The Lady in the Overall: First World War Patriotism, Respectability, and Workwear of Upper-Class Munitionettes

IF 0.3 4区 艺术学 0 ART
J. Richardson
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引用次数: 0

Abstract

This article offers new insights into the national market for utilitarian garments worn by British upper-class Munitionettes in the pursuit of essential First World War munition manufacture. There has been a resurgence in recent years in the interest of women’s workwear, but little dress historical research has been undertaken into the manufacture and consumption of these garments by upper-class women, which this article seeks to address. The numbers of women involved in munition production peaked in 1917 at almost 1,000,000 meaning the circulation of workwear in this industry alone, was in the millions. Workwear worn by upper-class women represents discourses of wealth, femininity, respectability, and patriotism. That such expensive and high-quality garments exist speaks to the cultural significance the women themselves recognized in these utilitarian garments. This workwear symbolized their contribution to the war effort, the political ambitions for suffrage and personal achievement. These garments were not worn outside the workplace as the fabric would have been contaminated with chemicals, thus would not have been pleasant to preserve. Crucially, it is through the material cultural analysis of rare extant high-end garments worn by upper-class women, that the extent of the market for workwear has been revealed.
总体上的女士:第一次世界大战的爱国主义、受人尊敬和上层军火商的工作服
这篇文章为英国上层军火商在追求第一次世界大战军火制造的过程中所穿的实用服装的国内市场提供了新的见解。近年来,人们对女性工作服的兴趣有所回升,但对上层女性生产和消费这些服装的历史研究很少,本文试图解决这一问题。1917年,参与军火生产的女性人数达到峰值,接近100万,这意味着仅在这个行业,工作服的流通量就达到了数百万。上流社会女性所穿的工作服代表着财富、女性气质、受人尊敬和爱国主义的话语。如此昂贵和高质量的服装的存在说明了女性自己在这些实用服装中所认识到的文化意义。这件工作服象征着他们对战争的贡献、对选举权的政治野心和个人成就。这些衣服没有在工作场所外穿着,因为织物会被化学物质污染,因此保存起来不愉快。至关重要的是,正是通过对上流社会女性所穿罕见的现存高端服装的物质文化分析,工作服的市场规模才得以揭示。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.60
自引率
0.00%
发文量
46
期刊介绍: Journal of Design History is a leading journal in its field. It plays an active role in the development of design history (including the history of the crafts and applied arts), as well as contributing to the broader field of studies of visual and material culture. The journal includes a regular book reviews section and lists books received, and from time to time publishes special issues.
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