平台与遗产:YouTube上演唱会视频价值调查

IF 0.8 Q3 COMMUNICATION

Canadian Journal of Communication Pub Date : 2022-02-15 DOI:10.22230/cjc.2022v47n1a4047

Michael Spanu

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引用次数: 2

摘要

背景:随着数字技术的发展，音乐会已经成为一种媒介内容的形式，其价值仍然很少被理解。这篇文章提出考虑的情况下，音乐会视频在YouTube上的特色流行音乐。分析:为此，我们分析了在蒙特利尔拍摄的音乐会视频样本，考虑到这个城市在当地音乐场景和现场表演行业之间的紧密联系，以及大都市中心传达的创造力形象。结论和意义:结果揭示了参与者、内容类型和接受模式的多样性，这些都暗示了一个矛盾的价值体系，一方面是新平台经济的流动、推广和表现逻辑的交叉点，另一方面是文献和档案逻辑的交叉点，更不用说基于遗产的逻辑了。这些结果讨论了参考研究领域，重点是不同类型的流行音乐的遗产。RÉSUMÉ背景:如果一个人的薪金薪金是由技术决定的，那么他的薪金薪金是由技术决定的，而不是由价值决定的。这篇文章提出了在YouTube上播放流行音乐音乐会的建议。分析:为此,常识analysons联合国样本de视频de音乐会ayant欧盟代替蒙特利尔etant多恩拉的强项intrication des场景音乐场所et de l 'industrie du生活用l 'image创意des的大都市里。结论和启示:将不同类型的或以上类型的或以上类型的或以上类型的或以上类型的或以上类型的或以上类型的或以上类型的或以上类型的 /或以上类型的 /或以上类型的 /或以上类型的 /或以上类型的 /或以上类型的 /或以上类型的 /或以上类型的。这些人的薪金和薪金都是与-à-vis du champ的薪金和薪金有关。

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La plateforme et le patrimoine : une enquête sur les valeurs des vidéos de concerts sur YouTube

Background: With the evolution of digital technologies, concerts have become a form of mediated content whose value is still poorly understood. This article proposes to con- sider the case of concert videos on YouTube featuring popular music. Analysis: For this purpose, we analyze a sample of concert videos filmed in Montreal, given the strong interconnection in this city between local musical scenes and the live performance industry alongside the image of creativity conveyed by large metropolitan centres. Conclusion and implications: The results reveal a great diversity of participants, types of content and modes of reception that together allude to an ambivalent system of values, at the intersection on the one hand of a logic of flux, promotion and performance typical of the new platform economy and on the other of a documentary and archivistic logic, not to say a heritage-based one. These results are discussed in reference to that area of study that focuses on the legacy of different types of popular music. RÉSUMÉ Contexte : Avec l’évolution des technologies numériques, le concert est devenu un contenu médiatique dont la valeur est encore mal connue. Cet article se propose d’envi- sager le cas des vidéos de concerts de musiques populaires sur YouTube. Analyse : Pour cela, nous analysons un échantillon de vidéos de concerts ayant eu lieu à Montréal, étant donné la forte intrication des scènes musicales locales et de l’industrie du live avec l’image créative des grandes métropoles. Conclusion et implications : Les résultats montrent une grande diversité d’acteurs, de types de contenus et de modes de réception qui renvoient à un régime de valeur ambiva- lent, à la croisée d’une logique de flux, de promotion et de performance typique de la nou- velle économie plateformisée d’une part, et une logique documentaire, archivistique, voire patrimoniale d’autre part. Ces résultats sont discutés vis-à-vis du champ d’études sur le patrimoine des musiques populaires.

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来源期刊

Canadian Journal of Communication COMMUNICATION-

CiteScore

0.80

自引率

20.00%

发文量

期刊介绍： The objective of the Canadian Journal of Communication is to publish Canadian research and scholarship in the field of communication studies. In pursuing this objective, particular attention is paid to research that has a distinctive Canadian flavour by virtue of choice of topic or by drawing on the legacy of Canadian theory and research. The purview of the journal is the entire field of communication studies as practiced in Canada or with relevance to Canada. The Canadian Journal of Communication is a print and online quarterly. Back issues are accessible with a 12 month delay as Open Access with a CC-BY-NC-ND license. Access to the most recent year''s issues, including the current issue, requires a subscription. Subscribers now have access to all issues online from Volume 1, Issue 1 (1974) to the most recently published issue.