"journal":{"name":"ELH","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72474630","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tamburlaine, “Mexía,” and More Intertextual Source Study Tamburlaine，“Mexía”，以及更多互文来源研究
IF 0.5 2区 文学
ELH Pub Date : 2022-09-01 DOI: 10.1353/elh.2022.0021
Michael Lind Menna
{"title":"Tamburlaine, “Mexía,” and More Intertextual Source Study","authors":"Michael Lind Menna","doi":"10.1353/elh.2022.0021","DOIUrl":"https://doi.org/10.1353/elh.2022.0021","url":null,"abstract":"Abstract:Despite Christopher Marlowe’s reputation as one of England’s more cosmopolitan renaissance playwrights, source study has given short shrift to his use of non-English vernacular texts. Focusing on Tamburlaine, this essay challenges biases in that discipline which helped shape a presumption that Marlowe encountered Pedro Mexía’s Silva de varia lección only in English translation. Afterwards, tracing one passage in Mexía’s Spanish-language text through its intervening adaptations into Italian, French, and English, the essay turns to the Messenger’s speech about Tamburlaine’s war tents to dissect how Marlowe channels an entire intertextual, multilingual system in one of his play’s most enduring stretches of poetry.","PeriodicalId":46490,"journal":{"name":"ELH","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73394736","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Stoic Comedy of Elizabeth Bishop and Buster Keaton 伊丽莎白·毕晓普和巴斯特·基顿的禁欲喜剧
IF 0.5 2区 文学
ELH Pub Date : 2022-09-01 DOI: 10.1353/elh.2022.0028
George A. Potts
{"title":"The Stoic Comedy of Elizabeth Bishop and Buster Keaton","authors":"George A. Potts","doi":"10.1353/elh.2022.0028","DOIUrl":"https://doi.org/10.1353/elh.2022.0028","url":null,"abstract":"Abstract:Elizabeth Bishop famously asserted in 1964 that poetry “can be cheerful AND profound! – or, how to be grim without groaning,” delineating a form of tragicomic equilibrium which she found embodied by “any of Buster Keaton’s films.” This article explores how Keaton provided Bishop with a model of stoic comedy, one through which she could reimagine worldly tribulation as slapstick poetry. Examining the dramatic monologue “Keaton” alongside “Sandpiper” and other poems, I argue that Bishop’s imaginative investment in slapstick film is most palpable in a recurrent scenario from her poetry, in which a singular figure exists on brinks and limits. In these poems, humor functions as an invitation to read more deeply, while the reserve for which Keaton’s character is famous becomes a self-referential play on Bishop’s own reputation as a reticent poet.","PeriodicalId":46490,"journal":{"name":"ELH","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88514105","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Race, Vitalism, and the Contingency of Contagion in Mary Shelley’s The Last Man 玛丽·雪莱《最后一个人》中的种族、活力论和传染病的偶然性
IF 0.5 2区 文学
ELH Pub Date : 2022-09-01 DOI: 10.1353/elh.2022.0024
D. Newby
{"title":"Race, Vitalism, and the Contingency of Contagion in Mary Shelley’s The Last Man","authors":"D. Newby","doi":"10.1353/elh.2022.0024","DOIUrl":"https://doi.org/10.1353/elh.2022.0024","url":null,"abstract":"Abstract:Plague is a central, albeit strangely indeterminate feature of Mary Shelley’s The Last Man. I argue that this indeterminacy is a crucial insight into the etiological and ethical questions at the novel’s core. Drawing from debates in early nineteenth-century medicine, Shelley’s representation of pandemic indexes the living body’s contingency—its indefinite yet continuous exposure to other potentially infectious bodies and environments. Shelley’s approach to contingent embodiment intervenes in the Romantic-era reception of vitalism, particularly Baruch Spinoza’s vitalist ontology of interconnection. Pandemic in The Last Man troubles the Romantic ethical idealization of interconnection, illustrating the potential for life’s contingencies to hurt connected bodies, and especially bodies of color, which are unrecognized by that ethical ideal and disproportionately exposed to sickness and pain.","PeriodicalId":46490,"journal":{"name":"ELH","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85008103","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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