FILM QUARTERLY最新文献

{"title":"Review: Feminist Worldmaking and the Moving Image, edited by Erika Balsom and Hila Peleg","authors":"Hoor Elshafei","doi":"10.1525/fq.2023.76.4.108","DOIUrl":"https://doi.org/10.1525/fq.2023.76.4.108","url":null,"abstract":"","PeriodicalId":45540,"journal":{"name":"FILM QUARTERLY","volume":"1 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67061594","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Review: Sovereign Intimacy: Private Media and the Traces of Colonial Violence, by Laliv Melamed","authors":"Roberto Filippello","doi":"10.1525/fq.2023.77.1.111","DOIUrl":"https://doi.org/10.1525/fq.2023.77.1.111","url":null,"abstract":"","PeriodicalId":45540,"journal":{"name":"FILM QUARTERLY","volume":"1 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67062593","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"COVID-19 in Elderly Patients: Risk Factors for Disease Severity.","authors":"Pınar Korkmaz, Duru Mıstanoğlu-Özatağ, Halil Aslan, Onur Toka, Aynur Gülcan","doi":"10.36519/idcm.2022.93","DOIUrl":"10.36519/idcm.2022.93","url":null,"abstract":"<p><strong>Objective: </strong>Determining the clinical characteristics associated with SARS-COV-2 infection may contribute to reducing mortality in elderly patients, considering the age-related sensitivity and the excess of complications. Our study aimed to evaluate the factors that determine the severity of the disease in elderly patients followed up in our hospital.</p><p><strong>Materials and methods: </strong>The files of definite or probable COVID-19 patients over 65 years old who were followed up by the infectious diseases clinic of our hospital between March 15 and October 1, 2020, were evaluated retrospectively.</p><p><strong>Results: </strong>A total of 134 patients were included in the study, 52.2% of the patients were male, and the mean age was 75.11±7.15 (min 65-max 94). Multimorbidity was detected in 42.5% of the patients, and the most common comorbidities were hypertension (53.7%) and diabetes mellitus (36.6%). Severe COVID-19 was present in 39.6% of patients. The most common complaints were fatigue (70.9%), cough (59.7%), and shortness of breath (59%). When the patients' computed tomography (CT) images of thorax were evaluated, ground-glass was observed in 94.8% (n=127), infiltration in 42.5% (n=57), and consolidation in 32.8% (n=44). Involvement was bilateral in 93.3% (n=125) of the patients. The most common antiviral treatment used for patients was favipiravir 73.1% (n=98). The average hospitalization period of the patients was 12±6.36 days, the rate of follow-up in the intensive care unit was 20.1% (n=27), and death occurred in 9.7% (n=13) of the patients. In the multivariate analysis, cough and shortness of breath at admission, atelectasis and pleural effusion on thorax CT were found to be significant for severe COVID-19 disease (<i>p</i><0.05).</p><p><strong>Conclusion: </strong>Providing early medical support to these patients, especially, in the presence of cough and shortness of breath on admission and the presence of pleural effusion and atelectasis on thoracic CT, may help reduce the poor clinical course.</p>","PeriodicalId":45540,"journal":{"name":"FILM QUARTERLY","volume":"33 1","pages":"7-17"},"PeriodicalIF":0.0,"publicationDate":"2022-03-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC11022817/pdf/","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89085384","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"3D printing of multi-metallic microstructures by meniscus-confined electrodeposition.","authors":"Yutao Wang, Xin Xiong, Bing-Feng Ju, Yuan-Liu Chen","doi":"10.1063/5.0076677","DOIUrl":"10.1063/5.0076677","url":null,"abstract":"<p><p>We studied a multi-metallic microscale 3D printing based on the meniscus-confined electrodeposition (MCED). The composition of Cu/Pt alloys can be controlled by applying different bias voltages to the CuSO₄/H₂PtCl₄ mixed solution in MCED. We find that a double-barrel system had higher Cu/Pt alloy purity (maximum 100% Cu or maximum 80% Pt) than a single-barrel system. A Λ-shaped microstructure was printed to verify the capability to multi-metal microstructures in a single printing process.</p>","PeriodicalId":45540,"journal":{"name":"FILM QUARTERLY","volume":"61 1","pages":"025102"},"PeriodicalIF":0.0,"publicationDate":"2022-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89134051","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"On the Necessity of Bad Trans Objects","authors":"Cáel M. Keegan","doi":"10.1525/fq.2022.75.3.26","DOIUrl":"https://doi.org/10.1525/fq.2022.75.3.26","url":null,"abstract":"Despite newly affirming images of transgender people proliferating across US visual media, there has been a concomitant rise in anti-transgender attitudes, transphobic legislation, and trans antagonistic violence. The assumption that more and better images of transgender people are key to achieving transgender equality