{"title":"增殖表演，传播印刷:复辟戏剧的许多生命","authors":"Stephen Watkins","doi":"10.1353/hlq.2022.0006","DOIUrl":null,"url":null,"abstract":"abstract:This essay explores the myriad stage and paper engagements with one of the most popular plays of the Restoration period: William Davenant and John Dryden's The Tempest, or the Enchanted Island (1670). It examines the flurry of printed materials circulated in the wake of the theatrical production, tracing The Tempest's migration from performance to print and back again. By charting how audiences and readers encountered the play beyond the playhouse, Stephen Watkins argues that we will begin to more accurately assess the role that commercial drama played in the cultural and imaginative lives of the people it originally entertained.","PeriodicalId":45445,"journal":{"name":"HUNTINGTON LIBRARY QUARTERLY","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Proliferating Performance, Propagating Print: The Many Lives of Restoration Drama\",\"authors\":\"Stephen Watkins\",\"doi\":\"10.1353/hlq.2022.0006\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"abstract:This essay explores the myriad stage and paper engagements with one of the most popular plays of the Restoration period: William Davenant and John Dryden's The Tempest, or the Enchanted Island (1670). It examines the flurry of printed materials circulated in the wake of the theatrical production, tracing The Tempest's migration from performance to print and back again. By charting how audiences and readers encountered the play beyond the playhouse, Stephen Watkins argues that we will begin to more accurately assess the role that commercial drama played in the cultural and imaginative lives of the people it originally entertained.\",\"PeriodicalId\":45445,\"journal\":{\"name\":\"HUNTINGTON LIBRARY QUARTERLY\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2022-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"HUNTINGTON LIBRARY QUARTERLY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/hlq.2022.0006\",\"RegionNum\":3,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"MATERIALS SCIENCE, CHARACTERIZATION & TESTING\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"HUNTINGTON LIBRARY QUARTERLY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/hlq.2022.0006","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"MATERIALS SCIENCE, CHARACTERIZATION & TESTING","Score":null,"Total":0}
Proliferating Performance, Propagating Print: The Many Lives of Restoration Drama
abstract:This essay explores the myriad stage and paper engagements with one of the most popular plays of the Restoration period: William Davenant and John Dryden's The Tempest, or the Enchanted Island (1670). It examines the flurry of printed materials circulated in the wake of the theatrical production, tracing The Tempest's migration from performance to print and back again. By charting how audiences and readers encountered the play beyond the playhouse, Stephen Watkins argues that we will begin to more accurately assess the role that commercial drama played in the cultural and imaginative lives of the people it originally entertained.
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