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Who Bought Paris? Hope Mirrlees, the Hogarth Press, and the Circulation of Modernist Poetry 谁买下了巴黎?霍普·莫里斯，霍加斯出版社，与现代主义诗歌的流通
IF 0.5 2区 文学
ELH Pub Date : 2021-12-04 DOI: 10.1353/elh.2021.0031
Sean Pryor
{"title":"Who Bought Paris? Hope Mirrlees, the Hogarth Press, and the Circulation of Modernist Poetry","authors":"Sean Pryor","doi":"10.1353/elh.2021.0031","DOIUrl":"https://doi.org/10.1353/elh.2021.0031","url":null,"abstract":"Abstract:This essay explores the early circulation history of Hope Mirrlees's Paris. Published by the Hogarth Press in 1920, Paris was neglected for nearly ninety years, though it has recently been republished and reevaluated. By examining the surviving Hogarth Press order book, the essay shows that Paris, unlike more famous works by T. S. Eliot or Ezra Pound, rarely reached readers who might have appreciated and advertised its poetic experiments. The essay uses this history to reflect on what sort of poem Paris was in 1920, and what circulation history means more broadly for criticism's recovery of forgotten modernist poems.","PeriodicalId":46490,"journal":{"name":"ELH","volume":"11 1","pages":"1055 - 1082"},"PeriodicalIF":0.5,"publicationDate":"2021-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83394615","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Where No One Has Gone Before”: Louise Erdrich’s The Round House and its Star Trek Intertext “没人去过的地方”:路易丝·厄德里奇的《圆屋》及其《星际迷航》互文
IF 0.5 2区 文学
ELH Pub Date : 2021-09-02 DOI: 10.1353/elh.2021.0030
S. Gates
{"title":"“Where No One Has Gone Before”: Louise Erdrich’s The Round House and its Star Trek Intertext","authors":"S. Gates","doi":"10.1353/elh.2021.0030","DOIUrl":"https://doi.org/10.1353/elh.2021.0030","url":null,"abstract":"Abstract:Even as Louise Erdrich mounts her exposé of the woeful legal situation governing Indigenous peoples in The Round House, the novel suggests a way forward in its chapter titles (almost all borrowed from Star Trek: The Next Generation). Only by listening to the resonances between the narration and the TNG intertext to which its chapter titles allude can we understand the ways young Joe formulates out of his personal trauma an ethical critique of his people’s legal conditions, a theory and model for forging justice from within that condition, and a path toward healing the trauma he suffers.","PeriodicalId":46490,"journal":{"name":"ELH","volume":"23 1","pages":"795 - 820"},"PeriodicalIF":0.5,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90787229","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Cugoano and the Hermeneutics of Black Calvinism 库戈亚诺与黑人加尔文主义的解释学
IF 0.5 2区 文学
ELH Pub Date : 2021-09-02 DOI: 10.1353/elh.2021.0024
Dustin D. Stewart
{"title":"Cugoano and the Hermeneutics of Black Calvinism","authors":"Dustin D. Stewart","doi":"10.1353/elh.2021.0024","DOIUrl":"https://doi.org/10.1353/elh.2021.0024","url":null,"abstract":"Abstract:This essay offers a fresh analysis of Ottobah Cugoano’s Thoughts and Sentiments on the Evil and Wicked Traffic of Slavery (1787), an abolitionist text still best known for its radical call to end the slave trade and free all enslaved laborers. Next to no scholarship addresses Cugoano’s Calvinist commitments, largely because Calvinist thought has long seemed inextricable from proslavery politics. Cugoano belongs, however, at the forefront of a group of eighteenth-century Black Anglophone writers who both shared the predestinarian theology of George Whitefield and Selina Hastings, Countess of Huntingdon, and turned it to their own literary and cultural ends: not a Calvinism that landed on Black people, then, but one actively produced by them, a Black Calvinism. I focus on Cugoano’s racial hermeneutics--the highly developed figural method of biblical interpretation on which his antislavery logic relies--and I ask whether his neglected brand of Calvinism belongs to a longer genealogy of Afropessimism, a framework that has sparked vibrant literary production and theoretical reflection in the twenty-first century.","PeriodicalId":46490,"journal":{"name":"ELH","volume":"11 1","pages":"629 - 659"},"PeriodicalIF":0.5,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89912753","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Silence of the Land: Antiquarian Gothic and Ireland, 1790–1831 土地的寂静:古哥特式和爱尔兰，1790-1831
IF 0.5 2区 文学
ELH Pub Date : 2021-09-02 DOI: 10.1353/elh.2021.0025
T. Heimlich
