JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY最新文献_第8页

Cultural Mediation and Municipal Cultural Workers in Québec 文化调解与魁北克市文化工作者

IF 0.6 4区社会学

JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY Pub Date : 2021-07-04 DOI: 10.1080/10632921.2021.1925194

Martine Lussier

引用次数: 0

Design: An Emergent Area of Cultural Policy in Montreal 设计：蒙特利尔文化政策的一个新兴领域

IF 0.6 4区社会学

JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY Pub Date : 2021-07-04 DOI: 10.1080/10632921.2021.1918596

Guillaume Sirois

引用次数: 0

“Opening Pandora’s Box: Will the Return of Cultural Heritage Objects to Their Country of Origin Empty Western Museums?” “打开潘多拉的盒子：将文物送回原籍国会清空西方博物馆吗？”

IF 0.6 4区社会学

JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY Pub Date : 2021-07-01 DOI: 10.1080/10632921.2021.1941467

Pierre Losson

{"title":"“Opening Pandora’s Box: Will the Return of Cultural Heritage Objects to Their Country of Origin Empty Western Museums?”","authors":"Pierre Losson","doi":"10.1080/10632921.2021.1941467","DOIUrl":"https://doi.org/10.1080/10632921.2021.1941467","url":null,"abstract":"Abstract The fear of setting a precedent is a much-rehearsed argument used by Western museums to refuse the return of cultural heritage objects to their country of origin. After proposing to consistently distinguish among returns, restitutions, and repatriations as distinct phenomena, the article details three reasons that contradict this fear of setting a precedent: as each case is historically situated, one agreement is not easily transposable to other cases; the current practice of returns does not suggest that massive transfers are looming; and, most importantly, there is no will or plan, among experts and political authorities in claiming countries, to ask for massive returns. In turn, the fear of setting a precedent does open questions about the future museums: are universal museums at risk of disappearing? The museum as an institution is hardly at risk, as objects returned to another country will continue to live in the world of museums. Western universal museums should see return claims as an opportunity to rethink their mission and relations with other museums worldwide rather than a threat.","PeriodicalId":45760,"journal":{"name":"JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/10632921.2021.1941467","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47232808","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

The MFA in Theater Management and the MBA: A Replicative Study of Perspectives of Decision-Makers at Theaters in the United States 剧院管理硕士与MBA:美国剧院决策者视角的复制研究

IF 0.6 4区社会学

JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY Pub Date : 2021-06-24 DOI: 10.1080/10632921.2021.1925192

Anthony S. Rhine, Jay Pension

引用次数: 0

Olympic Film between Nationalism and Cosmopolitanism: The 1964 Tokyo Olympiad and the Postwar Mass Mobilization 民族主义与世界主义之间的奥林匹克电影:1964年东京奥运会与战后群众动员

IF 0.6 4区社会学

JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY Pub Date : 2021-06-21 DOI: 10.1080/10632921.2021.1925610

Insun Chung

引用次数: 0

Contemporary Art Fairs in Mainland China: From Local to International Status? 中国大陆当代艺术展:从本土走向国际?

IF 0.6 4区社会学

JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY Pub Date : 2021-06-01 DOI: 10.1080/10632921.2021.1921642

M. Vecco, Simeng Chang, R. Zanola

引用次数: 1

Museum Diplomacy in the Digital Age 数字时代的博物馆外交

IF 0.6 4区社会学

JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY Pub Date : 2021-06-01 DOI: 10.1080/10632921.2021.1927278

Kinga Hamvai

{"title":"Museum Diplomacy in the Digital Age","authors":"Kinga Hamvai","doi":"10.1080/10632921.2021.1927278","DOIUrl":"https://doi.org/10.1080/10632921.2021.1927278","url":null,"abstract":"In a post-pandemic world, museums open and close continuously;meanwhile, the lack of visitors results in deaccession or layoffs (at least this is the case with many private institutions). The author is highly knowledgeable and active in the field: prior to this book, she has already published I Global Trends in Museum Diplomacy Post-Guggenheim Developments i (Grincheva [1]), which dealt with the issues of offline museum diplomacy, and which I have been lucky enough to review previously. The book opens the discourse concerning digital museum diplomacy and illustrates that the online spaces of museums can be regarded as new platforms for cultural diplomacy. [Extracted from the article] Copyright of Journal of Arts Management, Law & Society is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)","PeriodicalId":45760,"journal":{"name":"JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/10632921.2021.1927278","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46387163","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Pretty Face of Inequality: Arts Attendance in Panama 不平等的美丽面孔：巴拿马的艺术出席率

IF 0.6 4区社会学

JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY Pub Date : 2021-04-01 DOI: 10.1080/10632921.2021.1900007

Javier Stanziola

引用次数: 0

The Routledge Handbook of Festivals 劳特利奇节日手册

IF 0.6 4区社会学

JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY Pub Date : 2021-03-31 DOI: 10.1080/10632921.2021.1894285

David Teevan

{"title":"The Routledge Handbook of Festivals","authors":"David Teevan","doi":"10.1080/10632921.2021.1894285","DOIUrl":"https://doi.org/10.1080/10632921.2021.1894285","url":null,"abstract":"tural occupations influences the very art that is composed and presented, which only serves to cement the norms people would hope to dislodge. Further, because it is so competitive to succeed in the cultural sector, those at the top are likely to have convinced themselves that while they may have had some “luck” along the way, they work in a world that is in fact meritocratic; this is true even though their political views lean predominantly to the left. And this is not new; to answer the question posed above, no, there was no golden age, and the arts have never been an engine of social mobility (though there are an exceptional few who do rise from the working class). All of this puts a tremendous burden on women and people from minorities. They can either endure the struggle of trying their best to fit with what is seen in the industry as the somatic norm or face persistent difficulties in finding work or advancement in the field. This sits atop the pressure of knowing that the opportunities for work in the cultural occupations is unequal; our well-being is reduced not only by not gaining the opportunities we hope for, but also for simply knowing it is an unfair contest. It weighs heavily. So, what is to be done? Two things. First, the degree of inequality in the cultural sector must be made visible. The stories of experienced inequality contained in this book, and all the thousands of others with their own experiences, must be told and heard. Those who possess all the advantages of “being the right fit” need deep understanding of the barriers facing those who do not. Second, and this will take longer: the “somatic norms” of the actor, the curator, the book reviewer, the film director, need to change. As that change takes place, the art that is made and presented to us will change, and so will the opportunities for all people to see something of themselves on stage, on the screen, and in the bookshop. Then culture will be good for you. This is the most vital book in cultural affairs I have read in years.","PeriodicalId":45760,"journal":{"name":"JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2021-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/10632921.2021.1894285","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42386247","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

A(I)rtist or Counterfeiter? Artificial Intelligence as (D)Evaluating Factor on the Art Market 艺术家还是造假者?人工智能作为艺术市场的评价因素

IF 0.6 4区社会学

JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY Pub Date : 2021-03-29 DOI: 10.1080/10632921.2021.1887032

Paweł Fortuna, Artur Modliński

引用次数: 10