CONTEMPORARY LITERATURE最新文献

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Matériel Culture: The Militourist Aesthetic of Mary McCarthy’s Vietnam War Reportage Matériel文化:玛丽·麦卡锡越战报告文学的军事美学
IF 0.3 4区 文学
CONTEMPORARY LITERATURE Pub Date : 2021-06-16 DOI: 10.3368/CL.61.2.162
M. Huang
{"title":"Matériel Culture: The Militourist Aesthetic of Mary McCarthy’s Vietnam War Reportage","authors":"M. Huang","doi":"10.3368/CL.61.2.162","DOIUrl":"https://doi.org/10.3368/CL.61.2.162","url":null,"abstract":"© 2021 by the Board of Regents of the University of Wisconsin System Now [Saigon] resembles a gigantic PX. All those white men seem to be carrying brown paper shopping bags, full of whiskey and other goodies; rows of ballpoints gleam in the breast pockets of their checked shirts. In front of his villa, a leathery oldster, in visored cap, unpacks his golf clubs from his station wagon, while his cotton-haired wife, in a flowered print dress, glasses slung round her neck, stands by, watching, her hands on her hips. As in the American vacation-land, dress is strictly informal; nobody but an Asian wears a tie or a white shirt. The Vietnamese old men and boys, in wide, conical hats, pedaling their Cyclos (the modern version of the rickshaw) in and out of the traffic pattern, the Vietnamese women in high heels and filmy ao-dais of pink, lavender, heliotrope, the signs and Welcome banners in Vietnamese actually contribute to the Stateside impression by the addition of “local” color, as though you were back in a Chinese restaurant in San Francisco or in a Japanese sukiyaki place, under swaying paper lanterns, being served by women in kimonos while you sit on mats and play at using chopsticks.","PeriodicalId":44998,"journal":{"name":"CONTEMPORARY LITERATURE","volume":"61 1","pages":"162 - 193"},"PeriodicalIF":0.3,"publicationDate":"2021-06-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43744533","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Thick as Thebes: Orientalist Style in James Merrill’s Divine Comedies 厚如底比斯:詹姆斯·梅里尔神曲中的东方主义风格
IF 0.3 4区 文学
CONTEMPORARY LITERATURE Pub Date : 2021-06-16 DOI: 10.3368/CL.61.2.221
Christopher Spaide
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引用次数: 0
Transcribing the Typescript 抄写打字稿
IF 0.3 4区 文学
CONTEMPORARY LITERATURE Pub Date : 2021-06-16 DOI: 10.3368/CL.61.2.269
G. Hart
{"title":"Transcribing the Typescript","authors":"G. Hart","doi":"10.3368/CL.61.2.269","DOIUrl":"https://doi.org/10.3368/CL.61.2.269","url":null,"abstract":"he publication of Letters to Jargon: The Correspondence between Larry Eigner and Jonathan Williams is cause for celebration. Larry Eigner’s correspondence is vast and distributed across university archives and personal collections. Some institutions have major holdings: the University of Kansas, where a repository of typescripts was established in the late 1960s by a cousin of Eigner’s who taught English there; Stanford University, which holds the papers of Robert Creeley and Denise Levertov, two early correspondents; the University of Buffalo, where the Jargon papers are held; and the Harry Ransom Humanities Research Center at the University of Texas, which holds a number of collections with Eigner correspondence, mainly his letters to Cid Corman from the 1950s and 1960s. Yet these major archival collections represent only a fraction of the letters Eigner wrote to fellow poets, friends, family members, and editors. Eigner’s significant correspondence begins as he enters into the conversations about writing among the Black Mountain poets (which includes not only Creeley, Levertov, Williams, and Corman, but also Charles Olson, Robert Duncan, and Paul Blackburn, all of whom Eigner corresponded with). It continues in the 1960s as Donald Allen’s The New American Poetry introduced this coterie poetics to a wider audience and extends into the G E O R G E H A R T","PeriodicalId":44998,"journal":{"name":"CONTEMPORARY LITERATURE","volume":"61 1","pages":"269 - 276"},"PeriodicalIF":0.3,"publicationDate":"2021-06-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45041471","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Persistence of Utopia and the Resources of Time 乌托邦的坚持与时间的资源
IF 0.3 4区 文学
CONTEMPORARY LITERATURE Pub Date : 2021-06-16 DOI: 10.3368/CL.61.2.258
J. Wagner-lawlor
{"title":"The Persistence of Utopia and the Resources of Time","authors":"J. Wagner-lawlor","doi":"10.3368/CL.61.2.258","DOIUrl":"https://doi.org/10.3368/CL.61.2.258","url":null,"abstract":"significance. It does so, in other words, by inventing “types” that serve as counter-types to those of the actuarial kind. . . . [T]he novel deploys such typifications less to disrespect [slaves’] particularity than to expose the processes that do disrespect it. . . . To understand a totalizing system one must have recourse to totalizing concepts, must move from the particular to the general and from the concrete to the abstract 266 • C O N T E M P O R A R Y L I T E R A T U R E or systemic, preserving nonetheless the integrity of the particular in and through the general abstraction.","PeriodicalId":44998,"journal":{"name":"CONTEMPORARY LITERATURE","volume":"61 1","pages":"258 - 268"},"PeriodicalIF":0.3,"publicationDate":"2021-06-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42657140","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Dead Ends of Decolonization, or Faith in the Literary? 非殖民化的死胡同,还是文学信仰?
