歌谣、都铎时代的流浪汉和圆颅族的名声:库克·劳雷尔的复活

IF 0.4 3区 社会学 Q4 MATERIALS SCIENCE, CHARACTERIZATION & TESTING
R. Willie
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引用次数: 0

摘要

本文考察了叙事歌是如何被用来表现残余议会的消亡和纪念君主复辟的。歌曲不仅提供了一种曲调,通过它可以表演文字,而且还通过对过去话语和表演的记忆将不同的文本编织在一起。在伊丽莎白时代的民间传说和1621年本·琼森的《变形的吉普赛人》中,《库克·劳雷尔》这首曲子将国会议员和无处不在的流氓联系在一起。这种歌曲的使用强调并巩固了国会议员作为流氓的形象,从而为保皇党提供了一种哀悼弑君和庆祝复辟的方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Ballads, Tudor Vagabonds, and Roundhead Reputations: The Restoration Afterlife of Cook Laurel
abstract:This essay examines how ballad song was appropriated to present the demise of the Rump Parliament and commemorate the restoration of the monarchy. Songs not only provide a tune through which words can be performed but also weave together disparate texts through memory of past utterances and performances. The tune "Cook Laurel" establishes a mnemonic connection between parliamentarian figures and ubiquitous rascals in Elizabethan folklore and in Ben Jonson's Gypsies Metamorphosed, performed in 1621. This use of song emphasizes and consolidates representations of parliamentarians as rogues, thus offering royalists a way to lament the regicide and to celebrate the Restoration.
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来源期刊
HUNTINGTON LIBRARY QUARTERLY
HUNTINGTON LIBRARY QUARTERLY HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.40
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