Popular Communication最新文献_第7页

Offshoring & leaking: Cristiano Ronaldo’s tax evasion, and celebrity in neoliberal times 离岸和泄密：克里斯蒂亚诺·罗纳尔多的逃税行为，以及新自由主义时代的名人

IF 1.1

Popular Communication Pub Date : 2021-04-13 DOI: 10.1080/15405702.2021.1913491

Ana Jorge, M. Oliva, Luis L. M. Aguiar

引用次数: 5

Emo: how fans defined a subculture 情绪摇滚:粉丝如何定义亚文化

IF 1.1

Popular Communication Pub Date : 2021-04-12 DOI: 10.1080/15405702.2021.1913495

Margaret A. Murray

引用次数: 1

Micro-celebrity practices in Muslim-majority states in Southeast Asia 东南亚穆斯林占多数的国家的微名人实践

IF 1.1

Popular Communication Pub Date : 2021-04-09 DOI: 10.1080/15405702.2021.1913492

Siti Mazidah Mohamad

{"title":"Micro-celebrity practices in Muslim-majority states in Southeast Asia","authors":"Siti Mazidah Mohamad","doi":"10.1080/15405702.2021.1913492","DOIUrl":"https://doi.org/10.1080/15405702.2021.1913492","url":null,"abstract":"ABSTRACT We have witnessed the growth and spread of celebrity culture worldwide, from A-list celebrities to ordinary individuals turned micro-celebrities. However, celebrity studies are still lacking in exploring celebrity culture in the global South that has recently seen growth in their micro-celebrities afforded by rising individualism, commodification, and social media penetration. This paper aims to address this gap by examining micro-celebrity practices in three Muslim-majority states in Southeast Asia, namely Brunei, Malaysia, and Indonesia. This paper reveals that celebrification and celebritization processes in these societies demonstrate context appropriation, adaptation, localization, and transcultural flow of celebrity culture. Through the examination of contextualized socio-cultural configurations brought by the micro-celebrities – namely rising local consciousness, development of new subjectivities, and young people’s self-mobilities – this paper contributes to the celebritization process, which goes beyond the individual celebrity to consider the nature of celebrity and its social and cultural embedding in the Muslim-majority Southeast Asian societies.","PeriodicalId":45584,"journal":{"name":"Popular Communication","volume":"19 1","pages":"235 - 249"},"PeriodicalIF":1.1,"publicationDate":"2021-04-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/15405702.2021.1913492","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41810988","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 5

The transpositions of a filmmaker—Ingmar Bergman at home and abroad 一个电影人——英格玛·伯格曼在国内外的转换

IF 1.1

Popular Communication Pub Date : 2021-04-03 DOI: 10.1080/15405702.2020.1834110

Birgitta Steene

引用次数: 1

Situating Ingmar Bergman and world cinema 英格玛·伯格曼与世界电影

IF 1.1

Popular Communication Pub Date : 2021-04-03 DOI: 10.1080/15405702.2020.1868047

Hamish Ford, Daniel Humphrey

引用次数: 0

Acknowledgments 致谢

IF 1.1

Popular Communication Pub Date : 2021-04-03 DOI: 10.1080/15405702.2021.1872873

Johan Göransson, Maaret Koskinen, Magnus Rosborn, Louise Wallenberg, F. Gustafsson, L. Ullmann, Inger Söderdahl, Kerstin Kalström, Emma Gray Munthe, P. Burkhart, Christian A. Christensen, P. Ganapathy, Anna Hanchett, Linn Lönroth, Birgitta Steene, Ann-Charlotte Gavel, M. Bergman, Marc Francis, Erik Hedling, Léon Garcia Jordan, Stefan Nylén

