历史的媒介

IF 0.4 2区艺术学 0 THEATER

TDR-The Drama Review-The Journal of Performance Studies Pub Date : 2022-12-01 DOI:10.1017/S1054204322000594

Kara Reilly

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引用次数: 0

摘要

威廉·亨特(William Hunter)是一名男性助产士，他写了一本以怀孕尸体为标本的解剖学图集。他住在后来成为抒情剧院的大楼里。通过对抒情剧院作为一个幽灵学场所的考察，以及对精神病的体验，提出了戏剧和表演史学的范式转变:时间障碍现象学。

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A Medium to History

William Hunter, a male midwife, was author of an anatomy atlas that featured pregnant cadavers as specimens. He lived in the building that later became the Lyric Theatre. Through an examination of the Lyric Theatre as a hauntological site, and the experience of psychosis, a proposed paradigm shift for theatre and performance historiography emerges: the phenomenology of dyschronia.

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来源期刊

TDR-The Drama Review-The Journal of Performance Studies THEATER-

CiteScore

0.80

自引率

33.30%

发文量

期刊介绍： TDR traces the broad spectrum of performances, studying performances in their aesthetic, social, economic, and political contexts. With an emphasis on experimental, avant-garde, intercultural, and interdisciplinary performance, TDR covers performance art, theatre, dance, music, visual art, popular entertainments, media, sports, rituals, and the performance in and of politics and everyday life. Each fully illustrated issue includes: -Articles on theatre, dance, popular entertainments, rituals, politics, and social life: the whole broad spectrum of performance -Original contributions to performance theory -Editorial comments, critical analysis, and book reviews -Articles by social scientists, cultural commentators, theorists, artists, scholars, and critics -Interviews with performers, choreographers, directors, composers, and performance artists -Texts of performance works -Translations of important new and decisive archival writings on performance