{"title":"Evolution of a Government Photo Op: The Media Tradition of a Canadian Finance Minister’s New Budget Shoes","authors":"Alex Marland, Mary Francoli","doi":"10.22230/cjc.2022v47n1a4117","DOIUrl":"https://doi.org/10.22230/cjc.2022v47n1a4117","url":null,"abstract":"\u0000\u0000\u0000Background: Photo opportunities enable tight scripting and image control while catering to the media’s need for visual content. This research traces how, since 1955, Canadian finance ministers and the media have exhibited a uniquely Canadian interest in the min- sister's budget day shoes. \u0000Analysis: A review of newspaper coverage about the federal budget indicates that news stories contributed to the myth of parliamentary tradition that evolved into packaged photo ops. Interviews with journalists and a finance minister’s staff, among others, provide insights about photo-op management in a permanent campaigning environment. \u0000Conclusion and implications: The case study adds to knowledge about strategic communication in government and the evolution of media-state relations in Canada. \u0000RÉSUMÉ \u0000Contexte : Les séances de photographie permettent un contrôle serré de l’image et du scénario tout en servant les besoins des médias en contenu visuel. Cette recherche retrace comment, depuis 1955, les ministres des Finances et les médias au Canada ont manifesté un intérêt singulièrement canadien pour les chaussures que portent le ministre le jour du budget. \u0000Analyse : Une évaluation de la couverture médiatique du budget fédéral indique que les reportages ont contribué au mythe d’une tradition parlementaire évoluant vers des séances de photographie soigneusement organisées. Entre autres, des entrevues avec des journalistes et le personnel d’un ministre des Finances aident à mieux comprendre la gestion des séances photo dans un contexte de campagne permanente. \u0000\u0000\u0000\u0000Conclusion et implications : Cette étude de cas contribue au savoir sur la communication stratégique gouvernementale et l’évolution des relations entre l’État et les médias. \u0000\u0000\u0000\u0000\u0000\u0000","PeriodicalId":45663,"journal":{"name":"Canadian Journal of Communication","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-02-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44163575","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Unbuilt Environments and the Place of Settler Colonial Communications: A Case Study of Nineteenth-Century Medicine Hat","authors":"Jane Griffith","doi":"10.22230/cjc.2022v47n1a4119","DOIUrl":"https://doi.org/10.22230/cjc.2022v47n1a4119","url":null,"abstract":"\u0000\u0000\u0000Background: Though initial construction began on a colonial boarding school for Indigenous students, known as an Indian boarding school, in Medicine Hat in 1890, the school never ended up opening due to underfunding by the federal government. \u0000Analysis: Informed by Indigenous studies scholarship on place and media, this article uncovers archival traces of this unbuilt environment to reveal how white settlers used newspapers as well as visual media to will the school into being, particularly with techniques of re-placement on stolen Indigenous land. \u0000Conclusion and implications: This article connects the history of the school that never opened with the present day, insisting on the ongoingness of settler-colonial tactics in media. \u0000RÉSUMÉ \u0000Contexte : Bien que la construction initiale d’un pensionnat indien à Medicine Hat ait commencé en 1890, l’école n’a jamais ouvert ses portes en raison du sous-financement du gouvernement fédéral. \u0000Analyse : Informé par la bourse d’études autochtones sur le lieu et les médias, cet article révèle des traces archivistiques de cet environnement non bâti pour révéler comment les colons blancs ont utilise les journaux ainsi que les médias visuels pour forcer l’achèvement de l’école, en particulier avec des techniques de remplacement sur des terres autochtones volées. \u0000Conclusion et implications : Cet article relie l’histoire de l’école qui n’a jamais ouvert ses portes à celle d’aujourd’hui, en insistant sur la persistance des colonisateurs à utiliser des tactiques coloniales dans les médias. \u0000\u0000\u0000","PeriodicalId":45663,"journal":{"name":"Canadian Journal of Communication","volume":"1 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-02-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68247868","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La