{"title":"Acknowledgments","authors":"Johan Göransson, Maaret Koskinen, Magnus Rosborn, Louise Wallenberg, F. Gustafsson, L. Ullmann, Inger Söderdahl, Kerstin Kalström, Emma Gray Munthe, P. Burkhart, Christian A. Christensen, P. Ganapathy, Anna Hanchett, Linn Lönroth, Birgitta Steene, Ann-Charlotte Gavel, M. Bergman, Marc Francis, Erik Hedling, Léon Garcia Jordan, Stefan Nylén","doi":"10.1080/15405702.2021.1872873","DOIUrl":"https://doi.org/10.1080/15405702.2021.1872873","url":null,"abstract":"The editors would like to acknowledge the following people for their help in enabling this special issue of Popular Communication to emerge. We thank Jan Göransson, Maaret Koskinen, Magnus Rosborn, Louise Wallenberg, and Fredrik Gustafsson from the University of Stockholm and Swedish Film Institute for their warm welcome, collegiality, and encouragement upon the occasion of our 2019 presentation of this project (the latter we thank also for additional research assistance). For our preceding research stay on Fårö, from the Bergman Estate we owe special thanks to Linn Ullmann, Inger Söderdahl, Kerstin Kalström, and Kerstin Brunnberg, and also Emma Gray Munthe at Bergman Center. At Popular Communication we thank the following for their support and good will throughout our work: Patrick Burkhart, Christian Christensen, Premila Ganapathy, Anna Hanchett, Linn Lönroth, and Chafic Najem. At the University of Washington, we thank Birgitta Steene, Ann-Charlotte Gavel Adam, and Amanda Doxtater. Closer to home, we thank Mindy Bergman and Pamela Matthews at Texas A&M University, and Catharine Coleborne and Miriam Burgess at the University of Newcastle. We would also like to thank Marc Francis, Erik Hedling, Leon Garcia Jordan, Stefan Nylén, and Lina Scheynius. Finally, we warmly thank the marvelous contributors to this volume for their fecund scholarship, patience, and enthusiasm. This special issue is dedicated to Birgitta Steene.","PeriodicalId":45584,"journal":{"name":"Popular Communication","volume":"19 1","pages":"65 - 65"},"PeriodicalIF":1.1,"publicationDate":"2021-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/15405702.2021.1872873","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45312606","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

“I’m just here to enjoy the Ponies”: My Little Pony, Bronies and the limits of feminist intent “我只是在这里享受小马”:我的小马，布朗尼和女权主义意图的限制

IF 1.1

Popular Communication Pub Date : 2021-03-25 DOI: 10.1080/15405702.2021.1892691

Kyra Hunting, Rebecca C. Hains

引用次数: 0

The “absent circus master”: the “arrival” of Ingmar Bergman in Australia “缺席的马戏团大师”：英格玛·伯格曼在澳大利亚的“到来”

IF 1.1

Popular Communication Pub Date : 2021-02-10 DOI: 10.1080/15405702.2021.1873996

A. Danks

{"title":"The “absent circus master”: the “arrival” of Ingmar Bergman in Australia","authors":"A. Danks","doi":"10.1080/15405702.2021.1873996","DOIUrl":"https://doi.org/10.1080/15405702.2021.1873996","url":null,"abstract":"ABSTRACT By exploring the critical, journalistic and popular reception of Ingmar Bergman’s films in Australia in the late 1950s and ’60s, as well as tracing their patterns of exhibition and distribution, this essay examines how particular discourses and approaches to Bergman were already well and truly in place by the early ’60s and prior to the arrival of most of the director’s films in the country. The critical response to and release of Bergman’s work in Australia does reveal minor antipodean variations and is an important staging ground for an emerging and quickly evolving screen culture, as well as debates around film as “art”. But it is also highly referential and reverential to received opinion from overseas and evidences the truly global reach of Bergman’s cinema and reputation during this period. This essay will examine the appearance of a range of Bergman films in Australia starting with Smiles of a Summer Night in 1957 and concluding with the controversial release of the heavily censored The Silence in 1965, fashioning evidence for a boom in “Bergmania” that reaches a peak in 1961–62 and provides an important test case for the rise of “foreign” film distribution in Australia.","PeriodicalId":45584,"journal":{"name":"Popular Communication","volume":"19 1","pages":"112 - 124"},"PeriodicalIF":1.1,"publicationDate":"2021-02-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/15405702.2021.1873996","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47514901","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Could it happen there? Ingmar Bergman, postwar Czechoslovakia, and delayed distribution 它会在那里发生吗?英格玛·伯格曼，战后捷克斯洛伐克，和延迟发行

