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DRJ volume 54 issue 3 Cover and Front matter DRJ第54卷第3期封面和封面
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2022-12-01 DOI: 10.1017/s0149767722000390
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引用次数: 0
DANCE SPREADS ITS WINGS: ISRAELI CONCERT DANCE, 1920–2010 by Ruth Eshel. 2022. Berlin/Boston: De Gruyter. 531 pp., 151 photos. $99.99 cloth, PDF, and epub. ISBN 978-3-11-074987-8; doi: 10.1515/9783110749878 舞蹈扬长而去：以色列音乐会舞蹈，1920–2010，Ruth Eshel著。2022年，柏林/波士顿：De Gruyter。531页，151张照片$99.99布料、PDF和epub。ISBN 978-3-11-074987-8；doi:10.1515/9783110749878
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2022-12-01 DOI: 10.1017/S0149767722000341
Hannah Kosstrin
{"title":"DANCE SPREADS ITS WINGS: ISRAELI CONCERT DANCE, 1920–2010 by Ruth Eshel. 2022. Berlin/Boston: De Gruyter. 531 pp., 151 photos. $99.99 cloth, PDF, and epub. ISBN 978-3-11-074987-8; doi: 10.1515/9783110749878","authors":"Hannah Kosstrin","doi":"10.1017/S0149767722000341","DOIUrl":"https://doi.org/10.1017/S0149767722000341","url":null,"abstract":"","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45866755","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Sisterhood in the City: Creating Community through Lion Dance 城市姐妹会：通过舞狮创建社区
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2022-12-01 DOI: 10.1017/S0149767722000328
Casey Avaunt
{"title":"Sisterhood in the City: Creating Community through Lion Dance","authors":"Casey Avaunt","doi":"10.1017/S0149767722000328","DOIUrl":"https://doi.org/10.1017/S0149767722000328","url":null,"abstract":"This article examines notions of “sisterhood” by focusing on an all-women's lion dance company called Gund Kwok, based in Boston's Chinatown. Gund Kwok, which limits membership to those who identify as female and Asian American, provides a space for women to perform this traditional male-only dance style. Company members have created a community of “sisters” to address layers of gendered and racial oppression. Despite concerns that scholars have raised about how community formations, such as sisterhoods, can be overly idealistic and potentially harmful, this study highlights the role of sisterhood in Gund Kwok and the important functions it serves for the group. It argues that Gund Kwok is a diverse community that draws from the ideology of sisterhood as a way of articulating Asian American cultural identity outside the scope of Western cultural frameworks and the dance's patriarchal tradition.","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45709299","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
DANCING WITH THE REVOLUTION: POWER, POLITICS, AND PRIVILEGE IN CUBA By Elizabeth B. Schwall. 2021. Chapel Hill: University of North Carolina Press. 320pp., 21 halftones. $34.95 paper. ISBN: 978-1-4696-6297-8. $95.00 hardcover. ISBN: 978-1-4696-6296-1. $27.99 e-book. ISBN: 978-1-4696-6298-5. 《与革命共舞:古巴的权力、政治和特权》，伊丽莎白·施沃尔著，2021。教堂山:北卡罗来纳大学出版社，320页。， 21个半音调。34.95美元。ISBN: 978-1-4696-6297-8。精装书95.00美元。ISBN: 978-1-4696-6296-1。27.99美元的电子书。ISBN: 978-1-4696-6298-5。
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2022-12-01 DOI: 10.1017/S0149767722000353
Maya J. Berry
{"title":"DANCING WITH THE REVOLUTION: POWER, POLITICS, AND PRIVILEGE IN CUBA By Elizabeth B. Schwall. 2021. Chapel Hill: University of North Carolina Press. 320pp., 21 halftones. $34.95 paper. ISBN: 978-1-4696-6297-8. $95.00 hardcover. ISBN: 978-1-4696-6296-1. $27.99 e-book. ISBN: 978-1-4696-6298-5.","authors":"Maya J. Berry","doi":"10.1017/S0149767722000353","DOIUrl":"https://doi.org/10.1017/S0149767722000353","url":null,"abstract":"in Mandate Palestine in the 1920s and 1930s (27–29, 39), because so many Jewish choreographers were influenced by German body culture, I desired amore critical engagement with the implications of understanding this corporeality, especially because Eshel discusses the Holocaust and the turning-inward of Jewish dance in Mandate Palestine during World War II (36–45). Another conversation that deserves more space is about Palestinian and non-Jewish Arab dancers (324– 332). The majority of the Arab dancers Eshel discusses are based in Israel, not the West Bank or Gaza; readers would benefit from contextualization of the social conditions for Christian and Muslim Arab choreographers who are citizens of Israel. Lastly,Esheleffectivelyaddressesqueerpresences in Israeli dance fromthe1990s to thepresent. Her study would be well-served by a companion conversation about queerness, however closeted, among the dance figures she discusses in the early and mid-twentieth century. Dance Spreads Its Wings significantly documents established and emerging histories of Israeli concert dance from a local perspective. Its compendium focus expands the scope of established narratives available in English and brings lesser-known dancers into the discourse. The book provides important reference material for students and researchers seeking to understand the scope of Israeli concert dance history and scholarship. Within field-level approaches to localize dance studies, having Eshel’s work translated into English importantly enables conversations about Israeli concert dance in both local and global contexts.","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42254966","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Dada Masilo's Giselle: A Decolonial Love Story 达达·马西洛的《吉赛尔》：一个非殖民化的爱情故事