IF 0.3 4区 文学
CONTEMPORARY LITERATURE Pub Date : 2021-03-12 DOI: 10.3368/CL.61.1.118
Asha Rogers
{"title":"The Dead Ends of Decolonization, or Faith in the Literary?","authors":"Asha Rogers","doi":"10.3368/CL.61.1.118","DOIUrl":"https://doi.org/10.3368/CL.61.1.118","url":null,"abstract":"NESCO is widely recognized as a formidable institutional protagonist in world literary culture, albeit at a remove from the day-to-day transactions of the contemporary literary world. Commissioning large-scale translation projects, intervening over legal copyright, appointing literary and intellectual heavyweights from Claude Levi-Strauss to the Birmingham Center for Contemporary Cultural Studies, UNESCO has been a considerable force in the modern history of writing and reading. Its vulnerability to forces of politicization―notoriously, the threats of divestment by some member states after UNESCO decided to grant membership to Palestine in 2011―offsets its sheer size as an international cultural organization. Given these things, it is surprising that UNESCO rarely makes more than cameo appearances in literary studies.1 Sarah Brouillette, a critic who has led much of the recent debate on literature’s imbrications in global capitalism, is well positioned to respond to this situation. Her sociological diagnoses of contemporary literature and culture in Postcolonial Writers in the Global Literary Marketplace (2007) and Literature and the","PeriodicalId":44998,"journal":{"name":"CONTEMPORARY LITERATURE","volume":"61 1","pages":"118 - 126"},"PeriodicalIF":0.3,"publicationDate":"2021-03-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49503150","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Laboratories of the Avant-Garde 前卫艺术的实验室
IF 0.3 4区 文学
CONTEMPORARY LITERATURE Pub Date : 2021-03-12 DOI: 10.3368/CL.61.1.127
Deborah M. Mix
{"title":"Laboratories of the Avant-Garde","authors":"Deborah M. Mix","doi":"10.3368/CL.61.1.127","DOIUrl":"https://doi.org/10.3368/CL.61.1.127","url":null,"abstract":"n recent years, periodical studies (and the larger field of print culture studies) has shifted how scholars approach literary movements, especially Anglo-American modernism. Journals like American Periodicals and the Journal of Modern Periodical Studies, and studies by authors including Suzanne Churchill, Patrick Collier, Lawrence Rainey, Robert Scholes, Ian Morris, and Joanne Diaz―among many others―draw our attention to how magazines and newspapers create networks of readers, writers, and artists.1 Digital humanities projects like the Modernist Journals Project (modjourn.org), the Index of Modernist Magazines ( modernistmagazines.org), the Colored Conventions Project ( coloredconventions.org), and Circulating American Magazines (circulatingamericanmagazines.org) have made it possible for students, teachers, and scholars to study periodicals from a variety of","PeriodicalId":44998,"journal":{"name":"CONTEMPORARY LITERATURE","volume":"61 1","pages":"127 - 132"},"PeriodicalIF":0.3,"publicationDate":"2021-03-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45927227","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Peeping through the Holes of a Translated Palimpsest in Jonathan Safran Foer's Tree of Codes 从乔纳森·萨夫兰·福尔的《密码树》的重写本翻译的漏洞中窥视
IF 0.3 4区 文学
CONTEMPORARY LITERATURE Pub Date : 2021-03-12 DOI: 10.3368/CL.61.1.32
K. Szymańska
{"title":"Peeping through the Holes of a Translated Palimpsest in Jonathan Safran Foer's Tree of Codes","authors":"K. Szymańska","doi":"10.3368/CL.61.1.32","DOIUrl":"https://doi.org/10.3368/CL.61.1.32","url":null,"abstract":". Walkowitz demonstrates how the work’s","PeriodicalId":44998,"journal":{"name":"CONTEMPORARY LITERATURE","volume":"61 1","pages":"32 - 65"},"PeriodicalIF":0.3,"publicationDate":"2021-03-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44104634","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Liquid Lives: Solidifying Strategies in Jon McGregor's Early Novels 流动的生命:麦格雷戈早期小说的固化策略
IF 0.3 4区 文学
CONTEMPORARY LITERATURE Pub Date : 2021-03-12 DOI: 10.3368/CL.61.1.66
Daniel Lea
