TDR-The Drama Review-The Journal of Performance Studies最新文献

{"title":"A Medium to History","authors":"Kara Reilly","doi":"10.1017/S1054204322000594","DOIUrl":"https://doi.org/10.1017/S1054204322000594","url":null,"abstract":"William Hunter, a male midwife, was author of an anatomy atlas that featured pregnant cadavers as specimens. He lived in the building that later became the Lyric Theatre. Through an examination of the Lyric Theatre as a hauntological site, and the experience of psychosis, a proposed paradigm shift for theatre and performance historiography emerges: the phenomenology of dyschronia.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"66 1","pages":"109 - 126"},"PeriodicalIF":0.3,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42928437","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Metered Togetherness","authors":"A. Kimmel, D. Martin, Asher Warren","doi":"10.1017/S1054204322000600","DOIUrl":"https://doi.org/10.1017/S1054204322000600","url":null,"abstract":"Moving beyond speculation on immediate and mediated interpretations of presence that saturate our field, we drift toward new orientations regarding presence that capture a metered togetherness: a disjuncted assembly emerging from both localized and networked logistics. Presence is not always signaled by the coterminous junction of shared time and space, but as the multiple trajectories that emerge in its wake.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"66 1","pages":"127 - 142"},"PeriodicalIF":0.3,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46925836","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Postpone the Great Game","authors":"R. Schechner","doi":"10.1017/s105420432200051x","DOIUrl":"https://doi.org/10.1017/s105420432200051x","url":null,"abstract":"The Great Game of the 19th century was the struggle between Russia and the British in Afghanistan to control India. The Ukraine war is a new version of the Great Game. In the 1930s to defeat the Japanese, an existential threat to China, Mao Zedong and Chiang Kai-shek postponed their civil war. Climate change is the world’s existential threat. Let’s postpone all wars to deal with climate change.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"66 1","pages":"7 - 16"},"PeriodicalIF":0.3,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46434263","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"TDR volume 66 issue 4 Cover and Front matter","authors":"Kimberly Jannarone, E. Morrison","doi":"10.1017/s105420432200048x","DOIUrl":"https://doi.org/10.1017/s105420432200048x","url":null,"abstract":"ing and Indexing Information: Please visit https://www.cambridge.org/core/journals/the-drama-review. Subscription Information: TDR (ISSN 1054-2043 E-ISSN 1531-4715) is published quarterly (Spring, Summer, Fall, Winter) by Cambridge University Press, 1 Liberty Plaza, New York, NY 10006, USA on behalf of the Tisch School of the Arts, New York University. Periodicals postage paid at New York, NY, and at additional mailing offices. POSTMASTER: Please send address changes to TDR, Cambridge University Press, 1 Liberty Plaza, New York, NY 10006, USA. The institutional subscription price for Volume 66 (2022), including delivery by air where appropriate (but excluding VAT), is $270.00 (£223.00) for print and electronic or $230.00 (£189.00) for electronic only. Orders, which must be accompanied by payment, may be sent to a bookseller, subscription agent or direct to the publisher: Cambridge University Press, Journals Fulfillment Department, 1 Liberty Plaza, New York, NY, 10006, USA; or Cambridge University Press, UPH, Shaftesbury Road, Cambridge CB2 8RU, England. For single back issues, please contact subscriptions_newyork@cambridge.org. More information about subscription rates, including individual and student subscription prices, can be found at: https://www.cambridge.org/core/journals/the-drama-review/subscribe. Advertising: For information on display ad sizes, rates, and deadlines for copy, please contact USAdSales@cambridge.org. © New York University/Tisch School of the Arts 2022. All rights reserved. No part of this publication may be reproduced, in any form or by any means, electronic, photocopying, or otherwise, without permission in writing from Cambridge University Press. Policies, request forms, and contacts are available at https://www.cambridge.org/core/journals/the-drama-review/information/request-permissions. Permission to copy (for users in the USA) is available from Copyright Clearance Center: www.copyright.com; email: info@copyright.com. This publication is made possible, in part, with public funds from the New York State Council on the Arts and the National Endowment for the Arts. TDR","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"66 1","pages":"f1 - f5"},"PeriodicalIF":0.3,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42025251","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Presently