{"title":"The Silence of the Land: Antiquarian Gothic and Ireland, 1790–1831","authors":"T. Heimlich","doi":"10.1353/elh.2021.0025","DOIUrl":"https://doi.org/10.1353/elh.2021.0025","url":null,"abstract":"Abstract:This article argues that romantic-era antiquarian writing from Ireland threatened to disclose evidence of historical violence inflicted upon the Irish by the English, and to engender retaliatory violence in the present day. Even when Irish landscapes appeared inscrutable, their impassiveness peculiarly confirmed, rather than disproved, a violent imperial past. Beginning with a consideration of Edmund Burke’s emphatic but little studied contempt for antiquarian history, the article proceeds to explore how James Hardiman sought to recuperate Ireland’s history from its forcibly erased landscapes. The essay concludes by arguing that in The Wild Irish Girl (1806), Sydney Owenson compares her Irish setting to a dizzying array of British overseas colonies and strategic holdings, so that Ireland functions as a dark mirror of insatiable imperial ambition.","PeriodicalId":46490,"journal":{"name":"ELH","volume":"2003 1","pages":"661 - 684"},"PeriodicalIF":0.5,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86235316","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ambient Media and Chaucer’s House of Fame 环境媒体和乔叟的名人之家
IF 0.5 2区 文学
ELH Pub Date : 2021-09-02 DOI: 10.1353/elh.2021.0021
Ingrid L. Nelson
{"title":"Ambient Media and Chaucer’s House of Fame","authors":"Ingrid L. Nelson","doi":"10.1353/elh.2021.0021","DOIUrl":"https://doi.org/10.1353/elh.2021.0021","url":null,"abstract":"Abstract:In the thirteenth century, a theory of media arises from a new science of sense perception that understands natural elements like air and water as media. Geoffrey Chaucer takes up this theory in his poem The House of Fame to suggest a homology between environmental media and the aesthetic media that transmit words and images: a brass tablet, a rock made of ice, the glass of painted windows. Like these surfaces, both the narrator’s body and certain natural elements mediate content, implicitly creating a medieval media theory that unites scientific and communicative concepts of media to theorize the work of art as a production of perceptual mediation. This premodern media theory refutes media histories, both progressive and archaeological, that figure the Middle Ages as static or latent, and anticipates newer theories of ambient, distributed media networks.","PeriodicalId":46490,"journal":{"name":"ELH","volume":"84 1","pages":"551 - 578"},"PeriodicalIF":0.5,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74085746","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Blackface Othellos and Irish Melodies: James Joyce’s Minstrelsies 黑脸奥赛罗与爱尔兰旋律:詹姆斯·乔伊斯的吟游诗人
IF 0.5 2区 文学
ELH Pub Date : 2021-09-02 DOI: 10.1353/elh.2021.0027
Erik Simpson
{"title":"Blackface Othellos and Irish Melodies: James Joyce’s Minstrelsies","authors":"Erik Simpson","doi":"10.1353/elh.2021.0027","DOIUrl":"https://doi.org/10.1353/elh.2021.0027","url":null,"abstract":"Abstract:In the latter part of the nineteenth century, transatlantic consumer culture celebrated two kinds of minstrelsy. One mode, associated in Ireland especially with Thomas Moore’s Irish Melodies, involved the reproduction of “national” melodies with the substitutions of Standard English lyrics and European musical style. The other, associated especially with “Christy Minstrels,” was that of blackface performance. Contemporary criticism almost always treats these minstrelsies separately, but James Joyce’s writings intertwines them, especially in “The Dead” and in Ulysses, where Joyce animates the punning play of Moore and the Moor: Thomas Moore and Othello. Joyce’s treatment of blackface minstrelsy--especially minstrel productions of Othello--as an inseparable counterpart of Irish minstrelsy produces an Othello-inflected reading of Ulysses as an alternative to the critical tradition of reading Joyce’s Shakespearean intertexts primarily through Hamlet.","PeriodicalId":46490,"journal":{"name":"ELH","volume":"150B 1","pages":"715 - 742"},"PeriodicalIF":0.5,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73119571","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Rachel Carson, Environmental Rights, and the Publicity of Aesthetic Judgments 雷切尔·卡森:《环境权利与审美判断的公共性》
IF 0.5 2区 文学
ELH Pub Date : 2021-09-02 DOI: 10.1353/elh.2021.0029
Benjamin Mangrum