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2022-12-01 DOI: 10.1017/S0149767722000304
Rainy Demerson
{"title":"Dada Masilo's Giselle: A Decolonial Love Story","authors":"Rainy Demerson","doi":"10.1017/S0149767722000304","DOIUrl":"https://doi.org/10.1017/S0149767722000304","url":null,"abstract":"This article presents a polycentric Africanist reading of Dada Masilo's Giselle, which debuted in South Africa in 2017. Although ballet was used as a tool of colonization in South Africa, establishing cultural and aesthetic norms from a European paradigm, while undermining Indigenous arts and excluding non-white artists, I argue that Dada Masilo's choreographic choices employ the narrative of Giselle to decolonize through ballet. Masilo's choreography indigenizes the ballet, transforming local and global practices through an Indigenous lens. Dada Masilo's Giselle embodies African philosophies such as ancestorism, as well as gender fluidity and complementarity. It mobilizes techniques such as signifyin(g), comedic resistance, code-switching, battling, shouting, and critically reappropriating Tswana and diasporic movements in order to convey a distinctly South African version of the European ballet. This work transcends the romantic love of Giselle in order to convey a decolonial love by centering South African ways of knowing and being in the world.","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46809693","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
FUNDING BODIES: FIVE DECADES OF DANCE MAKING AT THE NATIONAL ENDOWMENT FOR THE ARTS by Sarah Wilbur. 2021. Middletown: CT: Wesleyan University Press. 296 pp., 18 photos. $26.95 paper. ISBN: 9780819580528. $95.00 hardcover. ISBN: 9780819580511. 资助机构:国家艺术基金会五十年的舞蹈制作，莎拉·威尔伯，2021。米德尔敦:CT:卫斯理大学出版社，296页，18张照片。26.95美元。ISBN: 9780819580528。精装书95.00美元。ISBN: 9780819580511。
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2022-12-01 DOI: 10.1017/S0149767722000377
Rebecca Fitton
{"title":"FUNDING BODIES: FIVE DECADES OF DANCE MAKING AT THE NATIONAL ENDOWMENT FOR THE ARTS by Sarah Wilbur. 2021. Middletown: CT: Wesleyan University Press. 296 pp., 18 photos. $26.95 paper. ISBN: 9780819580528. $95.00 hardcover. ISBN: 9780819580511.","authors":"Rebecca Fitton","doi":"10.1017/S0149767722000377","DOIUrl":"https://doi.org/10.1017/S0149767722000377","url":null,"abstract":"","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48638696","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
DANCING ON VIOLENT GROUND: UTOPIA AS DISPOSSESSION IN EURO-AMERICAN THEATER DANCE by Arabella Stanger. 2021. Evanston: Northwestern University Press. 248 pp., 12 b-w images. $34.95 paper. ISBN 9780810144088 $99.95 hardcover. ISBN 9780810144095. 《在暴力的土地上跳舞:乌托邦在欧美剧场舞蹈中的剥夺》，作者:阿拉贝拉·斯坦格，2021。埃文斯顿:西北大学出版社，248页，12张黑白图片。34.95美元。ISBN 9780810144088精装本99.95美元。ISBN 9780810144095。
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2022-12-01 DOI: 10.1017/S0149767722000365
Tria Blu Wakpa
{"title":"DANCING ON VIOLENT GROUND: UTOPIA AS DISPOSSESSION IN EURO-AMERICAN THEATER DANCE by Arabella Stanger. 2021. Evanston: Northwestern University Press. 248 pp., 12 b-w images. $34.95 paper. ISBN 9780810144088 $99.95 hardcover. ISBN 9780810144095.","authors":"Tria Blu Wakpa","doi":"10.1017/S0149767722000365","DOIUrl":"https://doi.org/10.1017/S0149767722000365","url":null,"abstract":"US-) American modern dance history. Forced to contend with precarious institutional support, ever contingent upon competing geo-political interests, innovative cultural/knowledgeproduction in andaboutCuba is accompanied by many frustrations and disappointment. In a sense, Schwall’s offering exemplifies what artists/ scholars on both sides of the Florida Strait continue to struggle for: space to push forward the kinds of conversations across difference that are not openly had in othermediums. At the same time, the struggles with state partnerships chronicled therein might incitemore curiosity aboutdancing communities outside its scope. Particularly, those dance makers whose innovations can be credited to the extent that they have remained circumspect about the state as a reliable partner. General dance studies readers and Latin American dance studies readers, specifically,will certainly gain adeeper appreciation for the art of continuing todancewith statepartners as they change over time, andwhat careful comparisons can glean about the unequal footings within revolution.","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47199977","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 7
