全球想象和大象般的技巧

IF 0.4 2区艺术学 0 THEATER

TDR-The Drama Review-The Journal of Performance Studies Pub Date : 2022-12-01 DOI:10.1017/S1054204322000582

Daniel J. Ruppel

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引用次数: 0

摘要

迷宫般的皇家大力神高卢瓦三重奏（阿维尼翁，1601年）记录了一场仪式表演，这种表演更多地发生在阅读时间，而不是历史时刻。关注生动的大象形象和证明没有大象形象的描述之间的差异，揭示了这份文件是如何通过将读者置于寓言与历史、表现与表演之间，以及最重要的是，种族化的“Mores”驱动着虚构的厚皮动物的存在与否，来使节日“呈现”的。

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Global Imaginaries and Elephantine Artifice

Labyrinthe Royal de l’Hercule Gaulois triomphant (Avignon, 1601) documents a ceremonial performance that happens more in the time of reading than a historical moment. Focusing on discrepancies between a vivid image of elephants and a description attesting that there were none reveals how this document makes the festival “present” by suspending the reader between allegory and history, representation and performance, and most importantly, the presence and(/as) absence of racialized “Mores” driving the fictitious pachyderms.

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来源期刊

TDR-The Drama Review-The Journal of Performance Studies THEATER-

CiteScore

0.80

自引率

33.30%

发文量

期刊介绍： TDR traces the broad spectrum of performances, studying performances in their aesthetic, social, economic, and political contexts. With an emphasis on experimental, avant-garde, intercultural, and interdisciplinary performance, TDR covers performance art, theatre, dance, music, visual art, popular entertainments, media, sports, rituals, and the performance in and of politics and everyday life. Each fully illustrated issue includes: -Articles on theatre, dance, popular entertainments, rituals, politics, and social life: the whole broad spectrum of performance -Original contributions to performance theory -Editorial comments, critical analysis, and book reviews -Articles by social scientists, cultural commentators, theorists, artists, scholars, and critics -Interviews with performers, choreographers, directors, composers, and performance artists -Texts of performance works -Translations of important new and decisive archival writings on performance