CONTEMPORARY LITERATURE最新文献

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Articulating Transgender Narratives 表达跨性别叙述
IF 0.3 4区 文学
CONTEMPORARY LITERATURE Pub Date : 2020-11-14 DOI: 10.3368/cl.60.4.590
Ardel Haefele-Thomas
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引用次数: 0
Forecasting Catastrophes of Whiteness: Affects of Neoliberal Realism and Visions of a Terrorized Multiracial Precariat in Atticus Lish’s Preparation for the Next Life 预测白人的灾难:新自由主义现实主义的影响和阿提克斯·利什《为来生做准备》中恐怖的多种族不稳定者的愿景
IF 0.3 4区 文学
CONTEMPORARY LITERATURE Pub Date : 2020-11-14 DOI: 10.3368/cl.60.4.549
R. Walsh
{"title":"Forecasting Catastrophes of Whiteness: Affects of Neoliberal Realism and Visions of a Terrorized Multiracial Precariat in Atticus Lish’s Preparation for the Next Life","authors":"R. Walsh","doi":"10.3368/cl.60.4.549","DOIUrl":"https://doi.org/10.3368/cl.60.4.549","url":null,"abstract":"Neoliberalism’s Real Victims: Affects of Worldly Realisms and the Depressed Wages of Whiteness n the eve of the Trump era that it so predicted, Atticus Lish’s 2014 novel Preparation for the Next Life was uniformly lauded by the Anglo-American literati as a “profoundly political book” (Flanery) that, as Cathleen Schine itemized in her New York Review of Books article, surveys “the greatest contemporary failures of this country―immigration policy, poverty, racism, prisons, war” (Schine). Indeed, Lish’s text hurtles from the first catastrophe of the twenty-first century―the post-9/11 R A C H E L A. W A L S H","PeriodicalId":44998,"journal":{"name":"CONTEMPORARY LITERATURE","volume":"60 1","pages":"549 - 581"},"PeriodicalIF":0.3,"publicationDate":"2020-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48873479","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Situation, Occasion, Encounter: Claudia Rankine’s Citizen and Lyric Theory in the Historical Present 情境、场合、遭遇:历史当下克劳迪娅·兰金的《公民与抒情理论》
IF 0.3 4区 文学
CONTEMPORARY LITERATURE Pub Date : 2020-11-14 DOI: 10.3368/cl.60.4.515
A. Wang
{"title":"Situation, Occasion, Encounter: Claudia Rankine’s Citizen and Lyric Theory in the Historical Present","authors":"A. Wang","doi":"10.3368/cl.60.4.515","DOIUrl":"https://doi.org/10.3368/cl.60.4.515","url":null,"abstract":"© 2020 by the Board of Regents of the University of Wisconsin System t a rally in Springfield, Illinois, on November 9, 2015, Republican presidential candidate Donald Trump delivered his speech in front of a racially diverse audience. By “in front of,” I do not mean “before” or “facing.” The stage was not a proscenium, but in a now-common configuration for televised political campaign speeches, a platform in the center of stadium-style seating. The audience visible on-screen was not in front of the candidate, facing him, but seated behind him as a strategically positioned, demographically curated backdrop of listeners, about half white and half people of color. The mise-enscène: a clumsy illusion of diverse populations backing Trump. Following the rally, images of the event circulated on social media, but not because of the commonplace hypocrisy of a politician deploying for political gain the very bodies he rhetorically denigrates (a posture we might call racist fidelity rather than racist irony). Instead the scene went viral because of an unusual disruption in the background: the reading of a book of poetry at a political event.1","PeriodicalId":44998,"journal":{"name":"CONTEMPORARY LITERATURE","volume":"60 1","pages":"515 - 548"},"PeriodicalIF":0.3,"publicationDate":"2020-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46549891","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
“A Promiscuous Love of Experience”: The Poetics of Cruising in Thom Gunn’s San Francisco “一种混杂的体验之爱”:托姆·冈恩的《旧金山》中的巡航诗学
IF 0.3 4区 文学
CONTEMPORARY LITERATURE Pub Date : 2020-09-04 DOI: 10.3368/cl.60.3.343
M. Nott
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引用次数: 1
Rehabilitating Empathy 恢复移情
IF 0.3 4区 文学
CONTEMPORARY LITERATURE Pub Date : 2020-09-04 DOI: 10.3368/cl.60.3.453
Jane F. Thraikill
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引用次数: 0
An Interview with Brenda Hillman 布伦达·希尔曼访谈录
IF 0.3 4区 文学
CONTEMPORARY LITERATURE Pub Date : 2020-09-04 DOI: 10.3368/cl.60.3.313
A. Hume
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引用次数: 1
A Vigil Wasted? Notes on the Ruin Sublime 守夜被浪费了?废墟升华笔记
IF 0.3 4区 文学
CONTEMPORARY LITERATURE Pub Date : 2020-09-04 DOI: 10.3368/cl.60.3.370
Mrinalini Chakravorty
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引用次数: 0
The Case for the Globality of Twenty-First-Century Poetry 21世纪诗歌全球化的个案
IF 0.3 4区 文学
CONTEMPORARY LITERATURE Pub Date : 2020-06-20 DOI: 10.3368/cl.60.2.300
Louise McCune
