European Review最新文献_第7页

Creative Life Orientations in Socially Diverse Groups: Research Review 社会多元化群体的创造性生活取向:研究综述

IF 0.4 4区社会学

European Review Pub Date : 2023-03-13 DOI: 10.1017/s1062798723000029

Agata Cudowska

引用次数: 0

ERW volume 31 issue 1 Cover and matter 战争战争遗址第31卷第1期封面和物质

IF 0.4 4区社会学

European Review Pub Date : 2023-02-01 DOI: 10.1017/s1062798723000017

引用次数: 0

(Anti)Barbarous Empires: J.M. Coetzee’s Iconoclasm in Waiting for the Barbarians (反)野蛮帝国:j·m·库切在《等待野蛮人》中对偶像的破坏

IF 0.4 4区社会学

European Review Pub Date : 2023-01-17 DOI: 10.1017/S1062798722000539

Vladimir Biti

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Attempts on the Image in Literature 文学中形象的尝试

IF 0.4 4区社会学

European Review Pub Date : 2023-01-16 DOI: 10.1017/S1062798722000540

S. Zenkin

{"title":"Attempts on the Image in Literature","authors":"S. Zenkin","doi":"10.1017/S1062798722000540","DOIUrl":"https://doi.org/10.1017/S1062798722000540","url":null,"abstract":"Nineteenth-century European narrative literature repeatedly refers to the deliberate destruction (or intentions, attempts to destroy) of artificial images. The old artist in Honoré de Balzac’s novella The Unknown Masterpiece burns his collection of art; the hero of Alexander Pushkin’s poem The Bronze Horseman threatens the monument to the Emperor Peter the Great in St Petersburg; the inhabitants of a French village in Prosper Mérimée’s novella The Venus of Ille re-melt the ‘evil’ antique statue found in the soil; the painter in Nikolai Gogol’s novel The Portrait compulsively buys and destroys masterpieces of painting; another picture, in Emile Zola’s novel L’Œuvre, is burned after the suicide of its author; the hero of Oscar Wilde’s novel The Picture of Dorian Gray attempts to stab his own portrait, which is displaying his sins; in The Adventure of the Six Napoleons, a short story by Arthur Conan Doyle, six busts of the French emperor are broken, in turn first by a thief, and finally by a detective. Being destroyed or disappearing seems to be the recurrent destiny of intradiegetic images (material images included into a narrative text as its actors), and the attempts of their obliteration always constitute a highlighted, spectacular moment in the narrative, and not just an outward sign of someone’s inner feelings; they are typically presented as a sacrifice of ‘excessive’ (magical, demonic) objects. In some cases, they are explained by a deviant behaviour of the character (madness, delinquency), but the literary text is organized in order to make the reader sympathize with the experiences of that ‘iconoclast’, and mentally reproduce his acts. An analysis of texts should disclose the mechanism of this self-identification and put the stories about the attempts on the image into the general framework of nineteenth-century visual and literary culture.","PeriodicalId":46095,"journal":{"name":"European Review","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2023-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90388049","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Science in Washington, DC An Introduction to Memorials (A Pictorial Essay) 华盛顿特区的科学纪念馆简介(图片文章)

IF 0.4 4区社会学

European Review Pub Date : 2023-01-16 DOI: 10.1017/s1062798722000515

I. Hargittai, M. Hargittai

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Wine and France: A Brief History 《葡萄酒与法国简史

IF 0.4 4区社会学

European Review Pub Date : 2023-01-16 DOI: 10.1017/s1062798722000370

S. Estreicher

{"title":"Wine and France: A Brief History","authors":"S. Estreicher","doi":"10.1017/s1062798722000370","DOIUrl":"https://doi.org/10.1017/s1062798722000370","url":null,"abstract":"The earliest archaeological evidence of wine making in Southern France is dated 425 bce. Viticulture was present along the Mediterranean coast of France when the Romans arrived (second century bce) and flourished everywhere by the time they left (fifth century ce). For several centuries, long-distance trade virtually disappeared and the infrastructure fell apart. Profitable viticulture remained mostly local and was concentrated in the hands of the wealthy nobility and the Church. After the turn of the first Millennium, towns became cities and a middle-class emerged. In the twelfth century, the wine trade with England gained importance. Wines were shipped from Rouen, Nantes, La Rochelle, and later Bordeaux. Monastic orders controlled the most fertile land, especially in Champagne and Burgundy. In the thirteenth century, the Languedoc became a part of France. During the Avignon papacy, new vineyards were planted, in particular Châteauneuf-du-Pape. After the Renaissance, scientific studies gradually improved viticulture and wine-making. Ultimately, fermentation was understood. The Dutch greatly expanded the wine trade. Then, the first intentionally bubbly wines, distilled wines, and noble-rot wines were made. Informal rankings of Bordeaux wines led to the famous 1855 classification. In the late nineteenth century, nature-made catastrophes, especially phylloxera, transformed France into the largest wine-importing country in the world. Sub-standard and blended wines became common, hurting the reputation of all French wines. The two world wars, the Great Depression and Prohibition shrunk the market for wines. The way out involved strict quality-control measures and hard work. The next problem could well be global warming.","PeriodicalId":46095,"journal":{"name":"European Review","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2023-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91225547","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Warburg’s Mnemosyne Atlas as another Iconoclastic Way 沃伯格的《记忆之神阿特拉斯》是另一种打破传统的方式

