发布求助
文献互助 智能选刊 最新文献

ELH最新文献

筛选
英文 中文
Envy in Early Modern England 近代早期英国的嫉妒
IF 0.5 2区 文学
ELH Pub Date : 2021-12-04 DOI: 10.1353/elh.2021.0034
Bradley J. Irish
{"title":"Envy in Early Modern England","authors":"Bradley J. Irish","doi":"10.1353/elh.2021.0034","DOIUrl":"https://doi.org/10.1353/elh.2021.0034","url":null,"abstract":"Abstract:Emerging from the growing subfield of emotion history, this essay presents a comprehensive analysis of the discourse of envy in Renaissance England. Though scholars have given minor attention to the dynamics of envy in the period, there has yet to be an account that reflects the full complexity and variety of the emotion; drawing on a vast body of contemporary writings on the subject, I review the forms of English Renaissance envy, the background of English Renaissance envy, the mechanics of English Renaissance envy, and envy's relationship to the related concept emulation. The essay argues that scholars have yet to fully appreciate the centrality of envy to the social world of early modern England--it was an emotion that had an enormous hold on the Renaissance imagination, and was implicated in all manner of interpersonal interaction.","PeriodicalId":46490,"journal":{"name":"ELH","volume":"57 1","pages":"845 - 878"},"PeriodicalIF":0.5,"publicationDate":"2021-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91229946","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Who Bought Paris? Hope Mirrlees, the Hogarth Press, and the Circulation of Modernist Poetry 谁买下了巴黎?霍普·莫里斯，霍加斯出版社，与现代主义诗歌的流通
IF 0.5 2区 文学
ELH Pub Date : 2021-12-04 DOI: 10.1353/elh.2021.0031
Sean Pryor
{"title":"Who Bought Paris? Hope Mirrlees, the Hogarth Press, and the Circulation of Modernist Poetry","authors":"Sean Pryor","doi":"10.1353/elh.2021.0031","DOIUrl":"https://doi.org/10.1353/elh.2021.0031","url":null,"abstract":"Abstract:This essay explores the early circulation history of Hope Mirrlees's Paris. Published by the Hogarth Press in 1920, Paris was neglected for nearly ninety years, though it has recently been republished and reevaluated. By examining the surviving Hogarth Press order book, the essay shows that Paris, unlike more famous works by T. S. Eliot or Ezra Pound, rarely reached readers who might have appreciated and advertised its poetic experiments. The essay uses this history to reflect on what sort of poem Paris was in 1920, and what circulation history means more broadly for criticism's recovery of forgotten modernist poems.","PeriodicalId":46490,"journal":{"name":"ELH","volume":"11 1","pages":"1055 - 1082"},"PeriodicalIF":0.5,"publicationDate":"2021-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83394615","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Cugoano and the Hermeneutics of Black Calvinism 库戈亚诺与黑人加尔文主义的解释学
IF 0.5 2区 文学
ELH Pub Date : 2021-09-02 DOI: 10.1353/elh.2021.0024
Dustin D. Stewart
{"title":"Cugoano and the Hermeneutics of Black Calvinism","authors":"Dustin D. Stewart","doi":"10.1353/elh.2021.0024","DOIUrl":"https://doi.org/10.1353/elh.2021.0024","url":null,"abstract":"Abstract:This essay offers a fresh analysis of Ottobah Cugoano’s Thoughts and Sentiments on the Evil and Wicked Traffic of Slavery (1787), an abolitionist text still best known for its radical call to end the slave trade and free all enslaved laborers. Next to no scholarship addresses Cugoano’s Calvinist commitments, largely because Calvinist thought has long seemed inextricable from proslavery politics. Cugoano belongs, however, at the forefront of a group of eighteenth-century Black Anglophone writers who both shared the predestinarian theology of George Whitefield and Selina Hastings, Countess of Huntingdon, and turned it to their own literary and cultural ends: not a Calvinism that landed on Black people, then, but one actively produced by them, a Black Calvinism. I focus on Cugoano’s racial hermeneutics--the highly developed figural method of biblical interpretation on which his antislavery logic relies--and I ask whether his neglected brand of Calvinism belongs to a longer genealogy of Afropessimism, a framework that has sparked vibrant literary production and theoretical reflection in the twenty-first century.","PeriodicalId":46490,"journal":{"name":"ELH","volume":"11 1","pages":"629 - 659"},"PeriodicalIF":0.5,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89912753","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Silence of the Land: Antiquarian Gothic and Ireland, 1790–1831 土地的寂静:古哥特式和爱尔兰，1790-1831
IF 0.5 2区 文学
ELH Pub Date : 2021-09-02 DOI: 10.1353/elh.2021.0025
T. Heimlich
