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IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2023-04-01 DOI: 10.1017/s0149767700008317
Svetlana Suveica, Jill Massino
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引用次数: 0
INFINITE REPERTOIRE: ON DANCE AND URBAN POSSIBILITY IN POSTSOCIALIST GUINEA by Adrienne J. Cohen. 2021. Chicago: University of Chicago Press. 216 pp., 42 illustrations. $105.00 hardcover, ISBN: 9780226762845. $35.00 paper, ISBN: 9780226781020. $34.99 PDF, ISBN: 978022678167 《无限曲目:后社会主义几内亚的舞蹈与城市可能性》，艾德丽安·j·科恩著，2021。芝加哥:芝加哥大学出版社，216页，42幅插图。$105.00精装本，ISBN: 9780226762845。35美元纸质版，ISBN: 9780226781020。34.99美元pdf, isbn: 978022678167
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2023-04-01 DOI: 10.1017/S0149767723000098
D. Ross
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引用次数: 0
Choreography as Ideology: Dance Heritage, Performance Politics, and the Former Yugoslavia 作为意识形态的编舞:舞蹈传承、表演政治与前南斯拉夫
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2023-04-01 DOI: 10.1017/S0149767723000013
Filip Petkovski
{"title":"Choreography as Ideology: Dance Heritage, Performance Politics, and the Former Yugoslavia","authors":"Filip Petkovski","doi":"10.1017/S0149767723000013","DOIUrl":"https://doi.org/10.1017/S0149767723000013","url":null,"abstract":"In this article I discuss the process of choreographing “traditional” and “folk” dances in the former Yugoslavia, aligned with Yugoslav socialist ideologies that glorified the collective cultural authorship of the people, which allowed for these dances to adopt a new dimension as they took the form of a choreographed spectacle. I explain how Yugoslav choreographers utilized archival research to create a repertoire of choreographic representations of Yugoslav identity in constructing what I theorize as heritage choreography. Reflecting on how ideology moved the collective body of the Yugoslav people through choreographed works deemed as heritage, I broaden the understanding of choreographing that differs from Western concert dance practices. Furthermore, I provide alternative examples of dance making that are rooted in local understandings of spectacle, thereby enriching the conversation about what the act of choreographing entails.","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":"55 1","pages":"98 - 119"},"PeriodicalIF":0.6,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42325294","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Antonia Mercé “La Argentina” in the Philippines: Spanish Dance and Colonial Gesture 菲律宾的“阿根廷”:西班牙舞蹈和殖民姿态
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2022-12-01 DOI: 10.1017/S014976772200033X
Idoia Murga Castro
{"title":"Antonia Mercé “La Argentina” in the Philippines: Spanish Dance and Colonial Gesture","authors":"Idoia Murga Castro","doi":"10.1017/S014976772200033X","DOIUrl":"https://doi.org/10.1017/S014976772200033X","url":null,"abstract":"This article examines Antonia Mercé La Argentina's stay in Manila in 1929 and the creation of her solo La Cariñosa as a case study to analyze the place of Spanish dance as both colonizing and colonized on the basis of the cultural legacies since Romanticism, when Spanish dance was an exoticized and racialized “Other dance” in relation to the canon and hierarchies of Western dance. La Argentina's supposed homage to the Filipino people in the creation of a solo that stylized their national dance performed for Western audiences continued the exercise of colonial power. The result of those processes of appropriation would be the creation of a repertoire of “Hispanic essences” of that constructed postcolonial “community”; a catalogue equivalent to the rock-hard monumentality of a Hispanidad—the commemoration through Columbus statues and colonial architecture—now celebrated from the body, its performativity, its symbolism, and its gesture.","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":"54 1","pages":"45 - 67"},"PeriodicalIF":0.6,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46456133","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
DRJ volume 54 issue 3 Cover and Back matter DRJ第54卷第3期封面和封底
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2022-12-01 DOI: 10.1017/s0149767722000407
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引用次数: 0
DANCE SPREADS ITS WINGS: ISRAELI CONCERT DANCE, 1920–2010 by Ruth Eshel. 2022. Berlin/Boston: De Gruyter. 531 pp., 151 photos. $99.99 cloth, PDF, and epub. ISBN 978-3-11-074987-8; doi: 10.1515/9783110749878 舞蹈扬长而去：以色列音乐会舞蹈，1920–2010，Ruth Eshel著。2022年，柏林/波士顿：De Gruyter。531页，151张照片$99.99布料、PDF和epub。ISBN 978-3-11-074987-8；doi:10.1515/9783110749878
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2022-12-01 DOI: 10.1017/S0149767722000341
Hannah Kosstrin
{"title":"DANCE SPREADS ITS WINGS: ISRAELI CONCERT DANCE, 1920–2010 by Ruth Eshel. 2022. Berlin/Boston: De Gruyter. 531 pp., 151 photos. $99.99 cloth, PDF, and epub. ISBN 978-3-11-074987-8; doi: 10.1515/9783110749878","authors":"Hannah Kosstrin","doi":"10.1017/S0149767722000341","DOIUrl":"https://doi.org/10.1017/S0149767722000341","url":null,"abstract":"","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":"54 1","pages":"108 - 110"},"PeriodicalIF":0.6,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45866755","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
DRJ volume 54 issue 3 Cover and Front matter DRJ第54卷第3期封面和封面
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2022-12-01 DOI: 10.1017/s0149767722000390
{"title":"DRJ volume 54 issue 3 Cover and Front matter","authors":"","doi":"10.1017/s0149767722000390","DOIUrl":"https://doi.org/10.1017/s0149767722000390","url":null,"abstract":"","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":" ","pages":"f1 - f6"},"PeriodicalIF":0.6,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47987754","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