{"title":"The Case for the Globality of Twenty-First-Century Poetry","authors":"Louise McCune","doi":"10.3368/cl.60.2.300","DOIUrl":"https://doi.org/10.3368/cl.60.2.300","url":null,"abstract":"alt Hunter joins an ongoing movement in literary studies beyond regionalist and nationalist paradigms. Readers will find his book Forms of a World: Contemporary Poetry and the Making of Globalization a complement to Jahan Ramazani’s 2009 A Transnational Poetics, insofar as both critics read across hemispheres to make apparent the ways in which contemporary poetry filters and reimagines global circuits of exchange. The two differ in their theoretical commitments: whereas Ramazani draws on transnational studies, Hunter understands contemporary globality through a critique of capitalism. Accordingly, Forms of a World is the first to read Anglophone poetry of the late twentieth and twenty-first century alongside simultaneous developments in patterns of capitalist accumulation. While he acknowledges the large-scale and long-term effects wrought by the capitalist world-system since its inception approximately five hundred years ago, Hunter understands globalization as an era of capitalism that is only decades old. It follows, then, that when Hunter calls a poem “global,” he means to imply nothing in particular about subject matter, circulation, or authorship. Instead, a global poem is, for him, one that belongs to a period beginning in the 1970s, when a new production and financial system marked by transnational accumulation emerged to supplant earlier, national L O U I S E M C C U N E","PeriodicalId":44998,"journal":{"name":"CONTEMPORARY LITERATURE","volume":"60 1","pages":"300 - 304"},"PeriodicalIF":0.3,"publicationDate":"2020-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44849101","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
When Fiction Rocks! 当小说震撼!
IF 0.3 4区 文学
CONTEMPORARY LITERATURE Pub Date : 2020-06-20 DOI: 10.3368/cl.60.2.282
Jessica E. Teague
{"title":"When Fiction Rocks!","authors":"Jessica E. Teague","doi":"10.3368/cl.60.2.282","DOIUrl":"https://doi.org/10.3368/cl.60.2.282","url":null,"abstract":"n the heels of Bob Dylan’s 2016 Nobel Prize in Literature there was an immediate outpouring of debate in both academic and popular circles, on Twitter and in the press. The fury on both sides was, perhaps, predictable. Should the world’s most prestigious literary award be allowed to go to a popular rock-and-roll songwriter? Dylan himself seemed aware of the criticism, and in his unconventional Nobel acceptance speech―a twenty-seven minute spoken word recording accompanied by jazz piano―he tackled the question head on: “When I first received this Nobel Prize for Literature, I got to wondering exactly how my songs related to literature.”1 In the folksy audio-essay that follows, Dylan reflects on his many literary influences, from Buddy Holly and Lead Belly to Don Quixote, Moby Dick, and The Odyssey. Dylan claims that Odysseus, not unlike the heroes of blues ballads, is “a travelin’ man, but he’s making a lot of stops.” For Dylan, songwriters and writers of literature are influenced by the same themes, the same stories: love, loss, violence, suffering, and so on. Although Bob Dylan is not the only musician to reflect on the confluence between music and literature, his Nobel win has sparked renewed","PeriodicalId":44998,"journal":{"name":"CONTEMPORARY LITERATURE","volume":"60 1","pages":"282 - 288"},"PeriodicalIF":0.3,"publicationDate":"2020-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45856225","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Institutions, Genres, Readers 机构,体裁,读者
IF 0.3 4区 文学
CONTEMPORARY LITERATURE Pub Date : 2020-06-20 DOI: 10.3368/cl.60.2.289
Robert Higney
{"title":"Institutions, Genres, Readers","authors":"Robert Higney","doi":"10.3368/cl.60.2.289","DOIUrl":"https://doi.org/10.3368/cl.60.2.289","url":null,"abstract":"or years, the central debates in English were over method. The now-familiar terms around which those debates coalesced―surface reading, digital humanities, world literature, literary Darwinism―were united (if not haunted) by an underlying question about the legitimacy of English itself. What claims―to relevance, to funding―could be made by a discipline that couldn’t produce a coherent account of itself? In each case, to varying degrees and in different ways, proponents of new or revised methods looked outside the confines of English proper: to overlooked European theorists, to computational and data analysis, to the biological and neural sciences. They began to ask not only what literature professors should do and how they should do it but, more centrally, whether literary studies could survive at all. Perhaps this was inevitable, given the contexts of the crisis in academic labor and the downward pressure on enrollments within which any discussion of work in the humanities now takes place. Interdisciplinary borrowing as a prop to methodological innovation has a long history in English studies. But now questions about the legitimacy of such borrowing seem inextricable from questions about the discipline’s ability to perpetuate itself, and about its place within the R O B E R T H I G N E Y","PeriodicalId":44998,"journal":{"name":"CONTEMPORARY LITERATURE","volume":"60 1","pages":"289 - 299"},"PeriodicalIF":0.3,"publicationDate":"2020-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45956626","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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