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The Ellesmere Chaucer: The Once and Future Canterbury Tales 《埃尔斯米尔·乔叟:过去与未来的坎特伯雷故事集
IF 0.3 3区 社会学
HUNTINGTON LIBRARY QUARTERLY Pub Date : 2022-06-01 DOI: 10.1353/hlq.2022.0014
James Simpson
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引用次数: 0
Training for the Ministry: Shorthand and the Colonial New England Manuscript 培训部:速记和殖民地新英格兰手稿
IF 0.3 3区 社会学
HUNTINGTON LIBRARY QUARTERLY Pub Date : 2022-06-01 DOI: 10.1353/hlq.2022.0011
Teddy Delwiche
{"title":"Training for the Ministry: Shorthand and the Colonial New England Manuscript","authors":"Teddy Delwiche","doi":"10.1353/hlq.2022.0011","DOIUrl":"https://doi.org/10.1353/hlq.2022.0011","url":null,"abstract":"abstract:Shorthand, which dates back to antiquity and stretches to the present day, witnessed widespread interest in seventeenth- and eighteenth-century England and New England, especially among students as a tool to take sermon notes. Among the few considerations of early American shorthand, most have overemphasized the use of stenography for recording secrets. But such uses were not typical. Outside of the classroom, many schoolchildren mastered shorthand, which they used to record sermons. These notes were organized in a notebook, which served to teach future generations shorthand, and thereby create more notebooks, more knowledge. Shorthand thereby enabled a virtuous circle of pedagogical potential, leaving an unmistakable—yet underappreciated—mark on early American archives and culture alike.","PeriodicalId":45445,"journal":{"name":"HUNTINGTON LIBRARY QUARTERLY","volume":"95 1","pages":"317 - 346"},"PeriodicalIF":0.3,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77316747","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Richard H. Rouse (1933–2022) 理查德·h·劳斯(1933-2022)
IF 0.3 3区 社会学
HUNTINGTON LIBRARY QUARTERLY Pub Date : 2022-06-01 DOI: 10.1353/hlq.2022.0013
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引用次数: 0
Orinda and Palaemon: Katherine Philips and Francis Finch, 1650–ca. 1660 奥林达和帕拉蒙:凯瑟琳·菲利普斯和弗朗西斯·芬奇，1650-ca。1660
IF 0.3 3区 社会学
HUNTINGTON LIBRARY QUARTERLY Pub Date : 2022-06-01 DOI: 10.1353/hlq.2022.0010
M. Edwards, Teddy Delwiche, Bradley J. Irish, James Simpson, Sarah H. Case, Natalya Din-Kariuki, Derek Dunne
{"title":"Orinda and Palaemon: Katherine Philips and Francis Finch, 1650–ca. 1660","authors":"M. Edwards, Teddy Delwiche, Bradley J. Irish, James Simpson, Sarah H. Case, Natalya Din-Kariuki, Derek Dunne","doi":"10.1353/hlq.2022.0010","DOIUrl":"https://doi.org/10.1353/hlq.2022.0010","url":null,"abstract":"abstract:Francis Finch (d. ca. 1660) was a poet, a barrister, and a significant member of the coterie of the poet Katherine Philips (1632–1664). This essay presents previously unrecognized evidence of his relationship to Philips, in the form of three letters from Finch to his half-sister Frances Clifton. These letters give new information about Finch’s contact with Philips in 1650 and about the practices of naming in her coterie. The essay’s broader aim is to offer the first full account of Finch’s life and work, and his influence on Philips. It argues that Finch’s 1654 prose discourse, Friendship, should be located among a cluster of responses to the philosophy of Hobbes in his circle. Finch emerges as an author with a distinct, hitherto unrecognized, intellectual project, echoes of which appear in Philips’s poetry.","PeriodicalId":45445,"journal":{"name":"HUNTINGTON LIBRARY QUARTERLY","volume":"9 1","pages":"197 - 218 - 219 - 239 - 241 - 258 - 259 - 287 - 289 - 316 - 317 - 346 - 347 - 357 - i - i"},"PeriodicalIF":0.3,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78917507","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Elizabeth I on Trial: Forensic Rhetoric in George Puttenham’s Justification 伊丽莎白一世受审:乔治·普特纳姆辩白中的法医修辞
IF 0.3 3区 社会学
HUNTINGTON LIBRARY QUARTERLY Pub Date : 2022-06-01 DOI: 10.1353/hlq.2022.0015
Sarah H. Case
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引用次数: 0
“This Musique Hath Life in It”: Harmony in Lancelot Andrewes’s Preaching “这音乐有生命”:兰斯洛特·安德鲁斯布道中的和谐
IF 0.3 3区 社会学
HUNTINGTON LIBRARY QUARTERLY Pub Date : 2022-06-01 DOI: 10.1353/hlq.2022.0016
Natalya Din-Kariuki
{"title":"“This Musique Hath Life in It”: Harmony in Lancelot Andrewes’s Preaching","authors":"Natalya Din-Kariuki","doi":"10.1353/hlq.2022.0016","DOIUrl":"https://doi.org/10.1353/hlq.2022.0016","url":null,"abstract":"abstract:This essay examines the significance of music, especially notions of musical harmony, to the preaching of the influential English clergyman Lancelot Andrewes (1555–1626). Natalya Din-Kariuki argues that Andrewes reconfigured classical and early modern understandings of harmony, ranging from the legend of Pythagoras’s discovery of harmony to the new form of the verse anthem, to create a unique set of controlling metaphors with which to speak from the pulpit. By placing his preaching within the context of discourses of music, especially the debates about church music that took place in early modern England, she demonstrates connections between Andrews’s engagements with music and elements of his “avant-garde conformity,” including his ceremonialism, his ideals of Christian community, and his view of the role of good works in salvation.","PeriodicalId":45445,"journal":{"name":"HUNTINGTON LIBRARY QUARTERLY","volume":"9 1","pages":"241 - 258"},"PeriodicalIF":0.3,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73176966","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Envy, Beelzebub, and Paradise Lost 嫉妒、恶魔和失乐园