{"title":"Rachel Carson, Environmental Rights, and the Publicity of Aesthetic Judgments","authors":"Benjamin Mangrum","doi":"10.1353/elh.2021.0029","DOIUrl":"https://doi.org/10.1353/elh.2021.0029","url":null,"abstract":"Abstract:This essay considers how Rachel Carson’s writing adapts the political framework and literary conventions of a liberal public sphere. This framework is most conspicuously evident in Carson’s use of the vocabulary of rights; however, the legacy of public sphere discourse also appears in her attempts to dilate the conceptual borders for what would be considered public. Her representations of the world and ecological interdependence expand the very idea of publicity. In turn, her work is also important to a new development in the postwar era: the idea of environmental rights. Through lyrical evocations of the natural world and an insistence on aesthetic appreciation, Carson imagines collective forms of affiliation with a nonhuman world characterized by what she calls a “sense of wonder.” This aesthetic sensibility animates Carson’s expansion of the moral-political language of rights.","PeriodicalId":46490,"journal":{"name":"ELH","volume":"27 1","pages":"765 - 793"},"PeriodicalIF":0.5,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80224481","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Reading Empson: The Structure of Complex Words 阅读Empson:复合词的结构
IF 0.5 2区 文学
ELH Pub Date : 2021-09-02 DOI: 10.1353/elh.2021.0028
Marshall Brown
{"title":"Reading Empson: The Structure of Complex Words","authors":"Marshall Brown","doi":"10.1353/elh.2021.0028","DOIUrl":"https://doi.org/10.1353/elh.2021.0028","url":null,"abstract":"Abstract:The difficulties of reading William Empson’s prose are almost universally acknowledged, but the explanations, defenses, or excuses for his wilfulness vary greatly. This essay argues that Empson’s title words “types” and especially “structure” have often misled readers. By scrutinizing key terms in his vocabulary (including structure, bundle, puzzle, and process), the essay concludes that complexity is his goal, rather than, say, pastoral ease. The aim of his writing, throughout his career, is an understanding of the pressures of life in a multi-voiced, democratic society.","PeriodicalId":46490,"journal":{"name":"ELH","volume":"39 1","pages":"743 - 764"},"PeriodicalIF":0.5,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89131443","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Thoreau’s Econational Poetics 梭罗的《民族诗学
IF 0.5 2区 文学
ELH Pub Date : 2021-09-02 DOI: 10.1353/elh.2021.0026
Denise Xu
{"title":"Thoreau’s Econational Poetics","authors":"Denise Xu","doi":"10.1353/elh.2021.0026","DOIUrl":"https://doi.org/10.1353/elh.2021.0026","url":null,"abstract":"Abstract:Drawing on Henry David Thoreau’s botanical sketches, translation notebooks, and essays on migrant dwelling, this article reads Thoreau’s ecology in the context of his engagements with Asian literature. According to Thoreau, poetry relinquishes independent subject-agency like plants, is regenerative like air, and resists stabilized meaning like celestial bodies. The article proposes an econational method of engaging with global literature that is developed through Thoreau’s theories of texts as unstable oikoi (oikos being the root of eco) and nations as contingent communities. I argue that his poetics models the relations between texts and readers as open-ended networks rather than linear appropriations, and thus stands in contrast to transnational writing that preserves localized identities in the processes of exchange.","PeriodicalId":46490,"journal":{"name":"ELH","volume":"73 1","pages":"685 - 713"},"PeriodicalIF":0.5,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88513092","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Philology and the Progress of Knowledge in the Mid-Eighteenth Century 18世纪中期的文献学与知识的进步
IF 0.5 2区 文学
ELH Pub Date : 2021-09-02 DOI: 10.1353/elh.2021.0023
Luke McMullan
{"title":"Philology and the Progress of Knowledge in the Mid-Eighteenth Century","authors":"Luke McMullan","doi":"10.1353/elh.2021.0023","DOIUrl":"https://doi.org/10.1353/elh.2021.0023","url":null,"abstract":"Abstract:Around 1750, the word “philology” started to appear more and more often in English texts. To explain why, this article examines how writers of the time invoked philology and its derived terms. In today’s histories of philology, the time before 1780 is often a prelude to philology’s custodianship of language study in the nineteenth century and its transformation into the humanities; thus, philological practices prefiguring those later developments are thrust to the foreground. However, from the beginning of the eighteenth century until the 1780s, philology was about the origin and progress of any part of knowledge, a tradition this article ultimately traces to the literary history outlined by Francis Bacon in 1605. Missing from the history of philology as it currently stands, this once-prevalent philology of knowledge offers lessons for those who ponder the resonances between philology and literary studies today.","PeriodicalId":46490,"journal":{"name":"ELH","volume":"1 1","pages":"605 - 627"},"PeriodicalIF":0.5,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90898377","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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