Journal of Design History最新文献_第3页

Unmaking Waste: New Histories of Old Things 消除浪费:旧事物的新历史

4区艺术学

Journal of Design History Pub Date : 2023-09-25 DOI: 10.1093/jdh/epad041

Harvey Molotch

引用次数: 1

Eileen Gray and Jean Badovici at Vézelay Eileen Gray和Jean Badovici在Vézelay

IF 0.2 4区艺术学

Journal of Design History Pub Date : 2023-08-25 DOI: 10.1093/jdh/epad029

T. Benton

{"title":"Eileen Gray and Jean Badovici at Vézelay","authors":"T. Benton","doi":"10.1093/jdh/epad029","DOIUrl":"https://doi.org/10.1093/jdh/epad029","url":null,"abstract":"\u0000 The study of collaborative work by architects and designers can present difficulties. The principal biographers of Eileen Gray asserted that she played the key role in the design of the houses that her friend Jean Badovici (1893–1956) acquired and transformed in Vézelay between 1926 and 1934 and that this work contributed to the design of her other buildings. This claim is worth investigating because the Vézelay houses present innovative and distinctive features, and because Jean Badovici’s qualities as architect have been insufficiently studied. A method is presented here for distinguishing between different hands based on the forensic analysis of individual words and letters. This approach could be of use in many contexts but particularly in the case of close collaboration between architects and designers. Applied initially to drawings for Badovici’s houses at Vézelay, the method can be applied to the many other drawings in the archives of the V&A, the Pompidou Centre, the Eileen Gray archive in the National Museum of Ireland, and the Badovici archive in the Getty Research Institute. The evidence from this analysis is set alongside other arguments for evaluating Gray’s involvement in the design of the Badovici houses at Vézelay. The aim of this essay is not to challenge Gray’s collaboration in the design process but to test claims of her sole or principal role in the design of these houses.","PeriodicalId":45088,"journal":{"name":"Journal of Design History","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-08-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49544838","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Deviant Design: the Ad Hoc, the Illicit, the Controversial 离经叛道的设计:特别的，非法的，有争议的

IF 0.2 4区艺术学

Journal of Design History Pub Date : 2023-08-01 DOI: 10.1093/jdh/epad038

Damon Taylor

引用次数: 0

Il design e l’invenzione del Made in ItalyA New History of “Made in Italy”: Fashion and Textiles in Post-War Italy 意大利制造的设计与研究“意大利制造”的新历史：战后意大利的时尚与纺织品

IF 0.2 4区艺术学

Journal of Design History Pub Date : 2023-07-31 DOI: 10.1093/jdh/epad037

Donatella Cacciola

引用次数: 0

Richard Riemerschmid’s Extraordinary Living Things 里默施密德的非凡生活

IF 0.2 4区艺术学

Journal of Design History Pub Date : 2023-07-25 DOI: 10.1093/jdh/epad035

Sabine Wieber

引用次数: 0

Performing Modernism: A Jewish Avant-Garde in Bucharest 表演现代主义：布加勒斯特的犹太先锋花园

IF 0.2 4区艺术学

Journal of Design History Pub Date : 2023-07-25 DOI: 10.1093/jdh/epad036

Vanessa Vanden Berghe

引用次数: 0

Domestic Space in France and Belgium: Art, Literature and Design (1850–1920) 法国与比利时的家庭空间:艺术、文学与设计(1850-1920)

IF 0.2 4区艺术学

Journal of Design History Pub Date : 2023-07-19 DOI: 10.1093/jdh/epad034

Esra Bici Nasır

引用次数: 0

The Lady in the Overall: First World War Patriotism, Respectability, and Workwear of Upper-Class Munitionettes 总体上的女士：第一次世界大战的爱国主义、受人尊敬和上层军火商的工作服

IF 0.2 4区艺术学

Journal of Design History Pub Date : 2023-07-12 DOI: 10.1093/jdh/epad025

J. Richardson

{"title":"The Lady in the Overall: First World War Patriotism, Respectability, and Workwear of Upper-Class Munitionettes","authors":"J. Richardson","doi":"10.1093/jdh/epad025","DOIUrl":"https://doi.org/10.1093/jdh/epad025","url":null,"abstract":"\u0000 This article offers new insights into the national market for utilitarian garments worn by British upper-class Munitionettes in the pursuit of essential First World War munition manufacture. There has been a resurgence in recent years in the interest of women’s workwear, but little dress historical research has been undertaken into the manufacture and consumption of these garments by upper-class women, which this article seeks to address. The numbers of women involved in munition production peaked in 1917 at almost 1,000,000 meaning the circulation of workwear in this industry alone, was in the millions. Workwear worn by upper-class women represents discourses of wealth, femininity, respectability, and patriotism. That such expensive and high-quality garments exist speaks to the cultural significance the women themselves recognized in these utilitarian garments. This workwear symbolized their contribution to the war effort, the political ambitions for suffrage and personal achievement. These garments were not worn outside the workplace as the fabric would have been contaminated with chemicals, thus would not have been pleasant to preserve. Crucially, it is through the material cultural analysis of rare extant high-end garments worn by upper-class women, that the extent of the market for workwear has been revealed.","PeriodicalId":45088,"journal":{"name":"Journal of Design History","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42961214","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Future Sign Language: A Critical History of Aicher’s Ideas About Signs and Pictograms for the 1972 Munich Olympics 未来的手语：艾彻1972年慕尼黑奥运会标志和象形图思想的批判史

IF 0.2 4区艺术学

Journal of Design History Pub Date : 2023-07-11 DOI: 10.1093/jdh/epac058

W. Bakker

引用次数: 0

Designing Educational and Home Computers in State Socialism: The Polish and Czechoslovak Experience 在国家社会主义中设计教育和家用计算机：波兰和捷克斯洛伐克的经验

IF 0.2 4区艺术学

Journal of Design History Pub Date : 2023-07-08 DOI: 10.1093/jdh/epad027

P. Wasiak, Jaroslav Švelch

{"title":"Designing Educational and Home Computers in State Socialism: The Polish and Czechoslovak Experience","authors":"P. Wasiak, Jaroslav Švelch","doi":"10.1093/jdh/epad027","DOIUrl":"https://doi.org/10.1093/jdh/epad027","url":null,"abstract":"\u0000 This article investigates the design of two comparable microcomputers that were built under state socialism in neighboring countries: Poland (Elwro Junior) and Czechoslovakia (Didaktik Gama). Both computers were “clones” of the highly popular British ZX Spectrum computer. In our article, we discuss the decisions that informed the design of the local “clones” of the British computer, and how both endeavors were supposed to solve specific problems identified by the communities involved in their design. We argue that different configurations of power—in which the actors that took part in the design of both computers were embedded—were the primary reason why these similar products, the ZX Spectrum clones, were “scripted” in a substantially different manner. The Junior was designed as an “educational computer” envisaged as an aid to schooling, while the Gama was a more flexible “home computer.” Our investigation focuses on how their designers projected, or “scripted,” possible forms of computer use, and who they imagined would be the users of these machines. We also compare both computers with the high-profile One Laptop Per Child project to demonstrate the wider relevance of our study and the usefulness of our investigative toolset to the intersection of design studies and science and technology studies.","PeriodicalId":45088,"journal":{"name":"Journal of Design History","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-07-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49468392","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0