IF 1.1

Popular Communication Pub Date : 2021-01-25 DOI: 10.1080/15405702.2021.1873995

M. Misur

{"title":"Could it happen there? Ingmar Bergman, postwar Czechoslovakia, and delayed distribution","authors":"M. Misur","doi":"10.1080/15405702.2021.1873995","DOIUrl":"https://doi.org/10.1080/15405702.2021.1873995","url":null,"abstract":"ABSTRACT This article analyses the distribution and reception of Ingmar Bergman’s films using the example of Czechoslovakia, within the Soviet sphere of influence, during the twenty-five years following World War II. First, it aims to examine the forms of distribution of Bergman’s films in Czechoslovakia. The article then shifts to the critical as well as cultural-political reception of two particular films: High Tension (1950) and The Silence (1963). Bergman had an ambivalent reputation in socialist Czechoslovakia, and this article seeks to examine the specific nature of this local discourse. Bergman’s cinema entered Czechoslovakia slowly. Screenings of his films were regularly delayed, emerging, when they did, both long after the Swedish premieres and those of other foreign states. This established a tendency I call “delayed distribution”. This practice, comprising different variations, reflected a complex cultural-political context and negotiations encompassing strict distribution approval processes, contractual obligations, and one-time festival screenings. The interplay of these aspects lead to a level of unpredictability and, at times, surprising distribution solutions.","PeriodicalId":45584,"journal":{"name":"Popular Communication","volume":"19 1","pages":"125 - 139"},"PeriodicalIF":1.1,"publicationDate":"2021-01-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/15405702.2021.1873995","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46731223","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Tracing Bergman in Contemporary Indian Cinema: Philosophical Cross-Connections in Through a Glass Darkly, Ship of Theseus and Dear Molly 追踪当代印度电影中的伯格曼：《透过黑暗的玻璃》、《忒修斯之船》和《亲爱的莫莉》中的哲学交叉

IF 1.1

Popular Communication Pub Date : 2021-01-08 DOI: 10.1080/15405702.2020.1868046

A. Devasundaram

{"title":"Tracing Bergman in Contemporary Indian Cinema: Philosophical Cross-Connections in Through a Glass Darkly, Ship of Theseus and Dear Molly","authors":"A. Devasundaram","doi":"10.1080/15405702.2020.1868046","DOIUrl":"https://doi.org/10.1080/15405702.2020.1868046","url":null,"abstract":"ABSTRACT Ingmar Bergman’s cinema has most often been framed within strictures of a Eurocentric scholarly template and structuralist or modernist philosophical approaches. Meanwhile, the filmmaker’s monumental influence on and relevance to global cinema beyond the West has often been overlooked or elided in Anglophone writing. Against the canvas of this gap in scholarship, this article ultimately discloses how Bergman’s fairly well-known filmic influence on Indian Bengali arthouse auteur Satyajit Ray was not an arbitrarily evanescent one-off. The trace of Bergman’s cinematic imprimatur – particularly, I will argue, Through a Glass Darkly – is also legible in India’s new independent cinema, exemplified by two films analyzed ahead: Anand Gandhi’s Ship of Theseus and Gajendra Ahire’s Dear Molly. These films’ translocation of storyline segments to Sweden and portrayals of the Scandinavian landscape testify to the trace of Bergman that haunts such Indian film narratives. Through comparative close textual analyses, this study maps intertwining threads of existential and nihilism-engaged philosophies combined with esthetic aspects connecting the three films, to demonstrate the enduring cinematic impact and resonance of Bergman’s cinema beyond the Western sphere.","PeriodicalId":45584,"journal":{"name":"Popular Communication","volume":"19 1","pages":"96 - 111"},"PeriodicalIF":1.1,"publicationDate":"2021-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/15405702.2020.1868046","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49424137","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0