plateforme et le patrimoine : une enquête sur les valeurs des vidéos de concerts sur YouTube","authors":"Michael Spanu","doi":"10.22230/cjc.2022v47n1a4047","DOIUrl":"https://doi.org/10.22230/cjc.2022v47n1a4047","url":null,"abstract":"\u0000\u0000\u0000\u0000Background: With the evolution of digital technologies, concerts have become a form of mediated content whose value is still poorly understood. This article proposes to con- sider the case of concert videos on YouTube featuring popular music. \u0000Analysis: For this purpose, we analyze a sample of concert videos filmed in Montreal, given the strong interconnection in this city between local musical scenes and the live performance industry alongside the image of creativity conveyed by large metropolitan centres. \u0000Conclusion and implications: The results reveal a great diversity of participants, types of content and modes of reception that together allude to an ambivalent system of values, at the intersection on the one hand of a logic of flux, promotion and performance typical of the new platform economy and on the other of a documentary and archivistic logic, not to say a heritage-based one. These results are discussed in reference to that area of study that focuses on the legacy of different types of popular music.\u0000RÉSUMÉ \u0000Contexte : Avec l’évolution des technologies numériques, le concert est devenu un contenu médiatique dont la valeur est encore mal connue. Cet article se propose d’envi- sager le cas des vidéos de concerts de musiques populaires sur YouTube. \u0000Analyse : Pour cela, nous analysons un échantillon de vidéos de concerts ayant eu lieu à Montréal, étant donné la forte intrication des scènes musicales locales et de l’industrie du live avec l’image créative des grandes métropoles. \u0000Conclusion et implications : Les résultats montrent une grande diversité d’acteurs, de types de contenus et de modes de réception qui renvoient à un régime de valeur ambiva- lent, à la croisée d’une logique de flux, de promotion et de performance typique de la nou- velle économie plateformisée d’une part, et une logique documentaire, archivistique, voire patrimoniale d’autre part. Ces résultats sont discutés vis-à-vis du champ d’études sur le patrimoine des musiques populaires. \u0000\u0000\u0000\u0000 \u0000","PeriodicalId":45663,"journal":{"name":"Canadian Journal of Communication","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-02-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47613802","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Making Community Knowledge Visible: Mapping Canadian Arts-Service Organizations as Cultural Research Conduits","authors":"M. Campbell, C. Evans, Lucy Wowk","doi":"10.22230/cjc.2022v47n1a4013","DOIUrl":"https://doi.org/10.22230/cjc.2022v47n1a4013","url":null,"abstract":"\u0000\u0000\u0000Background: Arts-service organizations (ASOs) are member-directed representative professional bodies, meant to serve the interests of their members as well as their artistic discipline and the public. Despite this broad, mixed role, there is a dearth of academic research about ASOs and the role they play in Canada’s cultural ecosystem. \u0000Analysis: Working in partnership with cultural research organization Mass Culture, the Arts-Service Organizations as Cultural Research Conduits research project sought to develop more knowledge about this sector. \u0000Conclusion and implications: Using a cultural mapping methodology, quantitative and qualitative data were collected about the scale, scope, and role of the sector, particularly with regard to research conducted internally and externally by the ASO sector. \u0000RÉSUMÉ \u0000Contexte : L’organisme de services aux arts (OSA) est une entité professionnelle repré- sentative gérée par ses membres. L’objectif de l’OSA est de servir les intérêts de ces mem- bres ainsi que leur discipline artistique et le public. Malgré ce vaste mandat, il y a un manque de recherches académiques sur les OSA et le rôle qu’ils jouent dans l’écosystème culturel canadien. \u0000Analyse : En partenariat avec l’organisme de recherche Mobilisation culturelle, le projet de recherche « Les organismes de services aux arts œuvrant à titre de canaux de recherche culturelle » cherche à développer davantage de connaissances sur ce secteur. \u0000Conclusion et implications : Lors de ce projet, on a recouru à la cartographie culturelle pour recueillir des données quantitatives et