低地哀歌

IF 0.6 3区 艺术学 0 FILM, RADIO, TELEVISION
M. Gillespie
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引用次数: 0

摘要

迈克尔·博伊斯·吉莱斯皮采访了多学科艺术家乔恩·塞斯里·戈夫,谈论他的第一部故事片《谢尔曼之后》。他认为,这部电影可以被理解为对一个长期困扰戈夫的问题的探索:“当纪录片在它所描绘的经历和空间之外被记录或观看时,它扮演了什么角色?”吉莱斯皮认为,《谢尔曼之后》通过对文化和地域的广泛反思,以及对黑人、奴隶制的后遗症、作为物质和文化遗产的土地、作为起源和未来可能基础的家园的正式思考,给出了答案。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Low Country Lamentations
Michael Boyce Gillespie interviews the multidisciplinary artist Jon-Sesrie Goff about his first feature film, After Sherman. He suggests that the film that can been understood as an inquiry that explores a question that has long preoccupied Goff: “What role does documentary play when it is documented or viewed outside of the experience and space it depicts?” Gillespie argues that After Sherman manifests an answer through its expansive and reflexive accounting of culture and place as well as its formal deliberation on blackness, the afterlives of slavery, land as material and cultural inheritance, and home as site of origin and foundation for possible futures.
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来源期刊
FILM QUARTERLY
FILM QUARTERLY FILM, RADIO, TELEVISION-
CiteScore
0.40
自引率
40.00%
发文量
36
期刊介绍: Film Quarterly has been publishing substantial, peer-reviewed writing on motion pictures since 1958, earning a reputation as the most authoritative academic film journal in the United States. Its wide array of topics, perspectives, and approaches appeals to film scholars and film buffs alike. If you love all types of movies and are eager to encounter new ways of thinking about them, then Film Quarterly is the journal for you! Scholarly analyses of international cinemas, current blockbusters and Hollywood classics, documentaries, animation, and independent, avant-garde, and experimental film and video fill the pages of the journal.
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