IF 0.4 4区社会学

European Review Pub Date : 2022-12-22 DOI: 10.1017/S1062798722000527

Xavier Narbón

{"title":"Warburg’s Mnemosyne Atlas as another Iconoclastic Way","authors":"Xavier Narbón","doi":"10.1017/S1062798722000527","DOIUrl":"https://doi.org/10.1017/S1062798722000527","url":null,"abstract":"There are other forms of iconoclasm besides the destruction of idols. For example, an iconoclast can be considered one who, instead of eliminating a deified image, reveals the trick of a magician. The manipulator distracts attention with the gesture of one hand while the other acts. This action affects everyone when it is driven by political-economic power. Warburg’s Mnemosyne Atlas aims to eliminate magic and reveal the hidden plot that seeks to dominate society. His first panel already announces this: at the top, a map of the zodiac constellations; in the middle, Europe; and below, a genealogical tree of the Medici-Tornabuoni banking family. The Renaissance elites accumulate wealth and influence because it is seemingly dictated by the stars from birth. It is an illusion they display on the roofs of their palaces in the same way that a war is justified by a prophecy. There are some coincidences between Giordano Bruno, Aby Warburg and Vilém Flusser, in their respective ways to explain the dual role of image: both as a weapon of propaganda and as a device to disclose the truth. This article aims to reveal two different types of montages: the persuasive one, controlled by people in power through the ages, which is dismantled by the other, the photographic Warburg Atlas. A mirror broken into fragments, therefore, breaks the mirage: a new iconoclastic way.","PeriodicalId":46095,"journal":{"name":"European Review","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88519041","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

ERW volume 30 issue 6 Cover and matter 战争遗留爆炸物第30卷第6期封面和物质

IF 0.4 4区社会学

European Review Pub Date : 2022-12-01 DOI: 10.1017/s1062798722000485

引用次数: 0

Stunde Null: Naming and Re-naming

IF 0.4 4区社会学

European Review Pub Date : 2022-11-01 DOI: 10.1017/S106279872200028X

Svend Erik Larsen

{"title":"Stunde Null: Naming and Re-naming","authors":"Svend Erik Larsen","doi":"10.1017/S106279872200028X","DOIUrl":"https://doi.org/10.1017/S106279872200028X","url":null,"abstract":"Stunde Null – this expression is used to indicate the end of the German Nazi regime in 1945 and the beginning of a new Germany. This historical turning point was marked by the re-naming of the former Germany in both East and West, and Nazi symbols, institutions, values and paraphernalia were taken to the tip. Naming and re-naming were part of this iconoclastic attempt to undo a recent past by turning the memory of it into a negative memory soon to disappear out of sight. However, Vergangenheitsbewältigung is a cumbersome process in which iconoclasm acts both as a singular event and as a moment in an ongoing historical process. The iconoclastic destruction in 1562 of the cathedral in Lyon opens a discussion of the interdependence of event and process in iconoclasm as an intervention in collective memory. Using re-naming to exemplify this cultural dynamic, the motto of the French Revolution, Liberté, Égalité, Fraternité, serves as a brief illustration of how revolutionary iconoclasms were exploited later to redesign French history. To finish, post-colonial India sets the scene for a demonstration of the ambiguities embedded in iconoclastic processes in the short story ‘Lawley Road’ (1956) by R.K. Narayan, an ironic account of a back-and-forth process of re-naming of streets and places in the aftermath of Indian independence.","PeriodicalId":46095,"journal":{"name":"European Review","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87034368","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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ERW volume 30 issue S1 Cover and matter 欧洲战争遗址第30卷第S1期封面和内容

IF 0.4 4区社会学

European Review Pub Date : 2022-11-01 DOI: 10.1017/s1062798722000473

引用次数: 0