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Crowded White Spaces: Dîner en Blanc and the Place-Based Contingencies of Choreography 拥挤的白色空间:黑暗的白色和编舞的基于地点的偶然性
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2023-09-14 DOI: 10.1017/s0149767723000220
Alana Gerecke
{"title":"Crowded White Spaces: Dîner en Blanc and the Place-Based Contingencies of Choreography","authors":"Alana Gerecke","doi":"10.1017/s0149767723000220","DOIUrl":"https://doi.org/10.1017/s0149767723000220","url":null,"abstract":"This spatial and contextual approach to the performance of assembly takes Dîner en Blanc, an annual pop-up picnic, as a case study. Ethnographic and choreographic analyses of the 2018 picnic event in Vancouver, Canada, ground a critique of the dynamics of site specificity and host/guest relations that drive this local expression of a global event. Drawing on a range of performance and decolonial theorists, this place-based movement analysis of the event foregrounds the recolonizing implications of staging aesthetically whitewashed culinary choreographies on the unceded and traditional territories of the Squamish, Musqueam, and Tsleil-Waututh First Nations.","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":"68 9","pages":""},"PeriodicalIF":0.6,"publicationDate":"2023-09-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"50167144","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Crowded Choreographies: From Assembly to Association and Back Again 拥挤的舞蹈：从集会到结社再回来
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2023-08-17 DOI: 10.1017/s0149767723000219
A. Kimmel
{"title":"Crowded Choreographies: From Assembly to Association and Back Again","authors":"A. Kimmel","doi":"10.1017/s0149767723000219","DOIUrl":"https://doi.org/10.1017/s0149767723000219","url":null,"abstract":"Motivated by Melissa Ziad's balletic protest within Algeria's Hirak demonstrations, this article recuperates a distinction between the right to assembly and the right to free speech, constitutional guarantees blurred under contemporary rhetoric of association. By applying methods of dance studies to legal interpretation, it shifts crowd theory away from an anxiety of touch toward a copresence that allows for constituent power of the people to be reclaimed. Therefore, it intervenes within a broader discourse of the legal humanities that privileges the logocentric over embodied ways of knowing.","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":"1 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2023-08-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46132388","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
DUNHAM'S DATA: KATHERINE DUNHAM AND DIGITAL METHODS FOR DANCE HISTORICAL INQUIRY by Kate Elswit, Harmony Bench, Antonio Jimenez-Mavillard, Tia-Monique Uzor, and Takiyah Nur Amin https://www.dunhamsdata.org/ 邓罕的数据：凯特-埃尔斯维特、哈莫尼-本奇、安东尼奥-希门尼斯-马维拉德、蒂亚-莫尼克-乌佐尔和塔基亚-努尔-阿明的《凯瑟琳-邓汉姆与舞蹈史研究的数字方法》 https://www.dunhamsdata.org/
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2023-08-01 DOI: 10.1017/S0149767723000256
Jessica Rajko
{"title":"DUNHAM'S DATA: KATHERINE DUNHAM AND DIGITAL METHODS FOR DANCE HISTORICAL INQUIRY by Kate Elswit, Harmony Bench, Antonio Jimenez-Mavillard, Tia-Monique Uzor, and Takiyah Nur Amin https://www.dunhamsdata.org/","authors":"Jessica Rajko","doi":"10.1017/S0149767723000256","DOIUrl":"https://doi.org/10.1017/S0149767723000256","url":null,"abstract":"","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":"36 1","pages":"98 - 101"},"PeriodicalIF":0.6,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139352605","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
STAGING BRAZIL: CHOREOGRAPHIES OF CAPOEIRA by Ana Paula Höfling. 2019. Middletown, CT: Wesleyan University Press. 225 pp., 40 illustrations. $8.25 paper, ISBN: 9780819578815 STAGING BRAZIL: CHOREOGRAPHIES OF CAPOEIRA》，安娜-保拉-霍夫林（Ana Paula Höfling）著。2019.康涅狄格州米德尔敦：卫斯理安大学出版社。225 页，40 幅插图。纸质版 8.25 美元，ISBN：9780819578815
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2023-08-01 DOI: 10.1017/S0149767723000232
Cindy García
{"title":"STAGING BRAZIL: CHOREOGRAPHIES OF CAPOEIRA by Ana Paula Höfling. 2019. Middletown, CT: Wesleyan University Press. 225 pp., 40 illustrations. $8.25 paper, ISBN: 9780819578815","authors":"Cindy García","doi":"10.1017/S0149767723000232","DOIUrl":"https://doi.org/10.1017/S0149767723000232","url":null,"abstract":"","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":"150 1","pages":"96 - 98"},"PeriodicalIF":0.6,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139352878","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
DRJ volume 55 issue 2 Cover and Front matter DRJ 第 55 卷第 2 期封面和封底
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2023-08-01 DOI: 10.1017/s0149767723000323
{"title":"DRJ volume 55 issue 2 Cover and Front matter","authors":"","doi":"10.1017/s0149767723000323","DOIUrl":"https://doi.org/10.1017/s0149767723000323","url":null,"abstract":"","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":"76 1","pages":"f1 - f5"},"PeriodicalIF":0.6,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139352217","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
FEELS RIGHT: BLACK QUEER WOMEN AND THE POLITICS OF PARTYING IN CHICAGO by Kemi Adeyemi. 2022. Durham, NC: Duke University Press. 176 pp. 北卡罗来纳州达勒姆：杜克大学出版社，176 页。
