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IF 0.1 3区艺术学

MUSICAL QUARTERLY Pub Date : 2021-01-01 DOI: 10.1093/musqtl/gdab011

引用次数: 0

Picking up the “Tone” of an Era: An Interview (2001) with Musicologist Reinhold Brinkmann on Music, Society, Composition, and Scholarship 拾起一个时代的“音调”：音乐学家Reinhold Brinkmann关于音乐、社会、作曲和学术的访谈（2001）

IF 0.1 3区艺术学

MUSICAL QUARTERLY Pub Date : 2020-12-27 DOI: 10.1093/musqtl/gdaa009

Jürgen Thym, R. Locke

引用次数: 1

The Problem of Perfection in Classical Recording: The Performer’s Perspective 古典录音中的完美问题:演奏者的视角

IF 0.1 3区艺术学

MUSICAL QUARTERLY Pub Date : 2020-12-04 DOI: 10.1093/musqtl/gdaa008

A. Blier-Carruthers

引用次数: 0

An Unknown Beethoven Cadenza by Joseph Joachim: “Dublin 1852” 约瑟夫·约阿希姆的一首不知名的贝多芬华彩乐章:“都柏林1852”

IF 0.1 3区艺术学

MUSICAL QUARTERLY Pub Date : 2020-12-01 DOI: 10.1093/MUSQTL/GDAB003

Katharina Uhde

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引用次数: 1

“A Melody That Doesn’t Exist Anymore”: Negation, Erasure, and Void in Israeli Art Music, as Reflected in Hanoch Jacoby’s Mutatio “一种不再存在的旋律”:从哈诺克·雅各比的《突变》看以色列艺术音乐中的否定、抹除与虚无

IF 0.1 3区艺术学

MUSICAL QUARTERLY Pub Date : 2020-12-01 DOI: 10.1093/musqtl/gdaa010

Irit Youngerman

引用次数: 1

Post-Pandemic Anxieties: Contemplating the Prospect that Classical Music Culture Might Disappear 疫情后的焦虑：对古典音乐文化可能消失的展望

IF 0.1 3区艺术学

MUSICAL QUARTERLY Pub Date : 2020-12-01 DOI: 10.1093/musqtl/gdaa011

L. Botstein

引用次数: 1

Vaughan Williams and the Soundscapes of Scott of the Antarctic 沃恩·威廉姆斯和南极斯科特的音景