“A Melody That Doesn’t Exist Anymore”: Negation, Erasure, and Void in Israeli Art Music, as Reflected in Hanoch Jacoby’s Mutatio

IF 0.1 3区艺术学 0 MUSIC

MUSICAL QUARTERLY Pub Date : 2020-12-01 DOI:10.1093/musqtl/gdaa010

Irit Youngerman

引用次数: 1

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“一种不再存在的旋律”:从哈诺克·雅各比的《突变》看以色列艺术音乐中的否定、抹除与虚无

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

MUSICAL QUARTERLY MUSIC-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： The Musical Quarterly, founded in 1915 by Oscar Sonneck, has long been cited as the premier scholarly musical journal in the United States. Over the years it has published the writings of many important composers and musicologists, including Aaron Copland, Arnold Schoenberg, Marc Blitzstein, Henry Cowell, and Camille Saint-Saens. The journal focuses on the merging areas in scholarship where much of the challenging new work in the study of music is being produced.