in Beds","authors":"Nahuel Telleria","doi":"10.1017/S1054204322000624","DOIUrl":"https://doi.org/10.1017/S1054204322000624","url":null,"abstract":"How can we be present yet not physically in person? Three bed performances in Argentina suggest such a possibility. In a country marked by the disappearance of 30,000 citizens, artists and activists have sought to make the absent present. These bed performances reveal that by mediating presence and expanding it beyond the here and now, what was thought to have disappeared, remains. Pastoral associates stand in front of huge screens to pray for hundreds of people at the same time. Emmanuel TV Studios, Lagos, Nigeria, 1 June 2021. See “The Healing of Maseko: Live and A-live Presences in the Theatre of the Spiritual” by Abimbola A. Adelakun. (www.youtube.com/watch?v=P1vRT6imV4o; screenshot by TDR)","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"66 1","pages":"161 - 178"},"PeriodicalIF":0.3,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45386156","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"liberation study","authors":"Hope Mohr","doi":"10.1017/s1054204322000508","DOIUrl":"https://doi.org/10.1017/s1054204322000508","url":null,"abstract":"Performance offers the chance to break through dead ways of being. Only by harnessing our longing can we unshackle from forms that no longer nourish us. Making performance means creating conditions where we can sense new possibilities for how we show up for our lives. Let the old structures shatter. Hope Mohr is a choreographer, writer, and advocate. She performed with Lucinda Childs and Trisha Brown. In 2007, she founded Hope Mohr Dance. In 2010, she founded The Bridge Project, now Bridge Live Arts, which creates and supports equity-driven live art that centers artists as agents of change. www.hopemohr.org","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"66 1","pages":"2 - 3"},"PeriodicalIF":0.3,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42181264","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Global Imaginaries and Elephantine Artifice","authors":"Daniel J. Ruppel","doi":"10.1017/S1054204322000582","DOIUrl":"https://doi.org/10.1017/S1054204322000582","url":null,"abstract":"Labyrinthe Royal de l’Hercule Gaulois triomphant (Avignon, 1601) documents a ceremonial performance that happens more in the time of reading than a historical moment. Focusing on discrepancies between a vivid image of elephants and a description attesting that there were none reveals how this document makes the festival “present” by suspending the reader between allegory and history, representation and performance, and most importantly, the presence and(/as) absence of racialized “Mores” driving the fictitious pachyderms.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"66 1","pages":"83 - 108"},"PeriodicalIF":0.3,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44193617","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"TDR volume 66 issue 4 Cover and Back matter","authors":"","doi":"10.1017/s1054204322000491","DOIUrl":"https://doi.org/10.1017/s1054204322000491","url":null,"abstract":"","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"66 1","pages":"b1 - b7"},"PeriodicalIF":0.3,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48355076","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Presence, 2019–2022: Introduction","authors":"Kimberly Jannarone, E. Morrison, Tavia Nyong’o","doi":"10.1017/s1054204322000533","DOIUrl":"https://doi.org/10.1017/s1054204322000533","url":null,"abstract":"Our understanding of “presence” has made an epochal shift in the past three years. The field of performance studies—never settled, always in flux—is shifting as well on this topic, as what we study expands digitally, contracts physically, embraces new paradigms, and unlooses others. While it is impossible to fix an exact time when attitudes about something as ineffable yet entirely real as presence changed permanently, this issue touches down on several key moments.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"66 1","pages":"22 - 27"},"PeriodicalIF":0.3,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48138226","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Unburdening Liveness","authors":"Tavia Nyong’o","doi":"10.1017/S1054204322000545","DOIUrl":"https://doi.org/10.1017/S1054204322000545","url":null,"abstract":"How has presence transformed under recent pandemic conditions and ongoing digital saturation? José Esteban Muñoz’s now classic critique of liveness illuminates the works of several contemporary Black performance artists whose work intervenes against the corporeal burdens of our moment.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"66 1","pages":"28 - 36"},"PeriodicalIF":0.3,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48554797","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}