CONTEMPORARY LITERATURE最新文献

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“Vast and Unreadable”: Tracy K. Smith, Astronomy, and Lyric Opacity in Contemporary Poetry “浩瀚而不可读”:特雷西·k·史密斯,当代诗歌中的天文学和抒情不透明
IF 0.3 4区 文学
CONTEMPORARY LITERATURE Pub Date : 2021-01-01 DOI: 10.3368/CL.61.1.1
M. Greaves
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引用次数: 0
An Interview with Yaa Gyasi 对Yaa Gyasi的采访
IF 0.3 4区 文学
CONTEMPORARY LITERATURE Pub Date : 2020-11-14 DOI: 10.3368/cl.60.4.471
Yogita Goyal, Yogita Yaa Gyasi
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引用次数: 1
A Future Perfect: Queer Digital Sovereignty in Joshua Whitehead’s Jonny Appleseed and full-metal indigiqueer 完美的未来:约书亚·怀特黑德的乔尼·阿普尔塞德和全金属侮辱中的酷儿数字主权
IF 0.3 4区 文学
CONTEMPORARY LITERATURE Pub Date : 2020-11-14 DOI: 10.3368/cl.60.4.491
L. Cooper
{"title":"A Future Perfect: Queer Digital Sovereignty in Joshua Whitehead’s Jonny Appleseed and full-metal indigiqueer","authors":"L. Cooper","doi":"10.3368/cl.60.4.491","DOIUrl":"https://doi.org/10.3368/cl.60.4.491","url":null,"abstract":"© 2020 by the Board of Regents of the University of Wisconsin System ji-Cree debut author Joshua Whitehead’s book of linked poems, full-metal indigiqueer, opens with a visual representation of the birth of its hybridized, biologicaltechnological Trickster narrator, zoa.1 This birthing sequence spans a series of black pages. A small white dot the size of a pinhead on the first black sheet grows in size on each consecutive page until it reveals a white space filled with binary code, and superimposed on it, zoa’s ontological claim: “H3R314M” (17). That newly birthed singularity exists relationally as well as adaptively: “i lrn: / youthisme.” Next, the entity seeks “home,” seeks the maternal source, nikâwiy, and “paint[s] my face with pixels” to become “warpathtoo” (19). This startling opening image merges the technological (pixels, artificial intelligence) with the biological (“i seek nikâwiy”): zoa orients themself to the world as a being (“14M”) but a specifically Anishinaabe being, an identity already coded in patterns of relationality, reciprocity, and kinship (“youthisme”) as well as one embedded in matrices of colonial violence and Indigenous survivance (“lookmaimwarpathtoo”) (19).2 Throughout the poem sequence, zoa’s disembodied technological self is also always","PeriodicalId":44998,"journal":{"name":"CONTEMPORARY LITERATURE","volume":"60 1","pages":"491 - 514"},"PeriodicalIF":0.3,"publicationDate":"2020-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49557991","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Articulating Transgender Narratives 表达跨性别叙述
IF 0.3 4区 文学
CONTEMPORARY LITERATURE Pub Date : 2020-11-14 DOI: 10.3368/cl.60.4.590
Ardel Haefele-Thomas
{"title":"Articulating Transgender Narratives","authors":"Ardel Haefele-Thomas","doi":"10.3368/cl.60.4.590","DOIUrl":"https://doi.org/10.3368/cl.60.4.590","url":null,"abstract":"achel Carroll’s Transgender and the Literary Imagination: Changing Gender in Twentieth-Century Writing is a critical addition to the expanding field of trans literary studies.1 Two other recent publications of note in this field are TransGothic in Literature and Culture, edited by Jolene Zigarovich, and a special issue of Victorian Review on “Trans Victorians” that I guest edited.2 Both of these works are quite specific in their respective focus on the gothic and the Victorian; by contrast, Carroll takes on a range of literary genres by British, Irish, and American authors published between 1918 and 2000 as well as contemporary films that reimagine some of these earlier narratives. As Carroll notes in the introduction, “A key concern for this study is the way in which transgender lives―whether historical or fictional―have been ‘authored by others’: named, defined and appropriated in ways which obscure, displace or erase transgender experiences, identities","PeriodicalId":44998,"journal":{"name":"CONTEMPORARY LITERATURE","volume":"60 1","pages":"590 - 595"},"PeriodicalIF":0.3,"publicationDate":"2020-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47455165","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Forecasting Catastrophes of Whiteness: Affects of Neoliberal Realism and Visions of a Terrorized Multiracial Precariat in Atticus Lish’s Preparation for the Next Life 预测白人的灾难:新自由主义现实主义的影响和阿提克斯·利什《为来生做准备》中恐怖的多种族不稳定者的愿景
IF 0.3 4区 文学
CONTEMPORARY LITERATURE Pub Date : 2020-11-14 DOI: 10.3368/cl.60.4.549
R. Walsh
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引用次数: 0
Auto-Ethnography as Literary Critique 作为文学批评的汽车民族志
IF 0.3 4区 文学
CONTEMPORARY LITERATURE Pub Date : 2020-11-14 DOI: 10.3368/cl.60.4.582