DANCING WITH THE REVOLUTION: POWER, POLITICS, AND PRIVILEGE IN CUBA By Elizabeth B. Schwall. 2021. Chapel Hill: University of North Carolina Press. 320pp., 21 halftones. $34.95 paper. ISBN: 978-1-4696-6297-8. $95.00 hardcover. ISBN: 978-1-4696-6296-1. $27.99 e-book. ISBN: 978-1-4696-6298-5. 《与革命共舞:古巴的权力、政治和特权》，伊丽莎白·施沃尔著，2021。教堂山:北卡罗来纳大学出版社，320页。， 21个半音调。34.95美元。ISBN: 978-1-4696-6297-8。精装书95.00美元。ISBN: 978-1-4696-6296-1。27.99美元的电子书。ISBN: 978-1-4696-6298-5。
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2022-12-01 DOI: 10.1017/S0149767722000353
Maya J. Berry
{"title":"DANCING WITH THE REVOLUTION: POWER, POLITICS, AND PRIVILEGE IN CUBA By Elizabeth B. Schwall. 2021. Chapel Hill: University of North Carolina Press. 320pp., 21 halftones. $34.95 paper. ISBN: 978-1-4696-6297-8. $95.00 hardcover. ISBN: 978-1-4696-6296-1. $27.99 e-book. ISBN: 978-1-4696-6298-5.","authors":"Maya J. Berry","doi":"10.1017/S0149767722000353","DOIUrl":"https://doi.org/10.1017/S0149767722000353","url":null,"abstract":"in Mandate Palestine in the 1920s and 1930s (27–29, 39), because so many Jewish choreographers were influenced by German body culture, I desired amore critical engagement with the implications of understanding this corporeality, especially because Eshel discusses the Holocaust and the turning-inward of Jewish dance in Mandate Palestine during World War II (36–45). Another conversation that deserves more space is about Palestinian and non-Jewish Arab dancers (324– 332). The majority of the Arab dancers Eshel discusses are based in Israel, not the West Bank or Gaza; readers would benefit from contextualization of the social conditions for Christian and Muslim Arab choreographers who are citizens of Israel. Lastly,Esheleffectivelyaddressesqueerpresences in Israeli dance fromthe1990s to thepresent. Her study would be well-served by a companion conversation about queerness, however closeted, among the dance figures she discusses in the early and mid-twentieth century. Dance Spreads Its Wings significantly documents established and emerging histories of Israeli concert dance from a local perspective. Its compendium focus expands the scope of established narratives available in English and brings lesser-known dancers into the discourse. The book provides important reference material for students and researchers seeking to understand the scope of Israeli concert dance history and scholarship. Within field-level approaches to localize dance studies, having Eshel’s work translated into English importantly enables conversations about Israeli concert dance in both local and global contexts.","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":"54 1","pages":"110 - 113"},"PeriodicalIF":0.6,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42254966","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sisterhood in the City: Creating Community through Lion Dance 城市姐妹会：通过舞狮创建社区
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2022-12-01 DOI: 10.1017/S0149767722000328
Casey Avaunt
{"title":"Sisterhood in the City: Creating Community through Lion Dance","authors":"Casey Avaunt","doi":"10.1017/S0149767722000328","DOIUrl":"https://doi.org/10.1017/S0149767722000328","url":null,"abstract":"This article examines notions of “sisterhood” by focusing on an all-women's lion dance company called Gund Kwok, based in Boston's Chinatown. Gund Kwok, which limits membership to those who identify as female and Asian American, provides a space for women to perform this traditional male-only dance style. Company members have created a community of “sisters” to address layers of gendered and racial oppression. Despite concerns that scholars have raised about how community formations, such as sisterhoods, can be overly idealistic and potentially harmful, this study highlights the role of sisterhood in Gund Kwok and the important functions it serves for the group. It argues that Gund Kwok is a diverse community that draws from the ideology of sisterhood as a way of articulating Asian American cultural identity outside the scope of Western cultural frameworks and the dance's patriarchal tradition.","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":"54 1","pages":"91 - 106"},"PeriodicalIF":0.6,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45709299","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Dada Masilo's Giselle: A Decolonial Love Story 达达·马西洛的《吉赛尔》：一个非殖民化的爱情故事
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2022-12-01 DOI: 10.1017/S0149767722000304
Rainy Demerson
{"title":"Dada Masilo's Giselle: A Decolonial Love Story","authors":"Rainy Demerson","doi":"10.1017/S0149767722000304","DOIUrl":"https://doi.org/10.1017/S0149767722000304","url":null,"abstract":"This article presents a polycentric Africanist reading of Dada Masilo's Giselle, which debuted in South Africa in 2017. Although ballet was used as a tool of colonization in South Africa, establishing cultural and aesthetic norms from a European paradigm, while undermining Indigenous arts and excluding non-white artists, I argue that Dada Masilo's choreographic choices employ the narrative of Giselle to decolonize through ballet. Masilo's choreography indigenizes the ballet, transforming local and global practices through an Indigenous lens. Dada Masilo's Giselle embodies African philosophies such as ancestorism, as well as gender fluidity and complementarity. It mobilizes techniques such as signifyin(g), comedic resistance, code-switching, battling, shouting, and critically reappropriating Tswana and diasporic movements in order to convey a distinctly South African version of the European ballet. This work transcends the romantic love of Giselle in order to convey a decolonial love by centering South African ways of knowing and being in the world.","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":"54 1","pages":"8 - 25"},"PeriodicalIF":0.6,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46809693","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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