qualitatives sur l’ampleur, la portée et le rôle du secteur, particulièrement par rapport à la recherche menée en interne et en externe par les OSA mêmes. \u0000\u0000\u0000","PeriodicalId":45663,"journal":{"name":"Canadian Journal of Communication","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-02-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45250419","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Representation of Syrian Refugees in Canadian Online Media: A Focus on the Topos of Burdening","authors":"M. Mustafa, Z. Pilus, Maskanah Mohammad Lotfie","doi":"10.22230/cjc.2021v46n4a3807","DOIUrl":"https://doi.org/10.22230/cjc.2021v46n4a3807","url":null,"abstract":"Background: This study focuses on the representation of Syrian refugees in Canadian online news media. It examines 375 articles selected from three of the most visited Canadian news sites, namely the Toronto Star, which favours the Liberal Party, and the Toronto Sun and National Post, which favour the Conservative Party.\u0000Analysis: The basis of this research is a topoi analysis, whereby instances of the topos of burdening are identified, examined, and categorized as either positive or negative.\u0000Conclusion and implications: A distinction is drawn between the depiction of Syrian refugees in conservative- and liberal-leaning news sources. The findings aim to provide some insight into the possible impact of media representation on both the Syrian refugees and the Canadian public.\u0000Contexte: Cette étude porte sur la représentation des réfugiés syriens dans les médias d’information canadiens en ligne. Elle examine 375 articles choisis à partir de trois des sites de nouvelles canadiens les plus visités, à savoir le Toronto Star, partisan du Parti libéral, le Toronto Sun et le National Post, partisans du Parti conservateur.\u0000Analyse: Cette recherche se fonde sur l’analyse de topoï pour identifier, examiner et catégoriser des topos sur les fardeaux comme étant positif ou négatifs.\u0000Conclusion et implications: Cette étude établit une distinction entre la manière dont les sources de nouvelles à tendance conservatrice dépeignent les réfugiés syriens et la manière dont les sources à tendance libérale le font. L’objectif est de mieux comprendre l’impact possible des représentations médiatiques sur les réfugiés syriens ainsi que sur le public canadien.","PeriodicalId":45663,"journal":{"name":"Canadian Journal of Communication","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2021-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48007934","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Tweeting #Removekebab: A Critical Study of the Far Right's Islamophobic Hate Hashtag on Twitter","authors":"Tanner Mirrlees","doi":"10.22230/cjc.2021v46n4a4049","DOIUrl":"https://doi.org/10.22230/cjc.2021v46n4a4049","url":null,"abstract":"Background: To contribute to research on the transnational far right, Islamophobia, and social media platforms, this article interrogates the far right’s practice of using Twitter to produce and circulate a #removekebab hashtag.\u0000Analysis: The accounts behind the words and images of 100 #removekebab tweets are analyzed to show how they communicate the transnational far right’s hateful Islamophobic discourse.\u0000Conclusion and implications: The far right’s #removekebab tweets dehumanize Muslims, tacitly call for genocide against Muslims, and rationalize this violence by stereotyping Muslims as a collective threat to the West.\u0000Contexte : Afin de contribuer à la recherche sur l’extrême droite transnationale, l’islamophobie et les plateformes de médias sociaux, l’auteur interroge la pratique de l’extrême droite consistant à utiliser Twitter pour produire et faire circuler le hashtag removekebab.\u0000Analyse : L’auteur analyse les comptes, les mots et les images de 100 tweets #removekebab et montre comment ils communiquent le discours islamophobe haineux de l’extrême droite transnationale.