strains under the weight of an emerging contradiction: “good” representation does not necessarily mean reduced social or political antagonism for transgender people. Rather, the emergence of “good” (i.e. marketable) trans media objects illustrates how the most politically challenging aspects of transgender identification are increasingly forced outside the horizon of representability. This essay turns away from “good” transgender representations and toward an archive of recently canceled “bad” transgender media objects, offering new assessments of their unexpected value. Claiming badness as a trans property that must be embraced to achieve sex and gender liberation, it defends bad trans objects as unrecognized sources of transformative potential.","PeriodicalId":45540,"journal":{"name":"FILM QUARTERLY","volume":"1 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67057727","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Queer African Cinemas","authors":"Bruno Guaraná","doi":"10.1525/fq.2022.75.4.83","DOIUrl":"https://doi.org/10.1525/fq.2022.75.4.83","url":null,"abstract":"","PeriodicalId":45540,"journal":{"name":"FILM QUARTERLY","volume":"1 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67058938","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Review: Diminished Faculties: A Political Phenomenology of Impairment, by Jonathan Sterne","authors":"Slava Greenberg","doi":"10.1525/fq.2022.76.1.113","DOIUrl":"https://doi.org/10.1525/fq.2022.76.1.113","url":null,"abstract":"","PeriodicalId":45540,"journal":{"name":"FILM QUARTERLY","volume":"1 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67059127","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Inclusions and Occlusions of Expanded Refugee Narratives","authors":"Wazhmah Osman, Karen Redrobe","doi":"10.1525/fq.2022.76.1.23","DOIUrl":"https://doi.org/10.1525/fq.2022.76.1.23","url":null,"abstract":"In this article, Wazhmah Osman and Karen Redrobe consider the storytelling conventions of the award-winning animated documentary Flee (2021) in light of the long history (in mainstream and popular media, as well as in academia) of marginalized peoples not being able to tell their own stories and of subaltern groups being positioned as the subjects of films in which white filmmakers and researchers drive the narrative. They consider the hierarchies of power involved with giving and taking voice and question whose perspective the film privileges, and to what effect. Their conversation is rooted in a working collaboration to think cross-culturally about media, gender, sexuality, and different types of violence.","PeriodicalId":45540,"journal":{"name":"FILM QUARTERLY","volume":"1 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67059408","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Low Country Lamentations","authors":"M. Gillespie","doi":"10.1525/fq.2022.76.2.69","DOIUrl":"https://doi.org/10.1525/fq.2022.76.2.69","url":null,"abstract":"Michael Boyce Gillespie interviews the multidisciplinary artist Jon-Sesrie Goff about his first feature film, After Sherman. He suggests that the film that can been understood as an inquiry that explores a question that has long preoccupied Goff: “What role does documentary play when it is documented or viewed outside of the experience and space it depicts?” Gillespie argues that After Sherman manifests an answer through its expansive and reflexive accounting of culture and place as well as its formal deliberation on blackness, the afterlives of slavery, land as material and cultural inheritance, and home as site of origin and foundation for possible futures.","PeriodicalId":45540,"journal":{"name":"FILM QUARTERLY","volume":"1 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67059769","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Film and the Right to Privacy","authors":"Caetlin Benson-Allott","doi":"10.1525/fq.2022.75.4.58","DOIUrl":"https://doi.org/10.1525/fq.2022.75.4.58","url":null,"abstract":"FQ columnist Caetlin Benson-Allott examines the role of cinematographer Hélène Louvert’s in crafting narratives that protect the cinematic subject’s right to privacy in two recent films by female directors: Never Rarely Sometimes Always (Eliza Hittman, 2020) and The Lost Daughter (Maggie Gyllenhaal, 2021). Noting that the history of cinema has privileged the camera’s voyeuristic violation of privacy, particular of women and other minorities, Benson-Allott explores how Louvert employs different cinematic codes and conventions to instead protect and respect her characters’ interiority. These gestures call into question the presupposed right of both mainstream and art cinema to look, and encourage scholars’ long overdue attention to the role of the cinematographer in creating cinematic meaning.","PeriodicalId":45540,"journal":{"name":"FILM QUARTERLY","volume":"11 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67058892","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}