“Opening Pandora’s Box: Will the Return of Cultural Heritage Objects to Their Country of Origin Empty Western Museums?”

IF 0.5 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Pierre Losson
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引用次数: 2

Abstract

Abstract The fear of setting a precedent is a much-rehearsed argument used by Western museums to refuse the return of cultural heritage objects to their country of origin. After proposing to consistently distinguish among returns, restitutions, and repatriations as distinct phenomena, the article details three reasons that contradict this fear of setting a precedent: as each case is historically situated, one agreement is not easily transposable to other cases; the current practice of returns does not suggest that massive transfers are looming; and, most importantly, there is no will or plan, among experts and political authorities in claiming countries, to ask for massive returns. In turn, the fear of setting a precedent does open questions about the future museums: are universal museums at risk of disappearing? The museum as an institution is hardly at risk, as objects returned to another country will continue to live in the world of museums. Western universal museums should see return claims as an opportunity to rethink their mission and relations with other museums worldwide rather than a threat.
“打开潘多拉的盒子:将文物送回原籍国会清空西方博物馆吗?”
摘要害怕开创先例是西方博物馆用来拒绝将文化遗产归还其原籍国的一个经过反复演练的论点。在建议将遣返、遣返和遣返作为不同的现象进行一致区分后,文章详细说明了与这种担心开创先例的恐惧相矛盾的三个原因:由于每个案件都有历史背景,一项协议不容易转换为其他案件;目前的回报做法并不表明大规模转移迫在眉睫;最重要的是,索赔国的专家和政治当局没有意愿或计划要求大规模遣返。反过来,对开创先例的恐惧确实引发了对未来博物馆的质疑:通用博物馆是否有消失的风险?博物馆作为一个机构几乎没有风险,因为返回另一个国家的物品将继续生活在博物馆的世界中。西方世界博物馆应该将归还索赔视为一个重新思考其使命以及与世界其他博物馆关系的机会,而不是一种威胁。
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来源期刊
JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY
JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY HUMANITIES, MULTIDISCIPLINARY-
CiteScore
1.50
自引率
0.00%
发文量
33
期刊介绍: How will technology change the arts world? Who owns what in the information age? How will museums survive in the future? The Journal of Arts Management, Law, and Society has supplied answers to these kinds of questions for more than twenty-five years, becoming the authoritative resource for arts policymakers and analysts, sociologists, arts and cultural administrators, educators, trustees, artists, lawyers, and citizens concerned with the performing, visual, and media arts, as well as cultural affairs. Articles, commentaries, and reviews of publications address marketing, intellectual property, arts policy, arts law, governance, and cultural production and dissemination, always from a variety of philosophical, disciplinary, and national and international perspectives.
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