\u0000Conclusion et implications : L’auteur constate que les tweets #removekebab de l’extrême droite déshumanisent les musulmans, appellent tacitement au génocide des musulmans et rationalisent cette violence en stéréotypant les musulmans comme une menace collective pour l’Occident.","PeriodicalId":45663,"journal":{"name":"Canadian Journal of Communication","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2021-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46243981","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Political Crowdfunding and Campaigning on GoFundMe","authors":"G. Elmer, Sabrina Ward-Kimola","doi":"10.22230/cjc.2021v46n4a3935","DOIUrl":"https://doi.org/10.22230/cjc.2021v46n4a3935","url":null,"abstract":"Background: What does the Canadian use of GoFundMe tell us about the role of non-party campaigners in contemporary election campaigning? \u0000Analysis: Within the context of the 2019 Canadian federal election, this article examines how GoFundMe has been used as a platform for fundraising by fringe and populist political voices online. \u0000Conclusion and implications: The crowdfunding platform GoFundMe has been leveraged to meet political goals both within and outside of traditional, party-centred, political fundraising setups. The mobilization of GoFundMe’s crowdfunding tools in the 2019 federal election presented an opportune space for the financialization of political goals reflecting right-wing populist ideas.\u0000Contexte : Que nous dit l’utilisation de GoFundMe sur le rôle de campagnistes sans affiliation à un parti lors de campagnes électorales contemporaines au Canada?\u0000Analyse : Cet article examine comment des voix politiques marginales et populistes ont utilisé GoFundMe comme plateforme pour effectuer des levées de fonds pendant l’élection fédérale canadienne de 2019.\u0000Conclusion et implications : La plateforme de sociofinancement GoFundMe a été exploitée pour atteindre des objectifs politiques dans le cadre de processus traditionnels de levées de fonds centrées sur les partis et au-delà de ce cadre. Les outils de sociofinancement fournis par GoFundMe pendant la campagne fédérale de 2019 ont créé un espace propice au financement d’objectifs politiques reflétant des idées populistes de droite.","PeriodicalId":45663,"journal":{"name":"Canadian Journal of Communication","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2021-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42086587","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Rebel Yell: On You-Tube's Burlesque Traditonalists and Their Alt-Right Audiences","authors":"M. Tuters, Anthony G. Burton","doi":"10.22230/cjc.2021v46n4a3937","DOIUrl":"https://doi.org/10.22230/cjc.2021v46n4a3937","url":null,"abstract":"Background: This article examines how the rhetorical style of the “alt-right” builds a political audience through a study of the Rebel, a Canadian YouTube news channel.\u0000Analysis: This study analyzes the rhetoric of two hosts on the Rebel, Lauren Southern and Gavin McInnes, and finds their style marked by the use of the vernacular slang associated with subcultural communities of the alt-right.\u0000Conclusion and implications: The unique rhetorical style on display points to micro-celebrity culture and techniques as a key to the proliferation of the alt-right.\u0000Contexte : En étudiant la chaîne canadienne the Rebel, cet article examine comment la rhétorique de la « droite alternative » construit une audience politique.\u0000Analyse : Nous analysons la rhétorique de deux hôtes, Lauren Southern et Gavin McInnes, et trouve que leur style est marquée par l’utilisation de l’argot vernaculaire associé aux communautés du « alt-right ».\u0000Conclusions et implications : Leur style exposé comment la culture et les techniques des micro-célébrités influence la prolifération de l’alt-right.","PeriodicalId":45663,"journal":{"name":"Canadian Journal of Communication","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2021-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46024715","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Harassment as Occupational Hazard","authors":"C. Russill","doi":"10.22230/cjc.2021v46n4a4261","DOIUrl":"https://doi.org/10.22230/cjc.2021v46n4a4261","url":null,"abstract":"","PeriodicalId":45663,"journal":{"name":"Canadian Journal of Communication","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2021-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47470760","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"In Memoriam: David Brian Mitchell","authors":"E. Einsiedel, M. Bakardjieva","doi":"10.22230/cjc.2021v46n4a4227","DOIUrl":"https://doi.org/10.22230/cjc.2021v46n4a4227","url":null,"abstract":"","PeriodicalId":45663,"journal":{"name":"Canadian Journal of Communication","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2021-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48436198","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}