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2023-08-01 DOI: 10.1017/S0149767723000207
Raquel Monroe
{"title":"FEELS RIGHT: BLACK QUEER WOMEN AND THE POLITICS OF PARTYING IN CHICAGO by Kemi Adeyemi. 2022. Durham, NC: Duke University Press. 176 pp.","authors":"Raquel Monroe","doi":"10.1017/S0149767723000207","DOIUrl":"https://doi.org/10.1017/S0149767723000207","url":null,"abstract":"","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":"94 1","pages":"94 - 96"},"PeriodicalIF":0.6,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139352403","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
DRJ volume 55 issue 2 Cover and Back matter DRJ 第 55 卷第 2 期封面和封底
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2023-08-01 DOI: 10.1017/s0149767723000335
{"title":"DRJ volume 55 issue 2 Cover and Back matter","authors":"","doi":"10.1017/s0149767723000335","DOIUrl":"https://doi.org/10.1017/s0149767723000335","url":null,"abstract":"","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":"34 1","pages":"b1 - b2"},"PeriodicalIF":0.6,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139352707","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Abyssal Choreography: The Ropedancer's Unsettling Agency and Philippe Petit's Walks 深渊编舞:绳索舞者的令人不安的机构和菲利普·佩蒂的散步
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2023-07-17 DOI: 10.1017/s0149767723000189
Daphna Ben-Shaul
{"title":"Abyssal Choreography: The Ropedancer's Unsettling Agency and Philippe Petit's Walks","authors":"Daphna Ben-Shaul","doi":"10.1017/s0149767723000189","DOIUrl":"https://doi.org/10.1017/s0149767723000189","url":null,"abstract":"This article explores the cultural figure of the ropedancer and focuses on the influential performance of Philippe Petit in two of his walks. The high-wire walker plays a significant role discussed within three frameworks: a philosophical and urban discussion offering interwoven perspectives; the iconic walk at the World Trade Center in New York in 1974; and Petit's high-wire crossing performed in Jerusalem's geopolitical context in 1987. Ropedancing is an “abyssal choreography”—a movement at a high altitude above the depth with maximum control on the verge of losing balance. As related to specific walks, this movement embodies a dialectic agency. It transcends local narratives but empowers and critically exposes them. It requires meticulous discipline and unbounded creativity, and it is linked to oppositional positions between which the ropedancer can unsettlingly fluctuate. This movement activates danger or crisis while moving over the abyss as a vector connecting places, times, and events.","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":"68 4","pages":""},"PeriodicalIF":0.6,"publicationDate":"2023-07-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"50167145","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Dancing Modernism / Performing Politics 舞蹈现代主义/表演政治
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2023-05-02 DOI: 10.2307/1478243
Mark Franko
{"title":"Dancing Modernism / Performing Politics","authors":"Mark Franko","doi":"10.2307/1478243","DOIUrl":"https://doi.org/10.2307/1478243","url":null,"abstract":"Introduction 1. The Invention of Modern Dance 2. Bodies of Radical Will 3. Emotivist Movement and Histories of Modernism: The Case of Martha Graham 4. Expressivism and Chance Procedure: The Future of an Emotion 5. Where He Danced Appendix: Left-Wing Dance Theory: Articles on dance from New Theatre, New Masses, and Daily Worker Notes Bibliography Index","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":"29 1","pages":"85 - 88"},"PeriodicalIF":0.6,"publicationDate":"2023-05-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/1478243","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46873648","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 115
An Artist Speaks “The intellect travels in many different directions”: Talkin’ with Eleo Pomare (1937–2008) “智力在许多不同的方向上旅行”:与Eleo Pomare(1937-2008)谈话
IF 0.6 2区 艺术学
DANCE RESEARCH JOURNAL Pub Date : 2023-04-01 DOI: 10.1017/s0149767723000104
R. Fensham
{"title":"An Artist Speaks “The intellect travels in many different directions”: Talkin’ with Eleo Pomare (1937–2008)","authors":"R. Fensham","doi":"10.1017/s0149767723000104","DOIUrl":"https://doi.org/10.1017/s0149767723000104","url":null,"abstract":"This interview with Eleo Pomare focuses on his role as the choreographer of mature creative works that intermingle with his formation as a Black artist and activist after he returned from Europe to live and work in New York in the mid-1960s. It begins with discussion of his creative work in the community during the period of the Vietnam War and the movement for civil rights. Pomare reflects upon his early training and choreographic experiments as well as describes the construction of some of his best-known performance works. He ends with some thoughts on political advocacy and his influence on dance policy and dance criticism, and throughout the conversation Pomare shares insights about his philosophy as a Black dance artist.","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":"55 1","pages":"68 - 80"},"PeriodicalIF":0.6,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44774104","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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