Duncan M. Yoon
{"title":"Auto-Ethnography as Literary Critique","authors":"Duncan M. Yoon","doi":"10.3368/cl.60.4.582","DOIUrl":"https://doi.org/10.3368/cl.60.4.582","url":null,"abstract":"n Du Bois’s Telegram: Literary Resistance and State Containment, Juliana Spahr asserts multiple times that the book should not be read as a scholarly monograph, pur et dur, but as “an autobiography about how my education told me that certain forms of literature were autonomous when they were not and how long it took me to realize this” (110). In her conclusion, she reasserts this position, writing that the text is an “auto-ethnographic project, an attempt to describe the way literature circulates in the very scenes in which I also circulate” (191). Read in this way, Spahr’s conversational tone and digressive flourishes embody an auto-ethnographic style, creating a space wherein she turns her subject matter, American literary nationalism, outward facing. The book thereby straddles the expectations of an ivory tower audience and the persistent call to render scholarship more accessible through the public humanities. Spahr is largely successful in creating an informal, stylistic atmosphere for this hybrid readership as she struggles with how literary autonomy seems to always be already infiltrated by nationalistic agendas that reach back into the global cold war and how the CIA influenced postcolonial (especially African) national literatures. Owing to this personal struggle for (and ultimate failure of) literary autonomy, Spahr’s text is pervaded by a tone of inevitability, which I suggest points to a certain US-pessimism, given the challenge to American exceptionalism in the twenty-first century. D U N C A N M. Y O O N","PeriodicalId":44998,"journal":{"name":"CONTEMPORARY LITERATURE","volume":"60 1","pages":"582 - 589"},"PeriodicalIF":0.3,"publicationDate":"2020-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41419708","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Situation, Occasion, Encounter: Claudia Rankine’s Citizen and Lyric Theory in the Historical Present 情境、场合、遭遇:历史当下克劳迪娅·兰金的《公民与抒情理论》
IF 0.3 4区 文学
CONTEMPORARY LITERATURE Pub Date : 2020-11-14 DOI: 10.3368/cl.60.4.515
A. Wang
{"title":"Situation, Occasion, Encounter: Claudia Rankine’s Citizen and Lyric Theory in the Historical Present","authors":"A. Wang","doi":"10.3368/cl.60.4.515","DOIUrl":"https://doi.org/10.3368/cl.60.4.515","url":null,"abstract":"© 2020 by the Board of Regents of the University of Wisconsin System t a rally in Springfield, Illinois, on November 9, 2015, Republican presidential candidate Donald Trump delivered his speech in front of a racially diverse audience. By “in front of,” I do not mean “before” or “facing.” The stage was not a proscenium, but in a now-common configuration for televised political campaign speeches, a platform in the center of stadium-style seating. The audience visible on-screen was not in front of the candidate, facing him, but seated behind him as a strategically positioned, demographically curated backdrop of listeners, about half white and half people of color. The mise-enscène: a clumsy illusion of diverse populations backing Trump. Following the rally, images of the event circulated on social media, but not because of the commonplace hypocrisy of a politician deploying for political gain the very bodies he rhetorically denigrates (a posture we might call racist fidelity rather than racist irony). Instead the scene went viral because of an unusual disruption in the background: the reading of a book of poetry at a political event.1","PeriodicalId":44998,"journal":{"name":"CONTEMPORARY LITERATURE","volume":"60 1","pages":"515 - 548"},"PeriodicalIF":0.3,"publicationDate":"2020-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46549891","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Reptilian Scales: Verlyn Klinkenborg’s Timothy and Thin Description 爬行动物的鳞片:林的蒂莫西和瘦的描述
IF 0.3 4区 文学
CONTEMPORARY LITERATURE Pub Date : 2020-09-04 DOI: 10.3368/cl.60.3.402
Molly MacVeagh
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引用次数: 0
“A Promiscuous Love of Experience”: The Poetics of Cruising in Thom Gunn’s San Francisco “一种混杂的体验之爱”:托姆·冈恩的《旧金山》中的巡航诗学
IF 0.3 4区 文学
CONTEMPORARY LITERATURE Pub Date : 2020-09-04 DOI: 10.3368/cl.60.3.343
M. Nott
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引用次数: 1
Rehabilitating Empathy 恢复移情
IF 0.3 4区 文学
CONTEMPORARY LITERATURE Pub Date : 2020-09-04 DOI: 10.3368/cl.60.3.453
Jane F. Thraikill
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引用次数: 0
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