{"title":"The Silence of the Land: Antiquarian Gothic and Ireland, 1790–1831","authors":"T. Heimlich","doi":"10.1353/elh.2021.0025","DOIUrl":"https://doi.org/10.1353/elh.2021.0025","url":null,"abstract":"Abstract:This article argues that romantic-era antiquarian writing from Ireland threatened to disclose evidence of historical violence inflicted upon the Irish by the English, and to engender retaliatory violence in the present day. Even when Irish landscapes appeared inscrutable, their impassiveness peculiarly confirmed, rather than disproved, a violent imperial past. Beginning with a consideration of Edmund Burke’s emphatic but little studied contempt for antiquarian history, the article proceeds to explore how James Hardiman sought to recuperate Ireland’s history from its forcibly erased landscapes. The essay concludes by arguing that in The Wild Irish Girl (1806), Sydney Owenson compares her Irish setting to a dizzying array of British overseas colonies and strategic holdings, so that Ireland functions as a dark mirror of insatiable imperial ambition.","PeriodicalId":46490,"journal":{"name":"ELH","volume":"2003 1","pages":"661 - 684"},"PeriodicalIF":0.5,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86235316","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Where No One Has Gone Before”: Louise Erdrich’s The Round House and its Star Trek Intertext “没人去过的地方”:路易丝·厄德里奇的《圆屋》及其《星际迷航》互文
IF 0.5 2区 文学
ELH Pub Date : 2021-09-02 DOI: 10.1353/elh.2021.0030
S. Gates
{"title":"“Where No One Has Gone Before”: Louise Erdrich’s The Round House and its Star Trek Intertext","authors":"S. Gates","doi":"10.1353/elh.2021.0030","DOIUrl":"https://doi.org/10.1353/elh.2021.0030","url":null,"abstract":"Abstract:Even as Louise Erdrich mounts her exposé of the woeful legal situation governing Indigenous peoples in The Round House, the novel suggests a way forward in its chapter titles (almost all borrowed from Star Trek: The Next Generation). Only by listening to the resonances between the narration and the TNG intertext to which its chapter titles allude can we understand the ways young Joe formulates out of his personal trauma an ethical critique of his people’s legal conditions, a theory and model for forging justice from within that condition, and a path toward healing the trauma he suffers.","PeriodicalId":46490,"journal":{"name":"ELH","volume":"23 1","pages":"795 - 820"},"PeriodicalIF":0.5,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90787229","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ambient Media and Chaucer’s House of Fame 环境媒体和乔叟的名人之家
IF 0.5 2区 文学
ELH Pub Date : 2021-09-02 DOI: 10.1353/elh.2021.0021
Ingrid L. Nelson
{"title":"Ambient Media and Chaucer’s House of Fame","authors":"Ingrid L. Nelson","doi":"10.1353/elh.2021.0021","DOIUrl":"https://doi.org/10.1353/elh.2021.0021","url":null,"abstract":"Abstract:In the thirteenth century, a theory of media arises from a new science of sense perception that understands natural elements like air and water as media. Geoffrey Chaucer takes up this theory in his poem The House of Fame to suggest a homology between environmental media and the aesthetic media that transmit words and images: a brass tablet, a rock made of ice, the glass of painted windows. Like these surfaces, both the narrator’s body and certain natural elements mediate content, implicitly creating a medieval media theory that unites scientific and communicative concepts of media to theorize the work of art as a production of perceptual mediation. This premodern media theory refutes media histories, both progressive and archaeological, that figure the Middle Ages as static or latent, and anticipates newer theories of ambient, distributed media networks.","PeriodicalId":46490,"journal":{"name":"ELH","volume":"84 1","pages":"551 - 578"},"PeriodicalIF":0.5,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74085746","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reading Empson: The Structure of Complex Words 阅读Empson:复合词的结构
IF 0.5 2区 文学
ELH Pub Date : 2021-09-02 DOI: 10.1353/elh.2021.0028
Marshall Brown
{"title":"Reading Empson: The Structure of Complex Words","authors":"Marshall Brown","doi":"10.1353/elh.2021.0028","DOIUrl":"https://doi.org/10.1353/elh.2021.0028","url":null,"abstract":"Abstract:The difficulties of reading William Empson’s prose are almost universally acknowledged, but the explanations, defenses, or excuses for his wilfulness vary greatly. This essay argues that Empson’s title words “types” and especially “structure” have often misled readers. By scrutinizing key terms in his vocabulary (including structure, bundle, puzzle, and process), the essay concludes that complexity is his goal, rather than, say, pastoral ease. The aim of his writing, throughout his career, is an understanding of the pressures of life in a multi-voiced, democratic society.","PeriodicalId":46490,"journal":{"name":"ELH","volume":"39 1","pages":"743 - 764"},"PeriodicalIF":0.5,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89131443","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Blackface Othellos and Irish Melodies: James Joyce’s Minstrelsies 黑脸奥赛罗与爱尔兰旋律:詹姆斯·乔伊斯的吟游诗人
