Journal of Design History最新文献

Julia Keiner’s Universalism and the Question of Israeli style 朱莉娅-凯纳的普世主义与以色列风格问题

IF 0.2 4区艺术学

Journal of Design History Pub Date : 2024-02-20 DOI: 10.1093/jdh/epad058

Noga Bernstein

引用次数: 0

Call for Papers for Special Issue of the Journal of Design History 设计史杂志》特刊征稿启事

IF 0.2 4区艺术学

Journal of Design History Pub Date : 2024-01-08 DOI: 10.1093/jdh/epad053

引用次数: 0

Ecological by Design: A History from Scandinavia 生态设计：斯堪的纳维亚的历史

IF 0.2 4区艺术学

Journal of Design History Pub Date : 2024-01-06 DOI: 10.1093/jdh/epad056

K. Savola

引用次数: 2

The Dot: Statistics, Society, and Graphic Design, c. 1830–1970 点：统计、社会与平面设计，约 1830-1970 年

IF 0.2 4区艺术学

Journal of Design History Pub Date : 2024-01-05 DOI: 10.1093/jdh/epad054

Hannah Pivo

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引用次数: 0

Masculinity, Fashion, and Design History 男性气质、时尚和设计史

IF 0.2 4区艺术学

Journal of Design History Pub Date : 2023-12-23 DOI: 10.1093/jdh/epad046

Joseph McBrinn

引用次数: 0

A Rhapsody of Chairs 椅子狂想曲

IF 0.2 4区艺术学

Journal of Design History Pub Date : 2023-12-11 DOI: 10.1093/jdh/epad045

Joana Albernaz Delgado

引用次数: 0

Becoming Imperial Brands: Japanese Advertising in Colonial Korea, 1920–1932 成为帝国品牌：日本在殖民朝鲜的广告，1920-1932 年

IF 0.2 4区艺术学

Journal of Design History Pub Date : 2023-12-10 DOI: 10.1093/jdh/epad050

Yongkeun Chun

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引用次数: 0

Seeds for New Beginnings? Ecological Uncertainty, Blurry Ideology, and Speculative Design at the Universitas Symposium, 1972 新开始的种子?生态不确定性，模糊的意识形态，和投机设计在大学研讨会，1972

IF 0.2 4区艺术学

Journal of Design History Pub Date : 2023-11-25 DOI: 10.1093/jdh/epad040

Ingrid Halland

{"title":"Seeds for New Beginnings? Ecological Uncertainty, Blurry Ideology, and Speculative Design at the Universitas Symposium, 1972","authors":"Ingrid Halland","doi":"10.1093/jdh/epad040","DOIUrl":"https://doi.org/10.1093/jdh/epad040","url":null,"abstract":"In 1972, designer Emilio Ambasz (b. 1943) organized the symposium “The Universitas Project” at MoMA in New York City. The issue at stake was how the field of design should tackle the possibly irresolvable societal, political, and ecological problems of post-industrial society. Ambasz proposed a new design approach, which he named design as a mode of thought, with the aim of building a new research-education institution for design that could tackle the wicked problems ahead. In order to articulate his proposal, Ambasz turned to the speculative realm: discursive design critique, metaphysical cybernetics, design fiction, and storytelling. By critically engaging with some of the participants’ conference presentations, the article first discusses how the concept of the environment was reconfigured by the emerging ecological catastrophe. Then the article discusses ideological responses to the Universitas Project to show how the seemingly different ideological positions between French so-called “radical left” and American “right-wing technocrats” were grounded in the same; all-encompassing uncertainty and a strive for open-endedness. Finally, the article analyses Ambasz’s design fiction writing and the speculative nature of the Universitas and thereby identifies the Universitas as a rare moment in the history of design in which design stopped engaging in the status quo and turned towards a speculative future for finding seeds for new beginnings. The article re-visits the Universitas in order to support a presentist argument: that speculation, discursive design critique, and storytelling might not be sufficient methods on their own to tackle the forthcoming accelerating wicked uncertainties that lie ahead.","PeriodicalId":45088,"journal":{"name":"Journal of Design History","volume":"74 2","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-11-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138512326","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Taking Travel Home: The Souvenir Culture of British Women Tourists, 1750-1830 带着旅行回家:英国女游客的纪念品文化，1750-1830

4区艺术学

Journal of Design History Pub Date : 2023-11-13 DOI: 10.1093/jdh/epad048

Freya Gowrley

引用次数: 0

Envisioning the Future by Design: Toyota’s Show Cars at the 1969 and 1970 Tokyo Motor Shows 通过设计展望未来:丰田在1969年和1970年东京车展上的展示车

4区艺术学

Journal of Design History Pub Date : 2023-11-02 DOI: 10.1093/jdh/epad028

Frans Autio

{"title":"Envisioning the Future by Design: Toyota’s Show Cars at the 1969 and 1970 Tokyo Motor Shows","authors":"Frans Autio","doi":"10.1093/jdh/epad028","DOIUrl":"https://doi.org/10.1093/jdh/epad028","url":null,"abstract":"Abstract Toward the end of the 1960s, the car industry in Japan was reaching its maturity, and it seemed increasingly certain that Japan’s future was firmly linked to cars. At the 16th and 17th Tokyo Motor Shows, in 1969 and 1970, an unprecedented number of show cars made by Japanese car manufacturers were introduced. At these shows, Toyota introduced a series of show cars, the EX-I, EX-II, EX-III, and EX-7, as well as the Commuter. The end of the 1960s was not just a turning point for the Japanese car industry but also for Japanese society as a whole. Through rapid (re)modernization, the country had attained economic wealth and power, but the consequences of modernization were becoming increasingly devastating. The anticipated and endorsed future was under revision when the news about pollution and political turmoil reached the nation’s media. Focusing on Toyota Motors, this article examines early Japanese “show cars” by approaching them from the viewpoint of the anticipated but complex and uncertain future at the turn of the 1960s to the 1970s. The purpose of this article is to analyze and summarize the future vision(s) of Toyota by applying a close analysis of the design objects.","PeriodicalId":45088,"journal":{"name":"Journal of Design History","volume":"9 4","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135975791","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0