{"title":"Liquid Lives: Solidifying Strategies in Jon McGregor's Early Novels","authors":"Daniel Lea","doi":"10.3368/CL.61.1.66","DOIUrl":"https://doi.org/10.3368/CL.61.1.66","url":null,"abstract":"© 2021 by the Board of Regents of the University of Wisconsin System ccording to sociologist Zygmunt Bauman, the contemporary phase of globalized modernity means always having strangers at one’s door. These strangers cannot simply be identified with the outsider, the foreigner, or the refugee, for strangerhood has become the condition of all individuals in “liquid modernity.” “Liquid” is Bauman’s metaphor for the transformation of once-solid social orders and state institutions by highly mobile, highly unpredictable global capital flows, the outcomes of which have been “[p]rogressive deregulation of labour markets and ‘flexibilization’ of work . . . , growing fragility of social positions and instability of socially recognized identities” ( Strangers 29).1 The stranger is the bane of liquid modernity, but also its ubiquitous representative. Liquidity makes strangers of citizens by uprooting them from solid social structures while demanding that they re-embed themselves within personal and collective identities increasingly characterized by impermanence and weightlessness. Discarded by political authorities that no longer consider it their role either to ensure universal economic security or to entrench citizens in civic life, the stranger is “liberated” from duty to, and","PeriodicalId":44998,"journal":{"name":"CONTEMPORARY LITERATURE","volume":"61 1","pages":"66 - 88"},"PeriodicalIF":0.3,"publicationDate":"2021-03-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46456578","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
"Draw Deep from Your Palette": Lorna Goodison's Poetics of Pigment “从调色板中汲取灵感”:洛娜·古迪森的颜料诗学
IF 0.3 4区 文学
CONTEMPORARY LITERATURE Pub Date : 2021-03-12 DOI: 10.3368/CL.61.1.89
Amy E. Elkins
{"title":"\"Draw Deep from Your Palette\": Lorna Goodison's Poetics of Pigment","authors":"Amy E. Elkins","doi":"10.3368/CL.61.1.89","DOIUrl":"https://doi.org/10.3368/CL.61.1.89","url":null,"abstract":"© 2021 by the Board of Regents of the University of Wisconsin System t has become something of a critical commonplace to evoke painting and its media when talking about Caribbean writers. For example, when Michael Gilkes writes about LeRoy Clarke from Trinidad and Tobago, he theorizes painting as a metaphor for Clarke’s use of language: “Using language as if working with tubes of paint, [Clarke] has shaped an idiosyncratic, imaginative, metaphorical, poetic discourse . . . of a rooted Caribbean sensibility” (qtd. in Robinson-Walcott 602). Gilkes’s metaphor is more felicitous than we might realize at first, in that a surprising number of Caribbean writers, especially poets, are also skilled painters, and many painter-poets showcase original paintings on their book covers. Born in Kingston in 1947, Lorna Goodison is one such poet―a major figure in West Indian and global poetry who was appointed Jamaica’s poet laureate in 2017. Earlier in her career, she was trained as an artist at the Jamaica School of Art, eventually intensifying her study of painting at the Art Students League of New York. Critics have been keenly interested in the significance of painting as a meta phor in her work but have largely neglected in-depth studies of how the concrete practice of painting might inform her literary texts as uniquely cross-artistic crafted works. I once had the chance to ask Goodison directly about the significance of color in her work―her books and her paintings. Without a moment of hesitation, she replied, “I’m a colorist!” In this essay, I follow Goodison’s colors, including her in-depth studies of color’s conspicuous absence in shades of black. At the root of all color is the science of pigment, and I suggest that pigment―painting’s A M Y E. E L K I N S","PeriodicalId":44998,"journal":{"name":"CONTEMPORARY LITERATURE","volume":"61 1","pages":"117 - 89"},"PeriodicalIF":0.3,"publicationDate":"2021-03-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47900869","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Contributors 贡献者
IF 0.3 4区 文学
CONTEMPORARY LITERATURE Pub Date : 2021-01-01 DOI: 10.3368/cl.61.4.550
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引用次数: 0
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