Dance as Cultural Practice vs. Religious Piety: Acehnese Dance in Banda Aceh and Yogyakarta 舞蹈作为文化实践与宗教虔诚：班达亚齐和日惹的亚齐舞蹈
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2022-12-01 DOI: 10.1017/S0149767722000274
Maho A. Ishiguro
{"title":"Dance as Cultural Practice vs. Religious Piety: Acehnese Dance in Banda Aceh and Yogyakarta","authors":"Maho A. Ishiguro","doi":"10.1017/S0149767722000274","DOIUrl":"https://doi.org/10.1017/S0149767722000274","url":null,"abstract":"This article examines contrasting strategies that the practitioners of Acehnese dance in two Indonesian cities, Yogyakarta and Banda Aceh, sagely create to legitimize their participation in the arts in today's increasingly conservative religious climate in Indonesia. Islam in Yogyakarta has drifted away from a historically syncretic, localized form and toward a more conservative form. This shift has impacted Yogyakarta's Muslim dancers’ views on which kind of arts they deem appropriate to take part in. In particular, as they seek to maintain their religious identity and practice religious principles in order to be connected to a modern, globalized Islam, they choose to leave a local dance tradition for Acehnese dance, a tradition that originated in a province three thousand kilometers away. In Banda Aceh, the post-tsunami period (2004–present) sees religious leaders’ contestations toward the performing arts becoming part of the province's administrative system under sharia law, posing new challenges and risks.","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47227965","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
THE BODY IN CRISIS: NEW PATHWAYS AND SHORT CIRCUITS IN REPRESENTATION by Christine Greiner. 2021. Translation by Christopher Larkosh and Grace Holleran. Ann Arbor: University of Michigan Press. 140 pp. $29.95 paper. ISBN: 0472038664, ISBN-10: 978-0472038664. doi: 10.3998/mpub.11883180. 克里斯蒂娜·格雷纳的《危机中的身体：新的途径和表现中的短路》。2021。克里斯托弗·拉科什和格蕾丝·霍勒兰翻译。安娜堡：密歇根大学出版社。140页，论文29.95美元。ISBN:0472038664，ISBN-10:978-0472038664。doi:10.3998/pub.11883180。
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2022-12-01 DOI: 10.1017/S0149767722000389
R. Monteiro
{"title":"THE BODY IN CRISIS: NEW PATHWAYS AND SHORT CIRCUITS IN REPRESENTATION by Christine Greiner. 2021. Translation by Christopher Larkosh and Grace Holleran. Ann Arbor: University of Michigan Press. 140 pp. $29.95 paper. ISBN: 0472038664, ISBN-10: 978-0472038664. doi: 10.3998/mpub.11883180.","authors":"R. Monteiro","doi":"10.1017/S0149767722000389","DOIUrl":"https://doi.org/10.1017/S0149767722000389","url":null,"abstract":"","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47645727","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Contamination in Cuban Modern Dance Histories 古巴现代舞蹈史上的污染
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2022-12-01 DOI: 10.1017/S0149767722000316
Elizabeth Schwall
{"title":"Contamination in Cuban Modern Dance Histories","authors":"Elizabeth Schwall","doi":"10.1017/S0149767722000316","DOIUrl":"https://doi.org/10.1017/S0149767722000316","url":null,"abstract":"This article examines how and why Cuban modern dancers and their scholars cite several white US dancers as forebearers in their nationalistic, anti-imperialistic, and anti-racist dance tradition. I use “contamination” to analyze this complicated topic, which threatens to unfairly center US dancers at Cubans’ expense or to romantically caricature Cubans defying US imperialism with a nationalist hybrid. Multidirectional, indeterminate contamination moves us away from narratives about US culture as a homogenizing force or a vanquished one. Contamination also importantly connotes stink, given that it is a product of imperialism and capitalism bringing far-flung people into close encounters. US contamination in Cuban modern dance histories, then, pushes attention to the shadowy reaches of the unseemly and incongruous—stylistic impurity, structural racism, historiographic neglect, revolutionary disaffection, and failure. Seeing the regrettable provides a fuller picture of the past, including the often-overlooked reality of shared damage and destructibility.","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.6,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46540554","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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