IF 0.3 3区 社会学
HUNTINGTON LIBRARY QUARTERLY Pub Date : 2022-06-01 DOI: 10.1353/hlq.2022.0012
Bradley J. Irish
{"title":"Envy, Beelzebub, and Paradise Lost","authors":"Bradley J. Irish","doi":"10.1353/hlq.2022.0012","DOIUrl":"https://doi.org/10.1353/hlq.2022.0012","url":null,"abstract":"abstract:Scholars have long appreciated the centrality of envy to Satan’s characterization in Paradise Lost, and they have sometimes extended the importance of envy to Beelzebub, his closest associate. This note, however, argues that scholars have failed to appreciate the full significance of Beelzebub’s connection with envy in the poem because they have not yet acknowledged the rich cultural association between Beelzebub and envy that existed in early modern literary culture. After surveying Beelzebub’s connection to envy in the poem, Bradley J. Irish unpacks the linkage between Beelzebub and envy in early modern culture—a thematic resonance that is unfamiliar to us but that would have been immediately apparent for many of Milton’s original readers.","PeriodicalId":45445,"journal":{"name":"HUNTINGTON LIBRARY QUARTERLY","volume":"7 1","pages":"347 - 357"},"PeriodicalIF":0.3,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88569815","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Francis Kirkman, Theatrical Historian 弗朗西斯·柯克曼，戏剧历史学家
IF 0.3 3区 社会学
HUNTINGTON LIBRARY QUARTERLY Pub Date : 2022-03-01 DOI: 10.1353/hlq.2022.0009
Francis X. Connor
{"title":"Francis Kirkman, Theatrical Historian","authors":"Francis X. Connor","doi":"10.1353/hlq.2022.0009","DOIUrl":"https://doi.org/10.1353/hlq.2022.0009","url":null,"abstract":"abstract:The authors staged most frequently during the first decade of the Restoration were John Fletcher, William Shakespeare, and Ben Jonson, codifying the post-Restoration critical history of the English theater around the \"triumvirate of wit.\" However, patrons also saw plays by nontriumvirate authors, and publishers played an essential role in the formation of the English theatrical canon, notably by issuing catalogs. Francis Kirkman produced two of the most comprehensive and influential play catalogs of the late seventeenth century and can be identified as one of the first British literary figures to take an interest in theater that postdated classical writers but predated the \"modern\" triumvirate.","PeriodicalId":45445,"journal":{"name":"HUNTINGTON LIBRARY QUARTERLY","volume":"1 1","pages":"171 - 196"},"PeriodicalIF":0.3,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77313593","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The King's Servants in Printed Paratexts, 1594–1695 印刷文本中的国王仆人(1594-1695
IF 0.3 3区 社会学
HUNTINGTON LIBRARY QUARTERLY Pub Date : 2022-03-01 DOI: 10.1353/hlq.2022.0008
Heidi Craig
{"title":"The King's Servants in Printed Paratexts, 1594–1695","authors":"Heidi Craig","doi":"10.1353/hlq.2022.0008","DOIUrl":"https://doi.org/10.1353/hlq.2022.0008","url":null,"abstract":"abstract:This essay examines cast and actor lists, as well as other allusions to actors in prologues and epilogues, in plays printed and reprinted between 1594 and 1695. Heidi Craig addresses the evolution of attempts to record actors' involvement in print in the seventeenth century, focusing on three distinct moments in playbook publishing: before 1642, during 1642–60, and after 1660. Analyzing cast and actor lists in collections and in single-text playbooks printed to 1695, Craig argues that they function as marketing devices and as documents of theater history, revealing how revivals and print format influenced contemporary interest in the theatrical past.","PeriodicalId":45445,"journal":{"name":"HUNTINGTON LIBRARY QUARTERLY","volume":"2013 1","pages":"151 - 169"},"PeriodicalIF":0.3,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86224310","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Ballads, Tudor Vagabonds, and Roundhead Reputations: The Restoration Afterlife of Cook Laurel 歌谣、都铎时代的流浪汉和圆颅族的名声:库克·劳雷尔的复活
IF 0.3 3区 社会学
HUNTINGTON LIBRARY QUARTERLY Pub Date : 2022-03-01 DOI: 10.1353/hlq.2022.0005
R. Willie
{"title":"Ballads, Tudor Vagabonds, and Roundhead Reputations: The Restoration Afterlife of Cook Laurel","authors":"R. Willie","doi":"10.1353/hlq.2022.0005","DOIUrl":"https://doi.org/10.1353/hlq.2022.0005","url":null,"abstract":"abstract:This essay examines how ballad song was appropriated to present the demise of the Rump Parliament and commemorate the restoration of the monarchy. Songs not only provide a tune through which words can be performed but also weave together disparate texts through memory of past utterances and performances. The tune \"Cook Laurel\" establishes a mnemonic connection between parliamentarian figures and ubiquitous rascals in Elizabethan folklore and in Ben Jonson's Gypsies Metamorphosed, performed in 1621. This use of song emphasizes and consolidates representations of parliamentarians as rogues, thus offering royalists a way to lament the regicide and to celebrate the Restoration.","PeriodicalId":45445,"journal":{"name":"HUNTINGTON LIBRARY QUARTERLY","volume":"92 1","pages":"111 - 91"},"PeriodicalIF":0.3,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75920206","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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