IF 0.5 2区 文学
ELH Pub Date : 2021-09-02 DOI: 10.1353/elh.2021.0027
Erik Simpson
{"title":"Blackface Othellos and Irish Melodies: James Joyce’s Minstrelsies","authors":"Erik Simpson","doi":"10.1353/elh.2021.0027","DOIUrl":"https://doi.org/10.1353/elh.2021.0027","url":null,"abstract":"Abstract:In the latter part of the nineteenth century, transatlantic consumer culture celebrated two kinds of minstrelsy. One mode, associated in Ireland especially with Thomas Moore’s Irish Melodies, involved the reproduction of “national” melodies with the substitutions of Standard English lyrics and European musical style. The other, associated especially with “Christy Minstrels,” was that of blackface performance. Contemporary criticism almost always treats these minstrelsies separately, but James Joyce’s writings intertwines them, especially in “The Dead” and in Ulysses, where Joyce animates the punning play of Moore and the Moor: Thomas Moore and Othello. Joyce’s treatment of blackface minstrelsy--especially minstrel productions of Othello--as an inseparable counterpart of Irish minstrelsy produces an Othello-inflected reading of Ulysses as an alternative to the critical tradition of reading Joyce’s Shakespearean intertexts primarily through Hamlet.","PeriodicalId":46490,"journal":{"name":"ELH","volume":"150B 1","pages":"715 - 742"},"PeriodicalIF":0.5,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73119571","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Rachel Carson, Environmental Rights, and the Publicity of Aesthetic Judgments 雷切尔·卡森:《环境权利与审美判断的公共性》
IF 0.5 2区 文学
ELH Pub Date : 2021-09-02 DOI: 10.1353/elh.2021.0029
Benjamin Mangrum
{"title":"Rachel Carson, Environmental Rights, and the Publicity of Aesthetic Judgments","authors":"Benjamin Mangrum","doi":"10.1353/elh.2021.0029","DOIUrl":"https://doi.org/10.1353/elh.2021.0029","url":null,"abstract":"Abstract:This essay considers how Rachel Carson’s writing adapts the political framework and literary conventions of a liberal public sphere. This framework is most conspicuously evident in Carson’s use of the vocabulary of rights; however, the legacy of public sphere discourse also appears in her attempts to dilate the conceptual borders for what would be considered public. Her representations of the world and ecological interdependence expand the very idea of publicity. In turn, her work is also important to a new development in the postwar era: the idea of environmental rights. Through lyrical evocations of the natural world and an insistence on aesthetic appreciation, Carson imagines collective forms of affiliation with a nonhuman world characterized by what she calls a “sense of wonder.” This aesthetic sensibility animates Carson’s expansion of the moral-political language of rights.","PeriodicalId":46490,"journal":{"name":"ELH","volume":"27 1","pages":"765 - 793"},"PeriodicalIF":0.5,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80224481","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Thoreau’s Econational Poetics 梭罗的《民族诗学
IF 0.5 2区 文学
ELH Pub Date : 2021-09-02 DOI: 10.1353/elh.2021.0026
Denise Xu
{"title":"Thoreau’s Econational Poetics","authors":"Denise Xu","doi":"10.1353/elh.2021.0026","DOIUrl":"https://doi.org/10.1353/elh.2021.0026","url":null,"abstract":"Abstract:Drawing on Henry David Thoreau’s botanical sketches, translation notebooks, and essays on migrant dwelling, this article reads Thoreau’s ecology in the context of his engagements with Asian literature. According to Thoreau, poetry relinquishes independent subject-agency like plants, is regenerative like air, and resists stabilized meaning like celestial bodies. The article proposes an econational method of engaging with global literature that is developed through Thoreau’s theories of texts as unstable oikoi (oikos being the root of eco) and nations as contingent communities. I argue that his poetics models the relations between texts and readers as open-ended networks rather than linear appropriations, and thus stands in contrast to transnational writing that preserves localized identities in the processes of exchange.","PeriodicalId":46490,"journal":{"name":"ELH","volume":"73 1","pages":"685 - 713"},"PeriodicalIF":0.5,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88513092","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
首页 上一页
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整，为了账户安全，请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们：info@booksci.cn Book学术提供免费学术资源搜索服务，方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号：604180095
Book学术官方微信
小红书