扩展难民叙事的包容与缺失

IF 0.6 3区艺术学 0 FILM, RADIO, TELEVISION

FILM QUARTERLY Pub Date : 2022-01-01 DOI:10.1525/fq.2022.76.1.23

Wazhmah Osman, Karen Redrobe

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引用次数: 0

摘要

在这篇文章中，Wazhmah Osman和Karen Redrobe考虑了获奖动画纪录片《逃离》(2021)的讲故事惯例，鉴于(主流和大众媒体以及学术界)长期以来边缘化人群无法讲述自己的故事，以及底层群体被定位为白人电影人和研究人员驱动叙事的电影主题。他们考虑了权力的等级制度，涉及到表达和质疑谁的观点是电影的特权，以及有什么影响。他们的对话根植于跨文化思考媒体、性别、性和不同类型的暴力的合作。

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The Inclusions and Occlusions of Expanded Refugee Narratives

In this article, Wazhmah Osman and Karen Redrobe consider the storytelling conventions of the award-winning animated documentary Flee (2021) in light of the long history (in mainstream and popular media, as well as in academia) of marginalized peoples not being able to tell their own stories and of subaltern groups being positioned as the subjects of films in which white filmmakers and researchers drive the narrative. They consider the hierarchies of power involved with giving and taking voice and question whose perspective the film privileges, and to what effect. Their conversation is rooted in a working collaboration to think cross-culturally about media, gender, sexuality, and different types of violence.

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来源期刊

FILM QUARTERLY FILM, RADIO, TELEVISION-

CiteScore

0.40

自引率

40.00%

发文量

期刊介绍： Film Quarterly has been publishing substantial, peer-reviewed writing on motion pictures since 1958, earning a reputation as the most authoritative academic film journal in the United States. Its wide array of topics, perspectives, and approaches appeals to film scholars and film buffs alike. If you love all types of movies and are eager to encounter new ways of thinking about them, then Film Quarterly is the journal for you! Scholarly analyses of international cinemas, current blockbusters and Hollywood classics, documentaries, animation, and independent, avant-garde, and experimental film and video fill the pages of the journal.